Cristina De Miguel's approach to painting is emotional, thinking in formal terms but balancing it out with a let-go attitude. De Miguel insists on the materiality of the painting by fragmenting the figure, so the figure is not the central point of the painting but the act of painting in itself. The iconography in her work alludes to action, velocity, and the possibilities of the body - bodies that melt physically, in the same way paint drips and melts too.
