Ocula Report ART X Lagos: Nigeria’s Art Renaissance 17 Nov 2018 : Jareh Das for Ocula Nigeria's art scene has flourished over the last decade, leading to a renewed interest in cultivating and supporting modern and contemporary art in the country. Ranked Africa's largest economy in 2017, making up 0.8 percent of the world's GDP, a surge in wealth amongst some individuals has led to a developing collector base (not to mention rising...
Ocula Conversation Cao Fei Artist Cao Fei's first large-scale institutional exhibition in Asia, A hollow in a world too full (8 September 2018–4 January 2019), is taking place at Tai Kwun Contemporary in Hong Kong, the city's new non-profit art centre housed in a former colonial police and prison complex in Central. Organised in collaboration with Ullens Center for Contemporary Art...
Ocula Report Shanghai's West Bund and Art021 fairs overlap in 2018 17 Nov 2018 : Diana d’Arenberg for Ocula The last time I visited West Bund Art & Design was four years ago, when the fair was in its first year of operation: a small, boutique offering held in a cavernous hangar that seemed too big for it. Much has changed since then. Mirroring the rapid development of the city itself, West Bund has grown from 25 galleries in 2014 to a fair that...
Established in 2006, Gallery 9 is a contemporary art gallery based in Sydney’s Darlinghurst. For over ten years we have been focused on representing a small stable of emerging, early and mid-career artists who embrace all forms of contemporary art practice. We are committed to supporting the artistic visions of our artists, nurturing their experimentations and investigations over the long term.
Gallery 9 represents artists working in Australia, New Zealand, The USA and Berlin in its Sydney gallery and also shows a number of its artists in off-site exhibitions in Melbourne. In addition to our stable, Gallery 9 has ongoing relationships with several other artists and presents a changing and evolving program of new and emergent contemporary voices.
Jake Walker#0099, 2018 Acrylic on jute, glazed stoneware frame
Denise GreenRJG: Rue Nabi Pacha (Variant 2), 2017 One photograph and three drawings
Ocula Photolog Sydney Contemporary 2018 14 September 2018 'With a thriving contemporary art scene, Sydney is a dynamic cultural destination with an international reputation for presenting the very best in visual art through its leading commercial galleries, public institutions, private museums, festivals and Biennale. Defined by the vibrancy of its host city, Sydney Contemporary provides collectors,...
Ocula Insight Suzie Idiens at Gallery 9, Sydney By Laura Thomson Born in the United Kingdom, Suzie Idiens studied art and design at the Royal College of Art, London. Since emigrating to Sydney in 2006 she has exhibited in Berlin, Sydney and London, as well as at the Melbourne Art Fair and Art Stage, Singapore. In her latest exhibition, Neutral Ground at Gallery 9, Sydney, Idiens contests the boundaries...
Ocula Insight Julian Hooper at Gallery 9, Sydney 7 March 2016 Auckland born artist, Julian Hooper is becoming increasingly well known for his highly individual paintings. Drawing on a vast store of personal memory and imagery, his work, while close to contemporary abstraction and traditional painting territories, is unique and often surprising. In this Ocula Insight, Hooper discusses his latest exhibition,...
Ocula Report Melbourne Now 2 Dec 2013 : Emily Cormack for Ocula For a city consistently referred to as Australia’s ‘cultural capital’ Melbourne’s National Gallery of Victoria (NGV) has had a track record of casual disregard for the vigorous cultural activities that have been occurring in its midst. It has seemed odd at best, that despite healthy acquisitions of contemporary...
Related Press You can see Australia from here – 'Denise Green: Beyond and Between – A Painter’s Journey' Art Almanac : 21 February 2017 After all these years away, what do you think you still carry with you from Australia?When I was growing up in Brisbane I saw a lot of Indigenous art, not in contemporary art institutions but in anthropological contexts such as the Queensland Museum. I was much more interested in what I was seeing there than European painting, which just left me...
Related Press Julian Hooper: Sliding Doors Vault Magazine : 10 November 2016 When we speak a few weeks out from Julian Hooper’s September exhibition at Ivan Anthony in Auckland, he still hasn’t settled on a title for the show. We both agree that a good title can’t be forced. It becomes part of the artwork, adding to the layers of meaning, but as Hooper explains, a good title doesn’t 'blow the cover' of thework. It is...
Related Press Andrzej Zieliński: 'Primary Data' Art Almanac : 12 October 2016 Working across sculpture, painting, drawing and printmaking, Andrzej Zieliński's practice challenges the myth of contemporary technological innovation. His work depicts electronic devices – phones, computers, shredders, fax machines – and addresses the many contradictions embedded in our relationships to them, which are cutting-edge one moment and...
Related Press Teelah George: Artist Profile Artist Profile : 5 October 2016 Home is a loaded word. It is more than just a place of residence; it is a psychological and emotional connection to a locale, a lifestyle, to everyday experience, to family, and to friends. The complexity and interconnectedness of our understanding of the concept of 'home' is consolidated for Teelah George when she has the opportunity to...
