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Hito Steyerl: How To Build a Sustainable Art World Ocula Conversation Hito Steyerl: How To Build a Sustainable Art World

'A Picture of War is Not War', we read in Hito Steyerl's iconic film November (2004), an essayistic Super 8 film tackling the definition of terrorism constructed around the figure of the artist's best friend Andrea Wolf, who was killed as a terrorist in 1998 in Eastern Anatolia after she joined the PKK (Kurdistan Workers' Party). Mixing documentary...

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Aichi to Okayama: Art in Japan Looks to the Future Ocula Report Aichi to Okayama: Art in Japan Looks to the Future 11 Oct 2019 : Stephanie Bailey for Ocula

There has been a flurry of triennial and biennial art activity in Japan this year. The Aichi Triennale opened in Nagoya this August, sparking a national debate about the shutting down of a display of formerly censored works—the result of public backlash against a burnt image of Emperor Hirohito and a statue commemorating the women forced into...

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Hans Hartung and Art Informel: Exhibition Walkthrough Ocula Insight | Video
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Hans Hartung and Art Informel: Exhibition Walkthrough 15 October 2019

Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...

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Araya Rasdjarmrearnsook

b. 1957, Thailand

Araya Rasdjarmrearnsook was born in Trad, Thailand, in 1957. After earning both a BFA and an MFA in graphic arts from Silpakorn University, Bangkok, she continued her studies in Germany at the Hochschule für Bildende Künste Braunschweig, receiving a diploma in 1990 and an MA in 1994. Around 1998, after early experiments with intaglio printmaking and sculptural installation, Rasdjarmrearnsook began to concentrate on film and video. Her work is an articulation of personal loss and the movement between life and death, approached in a way that challenges viewers’ moral sense and tolerance through complex and provocative imagery.

In Rasdjarmrearnsook’s film The Class (2005), the artist is shown directing a tutorial to a classroom of six corpses, which are shrouded in white sheets and arranged side-by-side on silver morgue trays. Confronting the diversity of cultural and religious attitudes toward mortality, the work also satirizes academic convention, the living professor teaching death to an audience already well versed in the subject. Two Planets (2007–08), a quartet of video vignettes, takes on the conventions and assumptions of western art appreciation. Deep in the Thai countryside, a group of people is presented with reproductions of 19th-century European masterpieces. The subjects sit with their backs to the camera and their untutored dialogue is subtitled in English. Their responses reveal myriad social and cultural nuances, while their perspectives on the works are entirely lacking in pretention. Exploring the interactions between opposing but connected realms—life and death, human and animal, conditioned and unconditioned—Rasdjarmrearnsook presents a meditative rethinking of the meaning of periphery.

Rasdjarmrearnsook’s work has been installed in solo presentations at international institutions including the National Gallery, Bangkok (1987, 1992, 1994, 1995, and 2002); Tensta Konsthall, Stockholm (2003); Bass Museum of Art, Miami Beach (2012); and Walters Art Museum, Baltimore (2012). In addition to regular appearances at biennials and other periodic exhibitions including the Sydney Biennial (1996 and 2010), Istanbul Biennial (2003), and Documenta 13 (2012), the artist’s work has also been shown in group exhibitions internationally, at venues including the Kiasma Museum of Contemporary Art, Helsinki (2001 and 2007); Fine Arts Museum, Berne, Switzerland (2006); National Art Gallery, Singapore (2010); National Museum of Art, Osaka (2011); and Asian Art Museum of San Francisco (2012). Rasdjarmrearnsook, a lecturer at the Faculty of Fine Arts, Chiang Mai University, lives and works in Chiang Mai.

Source: Solomon R. Guggenheim Museum, New York.

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In Related Press

'An Atlas of Mirrors': the Singapore Biennale 2016 Related Press 'An Atlas of Mirrors': the Singapore Biennale 2016 Art Radar Journal : 12 February 2016

The Singapore Art Museum recently announced the theme for the 5th edition of its biennial exhibition.The Singapore Biennale 2016 will include art from East and South Asia, while pivoting on Southeast Asia, with several new site-specific and commissioned works never before seen on the international biennial circuit.The Singapore Biennale has...

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Two new museums set to boost contemporary art in Thailand Related Press Two new museums set to boost contemporary art in Thailand Asia Correspondent : 4 June 2015

Lotuses and Buddha images usually spring to mind when Thai art is mentioned. And although such visuals still remain intact in the country, there are much more to Thai contemporary art. While Thai artists such as Rirkrit Tiravanija, Araya Rasdjarmrearnsook and Korakrit Arunanondchai have made their names in the global art world, very few Thais know...

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