Rachel Lehmann and David Maupin founded Lehmann Maupin in 1996. The gallery represents a diverse range of American artists, as well as artists and estates from across Europe, Asia, Africa, South America, and the Middle East. It has been instrumental in introducing numerous artists from around the world in their first New York exhibitions. Known for championing artists who create groundbreaking and challenging forms of visual expression, the gallery prioritizes personal investigations and individual narratives. Lehmann Maupin prizes the distinct conceptual approaches that its artists offer on the essential matters that shape international culture today, including gender, class, religion, history, politics, and globalism. In 2013, with two locations in New York, significant interest in its artists abroad, and growing opportunities in new markets, Lehmann Maupin opened an additional location in Hong Kong, followed by Seoul in 2017. For more information on the gallery and its artists, visit www.lehmannmaupin.com
Curated by Venus Lau, the section is dominated by Chinese new media artists.
No other work came close, but sales in the six-figure range were strong.
Cecilia Vicuña reflects on the power of art and poetry to express the 'potential of who we really are as human beings.'
Some of the artist's works wouldn't be out of place among David Lynch's home videos.
Works by Catherine Opie and Billie Zangewa have been acquired by major international museum collections.
The Ocula Advisory team selects their favourite works showing at JINGART, running between 10 and 13 June 2021 in Beijing.
The Ocula Advisory team select their picks from Art Basel Hong Kong, running between 21 and 23 May 2021, with preview days on 19 and 20 May 2021.
Ocula Advisory's Rory Mitchell selects ten highlights from the tenth edition of Frieze New York.
Sinuous sculptures crafted from steel, post-WWII abstract paintings and celebrity portraits by Annie Leibovitz are just a few of the highlights of this month's exhibitions
Caoimhín Mac Giolla Léith: How would you describe the relationship between your art-making, writing and activism? Has it changed over the years? Cecilia Vicuña: It's a relationship that keeps moving while remaining the same. I couldn't think of one without the other and so the limit between them is porous and shifting and leaky. Something in...
J. Marion Sims, sometimes referred to as the 'father of modern gynecology,' was a 19th-century doctor who conducted brutal, nonconsensual experimental surgeries on enslaved Black women without using anesthesia. A monument for the surgeon stood in Central Park for 80 years, across the New York Academy of Medicine on 103rd Street, until it was...
When you are faced with the full-frontal blitz of a Lari Pittman painting, one of many possible impulses is to take inventory. Among the recognizable images, you might find an owl, an egg, and several directional arrows; the number 69, an overturned vase and a row of Victorian-style silhouettes; a noose, a ship, a spiny cactus, textile patterns...
The Look of Meaning and a Look at Meaning: A Conversation Between Lari Pittman and Laura Hoptman Friday, March 6, 2020, 10–11 AM, Lehmann Maupin, 501 West 24 th Street, New York
Mandy El-Sayegh is joined in conversation with Jennifer Higgie, Editorial Director, Frieze.
On 29 August 2018, at the Asia Society in Hong Kong, artist Marilyn Minter gave an evening lecture. The artist was visiting the city on the occasion of her first solo exhibition in Hong Kong (30 August–27 October 2018), which took place at Lehmann Maupin's space in the Pedder Building. During the lecture, the artist introduced her recent paintings...
You are invited into Do Ho Suh's apartment. You put down your bag, remove your coat and step inside. The hallway changes color as you proceed, first pink, then green and then blue. It's narrow, but it feels spacious. There is a red staircase outside, and beyond it people are moving around. You can see them, right through the walls. Cabinet handles...
