Ongoing since 2012, the Real DMZ Project interrogates the demilitarised zone (DMZ) between North and South Korea through annual, research-based exhibitions that bring together the works of Korean and international artists. Sunjung Kim, the independent curator behind the project, conceived the idea of exploring the DMZ while curating Japanese artist...
London's galleries and museums are gearing up for a lively October, with Frieze London and Frieze Masters running between 3 and 6 October 2019 at Regent's Park, along with 1-54 Contemporary African Art Fair, taking place across the same dates at Somerset House; and the tenth anniversary of the Sunday Art Fair, showcasing new and emerging artists...
Mark Bradford walks through Mark Bradford: Los Angeles Mark Bradford: Los Angeles at the Long Museum West Bund in Shanghai (27 July–13 October 2019) is the artist's largest solo exhibition to date in China. In this video for Ocula, Bradford and Diana Nawi, curator of the show, walk through selected works that convey the artist's concerns with...
‘Fossil Necklace is a string of worlds, with each bead modestly representing a major event in the evolution of life through a vast expanse of geological time. From the mono-cellular origins of life on earth to the shifting of the continents, the extinction of the Cretaceous period triggered by a falling meteorite, to the first flowering of flowers, it charts the development of our species and affirms our intimate connection to the evolution of those alongside us. Each fossil has been individually selected from all corners of the globe, and then carved into spherical beads in a secondary process of excavation.’ Guy Haywood, Kettle’s Yard.
Fossil Necklace was created as part of Katie Paterson’s residency at The Wellcome Trust Sanger Institute, in collaboration with Kettle's Yard, Cambridge.
Scottish-born multi-disciplinary artist Katie Paterson teases out facets of overwhelming concepts—such as interplanetary time differences, the history of our planet, and the brevity of human lifespans—and makes them digestible. Through her immersive installations, text-based pieces and sculptures, she takes the audience from the massive to the minute, from the cosmological to the deeply personal.
Since graduating with a BA (Hons) from Edinburgh College of Art in 2004, and with a MFA from the Slade School of Fine Art in London in 2007, Paterson has become known for her research-based, conceptually driven process, and her Romantic, poetic and coolly minimalist presentation style.
Paterson uses both everyday and advanced technologies to connect her audiences with the sublime—such as faraway stars, planets, natural phenomena and meteorological events—as seen in Earth-Moon-Earth (Moonlight Sonata Reflected from the Surface of the Moon) (2007), when she converted Beethoven's Moonlight Sonata into Morse code and transmitted it to the lunar surface and back to a player piano.
Paterson is also known for reimagining and repurposing ordinary machines and everyday systems. For Vatnajökull (the sound of) (2007–8), she installed a microphone underneath a glacier and broadcast the sounds of the ice melting, live, to any phone that called 0775 700 1122; in her month-long project Streetlight Storm (2009), she set up the lamps on Deal Pier in Kent, England, to flicker anytime there was a lightning strike on Earth; and in Timepieces (Solar System) (2014), she calibrated nine wall clocks to tell the time on the planets in our solar system and on Earth's Moon.
Paterson regularly collaborates with experts to realise her artworks and expand her practice. She has worked together with technicians at the lighting manufacturer OSRAM to take spectral measurements of moonlight and apply it to a custom-made bulb (Light bulb to Simulate Moonlight ); and for All the Dead Stars (2009), she had leading cosmologists and 'supernova hunters' assist her in mapping the locations of just under 27,000 dead stars.
Similarly, Paterson has worked with nanotechnologists to carve a grain of sand down to just 0.00005 mm across, and then tossed it into the Sahara for Inside this desert lies the tiniest grain of sand (2010). In 2013, for Fossil Necklace, she enlisted a specialist stonecutter to hand-carve 170 fossils she had collected, found or bought, into tiny beads. She has also used advanced telescopic technologies to source thousands of detailed images of solar eclipses for her project Totality (2016). Whether consulting specialist space agencies, biologists or architects, or using sophisticated materials, Paterson produces works that prompt viewers to examine their place on Earth and their understandings of time and their own ephemerality.
Paterson has participated in both group and solo exhibitions throughout the United Kingdom and internationally—from London to Edinburgh, New York, Seoul, Berlin and San Francisco. Her artwork has been shown at the Scottish National Gallery of Modern Art, Edinburgh; Solomon R Guggenheim Museum, New York; Art Institute of Chicago; and the Museum of Contemporary Art Australia, Sydney. In 2014, she received the Visual Art award at The South Bank Sky Arts Awards, and in 2010, she became University College London's first artist in residence in the Department of Physics and Astronomy. She is also an Honorary Fellow of Edinburgh University.
Callum Innes is one of the leading abstract painters of his generation, widely recognised for the distinctive visual language of layering and removing pigment that he has developed over the past 20 years. In this film Innes invites us into his Edinburgh studio and discusses the making of his Exposed Paintings, the series of works for which he is...
This film documents the collaboration between Garry Fabian Miller and Dovecot Tapestry Studio.In 2015, Dovecot created two new gun-tufted hearth rugs with the artist, and an exhibition titled Dwelling was held at Dovecot Gallery from 15 May to 4 July pulled together the many threads of influence which informed their design and creation.
Harland Miller's works switch between being sardonic, hilarious and nostalgic as his own phrases replace the original titles of Penguin books.
One of a series of five fifteen minute essays written and delivered by five artists either born or based in Scotland. This series of THE ESSAY demonstrates how we are continually challenged and delighted by artists working today giving an insight into what lies at the heart of contemporary artistic practice, revealing some of the elements that...
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