Alain Jacquet (1939–2008) started his career in the early 1960s and is known for his artworks lying between pop art and conceptual art. At that time, culture and mass consumption imposed itself in the West, stimulated by a flow of advertisements and advertisements of all kinds. To this collective conduct, pop art responds with the roundabout use of its techniques. Advertising, comics and road signs invest an iconography whose watchword is 'democratisation', as opposed to elitist culture in art. For Alain Jacquet, art must fit into the heart of everyday reality. It is industrial development and technical progress that allow Alain Jacquet to develop such an aesthetic. Jacquet gradually brings the codes op Pop Art to France when he begins to use the technique of screen printing, which is a mechanical reproduction. This technique, used especially for advertisings, is the beginning of the point, a recurring pattern in Jacquet’s work. Jaquet’s work has been the subject of numerous retrospectives and is in more than 40 museums and public permanent collections.
