Ocula MagazineContentsView All
Featured ContentView All
ART X Lagos: Nigeria’s Art Renaissance Ocula Report ART X Lagos: Nigeria’s Art Renaissance 17 Nov 2018 : Jareh Das for Ocula

Nigeria's art scene has flourished over the last decade, leading to a renewed interest in cultivating and supporting modern and contemporary art in the country. Ranked Africa's largest economy in 2017, making up 0.8 percent of the world's GDP, a surge in wealth amongst some individuals has led to a developing collector base (not to mention rising...

Read More
Cao Fei Ocula Conversation Cao Fei Artist

Cao Fei's first large-scale institutional exhibition in Asia, A hollow in a world too full (8 September 2018–4 January 2019), is taking place at Tai Kwun Contemporary in Hong Kong, the city's new non-profit art centre housed in a former colonial police and prison complex in Central. Organised in collaboration with Ullens Center for Contemporary Art...

Read More
Shanghai's West Bund and Art021 fairs overlap in 2018 Ocula Report Shanghai's West Bund and Art021 fairs overlap in 2018 17 Nov 2018 : Diana d’Arenberg for Ocula

The last time I visited West Bund Art & Design was four years ago, when the fair was in its first year of operation: a small, boutique offering held in a cavernous hangar that seemed too big for it. Much has changed since then. Mirroring the rapid development of the city itself, West Bund has grown from 25 galleries in 2014 to a fair that...

Read More

"It's about putting indigenous people up front in the world, in every way - in fashion, in exhibitions, and in the gallery system" Fiona Foley.

Fiona Foley creates paintings, installations and photographs that deal with history, identity and personal signification. Her paintings are inspired by the natural environment of her hometown, Hervey Bay in south-east Queensland. She depicts cockatoo feathers, dugong bones, mangrove seed pods and yam leaves. Throughout her career, Foley has engaged issues of indigenous identity on a regional, national and international level, creating a dialogue with artists and communities in Australia, North and South America, Europe and the Pacific basin. In all her work, Foley insists the viewer re-examine historical stereotypes.


In 1987, Fiona Foley was a co-founder of the Boomali Aboriginal Artists Co-operative in Sydney. In the ensuing period, she has exhibited in Chile, Bolivia, Japan, Russia, USA, Germany, South Africa and throughout Australia.

Related Press

Review: Dark Rooms - Women Directing the Lens 1978–98, Griffith University Art Museum Related Press Review: Dark Rooms - Women Directing the Lens 1978–98, Griffith University Art Museum Artshub : 1 August 2018

There is a feeling you sometimes get when you are witness to an important moment - a moment in history, a moment for change, an act of empowered voices. This exhibition captures one such moment.Dark Rooms: Women Directing the Lens 1978 - 98 has been curated by Naomi Evans for the Griffith University Art Museum, in Brisbane, and surveys a moment in...

Read More

Browse All Artists ⟵ Click to expand and view more artists⟵ Loading...

Sign up to be notified when new artworks and exhibitions by Fiona Foley are added to Ocula.

 

{{currentArtwork.ArtistName}}{{currentArtwork.Artist.FullName}}

{{currentArtwork.Title}}

{{currentArtwork.Medium}}{{currentArtwork.Medium && currentArtwork.Medium.substring(currentArtwork.Medium.length -1) != ',' && currentArtwork.Edition ? ',' : ''}} {{currentArtwork.Edition}}


{{currentArtwork.Signature}}


{{currentArtwork.Origin}}

Follow favourite artists and galleries, be notified of new artworks and exhibitions, use our price enquiry service and receive the Ocula newsletter. It's free.

Sign Up
 Sign Up with Facebook
By signing up you accept our Terms & Conditions, Privacy Policy and to
receiving the Ocula e-newsletter. Registration with Ocula is free.

WeChat

Scan the QR Code via WeChat to follow Ocula's official account.

iCal GoogleYahooOutlook