A group of voices accompanies me in the exhibition. They are singing words I cannot comprehend, yet the warm tunes are familiar: folk songs, love songs, songs of longing. There are letters, too. They speak of the quotidian details of a soldier's life: the hardness of the war, sending money to the family, and longing for familiar landscapes, food,...
There has been a flurry of triennial and biennial art activity in Japan this year. The Aichi Triennale opened in Nagoya this August, sparking a national debate about the shutting down of a display of formerly censored works—the result of public backlash against a burnt image of Emperor Hirohito and a statue commemorating the women forced into...
Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...
Michael Taylor has observed the changing colours and atmospheric conditions of NSW’s Monaro district and southern coastline for over forty years. Dominated by a range of blues and purples from light to dark, this exhibition records night, sea, sky and rain. His paintings draw on his infinitely textured experience of nature – its moods and elemental sensations. Their expressive sweep of energy also charts his own movement within the landscape, either on foot or by car. Time, space, water and light are exhilaratingly conflated into vivid, shifting concentrations of paint and colour.
This exhibition comes after Taylor’s first complete survey, Michael Taylor: 1963–2016, was presented at the Canberra Museum and Gallery in 2016. Taylor has exhibited regularly since 1963 after completing his diploma at the National Art School (then East Sydney Technical College). In 1971 he relocated to the Monaro region south of Canberra and today divides his time between his property in Cooma and the far south coast.
The National Gallery of Australia holds the most extensive collection of Taylor’s works, numbering 115 paintings, collages and drawings. He is also included in the collections of BHP, Joye Art Foundation, High Court of Australia, Parliament House Art Collection, Artbank, Art Gallery of NSW, National Gallery of Victoria, Queensland Art Gallery, Art Gallery of Western Australia and the Art Gallery of South Australia.
Taylor has participated in important international and Australian exhibitions including the Biennale des Jeunes, Paris (1963); Contemporary Australian Painting, Los Angeles (1966); Australian Art Today, touring South-East Asia (1969); Ten Australians, touring Europe (1974–75); Landscape and Abstraction, Nolan Gallery (1986); I had a dream, NGV (1996); and more recently, Moist, NGA (2005); and Fireworks, touring QLD, NSW and VIC regional galleries (2005).
This will be the artist’s fifth solo show at Gallery 9.
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