Isaac Chong Wai (b. 1990, China) works across a range of media, including live performance, video, photography, and site-specific installation, and considers the interplay between the collective and the individual, the politics of time and space, and real and imagined futures. His works often engage with other performers with whom Chong performs, to allow for further interrogation of notions of the social and unified body. He works and lives in Berlin and Hong Kong.
Read MoreChong graduated from Academy of Visual Arts at Hong Kong Baptist University with a BA in Visual Arts and Bauhaus-Universität in Weimar, Germany, with a MFA in Public Art and New Artistic Strategies. His most recent solo exhibitions include: Is the World Your Friend? (Blindspot Gallery, Hong Kong, 2019), An Artistic Archive of Borders (Kunstraum München, Munich, Germany, 2018), Future of the Past-Past of the Future (Goethe Institut Hong Kong, Hong Kong, 2018), What is the future in the past? And what is the past in the future? (Bauhaus Museum, Weimar, Germany, 2016). His selected group exhibitions include: Living Sound—Expanding the extramusical (Museum of Contemporary Art (MOCA), Taipei, Taiwan, 2019), The Racing Will Continue, The Dancing Will Stay (Guangdong Times Museum, Guangzhou, China, 2019), Imaginary Bauhaus Museum (Schiller Museum, Weimar, Germany, 2019), M+ Live Art Audience As Performer (M+ Museum, Hong Kong, 2018), The D-Tale: Video Art from the Pearl River Delta (Times Art Center, Berlin, Germany, 2018), KOTODAMA (Para Site, Hong Kong, 2018), Forecast Forum (Haus der Kulturen der Welt, Berlin, Germany, 2017), Moscow International Biennale for Young Art, A Time for Dreams (National Centre for Contemporary Arts (NCCA), Moscow Museum of Modern Art (MMOMA) and Museum of Moscow, Moscow, Russia, 2014).
Text courtesy Zilberman Gallery.
Ashley Lee Wong and Andrew Crowe, the founders of digital studio MetaObjects, discuss their approach to knowledge sharing and collaborative processes.
Isaac Chong Wai uses video, performance, and sculpture to visualise distributions of power and knowledge within human relationships and social systems.
One of the ways we learn to think is by differentiating—a cat from a dog, black from white, humans from chimps, morality from immorality. The Human Body: Measure and Norms, the latest group exhibition at Hong Kong’s Blindspot Gallery, which features works of seven local artists, is French curator Caroline Ha Thuc’s attempt to...
Blindspot Gallery’s new exhibition features works by seven artists who have used very different media to tackle the same issue: how do you use art to break down hardened social norms about the human body? A clinical, detached air runs through the first part of a show that parodies the objectification of bodies. On arrival, visitors are...