Stanley Whitney has been exploring the formal possibilities of colour within ever-shifting grids of multi-hued blocks and all-over fields of gestural marks and passages, since the mid-1970s. His current motif, honed over many years, is the stacked composition of numerous saturated colour fields, delineated by between three to five horizontal bands running the length of a square-formatted canvas. The cumulative effect of Whitney's multicoloured palette is not only one of masterly pictorial balance and a sense of continuum with other works in this ongoing series, but also that of fizzing, formal sensations caused by internal conflicts and resolutions within each painting. Taking his cues from early Minimalism, Color Field painters jazz music and his favourite historical artists - Titian, Velázquez and Cézanne among them - Whitney is as much an exponent of the process-based, spatially-gridded square in art as Josef Albers, Sol LeWitt, Agnes Martin and Carl Andre.Read More
Stanley Whitney was born in Philadelphia in 1946 and lives and works in New York City and Parma, Italy. He holds a BFA from Kansas City Art Institute as well as an MFA from Yale University and is currently Professor emeritus of painting and drawing at Tyler School of Art, Temple University. Whitney's works featured in a major solo exhibition Dance the Orange, at the Studio Museum in Harlem, New York, USA, 2015, and he has been included in many prominent group shows such as Documenta 14 in Athens, Greece and Kassel, Germany (2017), Nero su Bianco at the American Academy in Rome, Italy, 2015; Outside the Lines: Black in the Abstract, Contemporary Art Museum of Houston, USA, 2014; Reinventing Abstraction: New York Painting in the 1980s, Cheim & Read, New York, 2013, and Utopia Station at the 50th Venice Biennale, 2003. He has won prizes including the Robert De Niro Sr. Prize in Painting (2011), the American Academy of Arts and Letters Art Award (2010) and was awarded a Guggenheim Fellowship in 1996. Whitney's work is included in public collections such as the Nelson-Atkins Museum of Art, Kansas City, the Philadelphia Museum of Art and Yale University Art Gallery, New Haven.
Text courtesy Lisson Gallery.
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MAHÓN, Menorca — I usually don't go around ranking artists but I was enormously impressed by the Albert Oehlen retrospective in Venice this past January. I thought, who do we have as good as this guy? Seeing Stanley Whitney's most recent work this summer gave me my answer. While not departing from his known program, his newest seems to...
On some timely occasions, we get the true pleasure to be reminded of T.S. Eliot's 'historical sense' (from his famous 1919 essay Tradition and Individual Talent). This historical sense involves a perception, not only of the pastness of the past but of its very presence, which simply implies a co-function of simultaneous existence and simultaneous...
The one constant running through all of my writing on Whitney is his works on paper, which I am thinking about in the broadest sense—from the densely linear graphite concatenations he made in the late 1980s to the gouaches in fruity Popsicle colours from the past few years. It is clear to me that Whitney’s works on paper form a distinct body...
This October, Store Studios will host Everything At Once, an extensive off-site exhibition featuring 24 artists currently shown at Lisson Gallery in celebration of its 50th anniversary.
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