Galerie Greta Meert In Ocula Magazine

Despina Zefkili navigates the vast group exhibition Portals at NEON at the former Public Tobacco Factory in Athens.

John Yau describes the lives and works of three overlooked figures of modernism: Leo Amino, Minoru Niizuma, and John Pai.

Gallery Weekend Berlin launches its second event of the year with galleries presenting artists whose work is lesser known to the broader public.

Loie Hollowell's geometric compositions use a personal lexicon of symbolic forms derived from religious iconography and architecture.

KÖNIG Galerie also opened in the city recently, while Pace Gallery expanded, boosting speculation Frieze will launch a Seoul fair next year.

Ocula's editors select their picks from OVR: Pioneers, Art Basel's online platform featuring artists who have forged new trajectories in art.

Pace Gallery's latest exhibition in New York highlights the sculptural collaborations of artist-duo Claes Oldenburg and Coosje van Bruggen.

Lubna Chowdhary presents her latest exhibition with Mumbai-based gallery Jhaveri Contemporary.

Ocula Magazine's editors present their selections Latin American art to seek out at Art Basel OVR: Miami Beach.

The digital showcase of 20th century art takes place from 28–31 October.

Georges Armaos has a formula for creating art sites that succeed publicly, critically, and financially.

Ocula presents a selection of exhibitions to catch during the 7th edition of Paris Gallery Weekend.

Sotheby's, Christie's, Phillips and Bonham's have changed what they're selling and how they're selling it for major auctions taking place over the next two weeks.

Prices didn't reach the heights of the physical fair in 2019, but over a dozen works exceeded the million dollar mark.

In Berlin, where the pandemic permits, digital viewing rooms are being remade offline. Elsewhere, galleries are mounting ever richer online presentations.

Sales of works on paper and illustrated face masks will support charities and struggling art institutions.

Galleries have reported stronger than anticipated sales at Frieze New York's Viewing Rooms, which opened to VIPs on 6 May. The online event, initiated after the physical fair was cancelled due to COVID-19, opens to the public from 8-15 May.

For John Baldessari, processes of cropping, alteration, and erasure would come to define his practice.

For its 18th edition in Miami Beach, 269 leading international modern and contemporary art galleries from across the world exhibited artworks by over 4,000 artists.

Today, I don't say that I come from the social sciences as a way of legitimising my art practice. I say that one could look at what I do as an alternative form of social science, a form I've been wrestling with for the past 20 years.

Speculation for the lack of buzz became a common talking point. Was it because of Trump? Zika? Fatigue?

Eighty artists participated in the exhibition, which aimed to examine the role artists play in questioning the power involved in the preservation (or exclusion) of public archives.

I began to feel that collecting was a very selfish thing because you see it, your family sees it, friends see it, but the general public doesn't.

Given Manifesta’s budget of a reported 5 million francs—with an alleged 8000 euros going to each of the artists to produce work—the biennial would have been better titled ‘What people do for no money’