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Cinga Samson: ‘a different conversation on representation’ Ocula Conversation Cinga Samson: ‘a different conversation on representation’ Jareh Das

Cinga Samson 's paintings lay bare the complex relationship between contemporary life, African traditions, globalisation, and representation. His strikingly sombre portraits contain similarities to those of contemporary painters such as Toyin Ojih Odutola, Lynette Yiadom-Boakye , Kehinde Wiley , Florine Démosthène, and Tunji...

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Dhaka Art Summit 2020: Seismic Movements Ocula Report Dhaka Art Summit 2020: Seismic Movements Radha Mahendru, Dhaka

Seismic Movements , the fifth Dhaka Art Summit, plotted movements, solidarities, and exchanges across the Global South with over 500 artists, scholars, curators, and thinkers.

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Guo Hongwei on Seeing Patterns That Don’t Exist Ocula Insight Guo Hongwei on Seeing Patterns That Don’t Exist Sherry Paik, New York

Guo Hongwei's recent watercolour paintings, showing at Chambers Fine Art in New York from 3 March, trigger pareidolia—the phenomenon of seeing random objects or patterns where they do not exist.

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HomePage Artists

b. 1954, South Korea

Kim Eull Biography

Working since the 1980s, Korean artist Kim Eull is known for his complex and highly personal paintings, drawings and installations concerned with identity and tradition.

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Kim began painting self-portraits to explore identity as early as 1994, eventually completing thousands of such works. Often rendered in earthy palettes, the self-portraits take on heavy themes. In the mixed-media image Untitled (1995) Kim painted himself holding his heart, blood splattered all over his dress shirt. Similarly, in one of his Me paintings from 1995, Kim depicts himself with a black eye; the aggressive, palpable brushstrokes in the work match the violent tone of the artist's face.

Particularly known for its exploration of ancestry and identity is Kim's 'Blood Map' (1997–2002), a series of paintings that range from portraits and family trees to landscapes and maps. In a 1999 painting sharing the series' title, a root is painted over Korean paper in red to mimic blood, while in Copy of Mountain Map (2001), tiny red dots, made to look like blood splatters, are sprawled over the middle area of a map. Perhaps the most literal work from the series is Arilang Hill (1997), in which faces are depicted hovering above luscious green hills. Equated with trees, family ties and blood relations become as natural as the landscape.

Towards the end of the 1990s, Kim shifted from painting to drawing. While in 1998 a fire broke out in his studio and destroyed almost 400 artworks, Kim had also long been debating the legitimacy of painting as a medium. After the fire, the artist nearly exclusively devoted himself to drawing and dedicated years to various projects. From 2001, his monumental 'Miscellaneous Drawings' series, for example, saw Kim commit to making 1,000 drawings every three years. The work was theme-less so it could be more organic and free the artist from the constraints of thematic work. A random mélange of landscapes, found-object and collage-like works, as well as text-based and figurative drawings, the series reads like a free-form journal.

Through this continued emphasis on personal histories, introspection and self-reflection, Kim's drawings can be seen as an extension of his early self-portrait paintings. What distinguishes his later works from his early series, however, is the latter's more spontaneous and honest—or as Kim states, 'natural'—representation of himself.

Kim playfully refers to his current-day studio as the Twilight Zone, and created two life-size models of the space for My Twilight Zone Studio, his 2018 exhibition at Kunsträume Michael Horbach in Cologne. By inserting themselves into replicas of his space (which were adorned with drawings and toys), viewers were given insight into the artist's process.

Kim was a jewellery designer, carpenter and pastor before becoming an artist. He studied metal craft at Wonkwang University, receiving his degree in 1982. He then earned his MFA in jewellery design at Hongik University in 1989. He was awarded the Korea Artist Prize in 2016 by Korea's National Museum of Modern and Contemporary Art. He has exhibited internationally at several art institutions and galleries such as Space Mom Museum, Cheong Ju; O Museum, Tokyo; and the Nam June Paik Art Center, Yongin, amongst others.

Perwana Nazif | Ocula | 2018

Kim Eull Featured Artworks

6-2, untitled by Kim Eull contemporary artwork
Kim Eull6-2, untitled, 2016Mixed media
83 x 55 x 14 cm
Choi&Lager Gallery Enquire about this work
Beyond the painting by Kim Eull contemporary artwork
Kim EullBeyond the painting, 2015mixed media
75 x 63 x 7 cm
Choi&Lager Gallery Enquire about this work
Beyond the painting by Kim Eull contemporary artwork
Kim EullBeyond the painting, 2017mixed media
75 x 63 x 7 cm
Choi&Lager Gallery Enquire about this work
Untitled by Kim Eull contemporary artwork
Kim EullUntitledmixed media
92 x 96 x 15 cm
Choi&Lager Gallery Enquire about this work

Kim Eull Recent Exhibitions

Contemporary art exhibition, Group Exhibition, FIVE at Baik Art, Los Angeles
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22 June–10 August 2019 Group Exhibition FIVE Baik Art, Los Angeles
Contemporary art exhibition, Kim Eull, My Twilight Zone Studio at Choi&Lager Gallery, Cologne
Closed
10–30 August 2018 Kim Eull My Twilight Zone Studio Kunsträume Michael Horbach
Contemporary art exhibition, Kim Eull, Three Steps To The Left, One Step Forward at Choi&Lager Gallery, Cologne
Closed
28 May–30 July 2017 Kim Eull Three Steps To The Left, One Step Forward Choi&Lager Gallery, Cologne

Kim Eull Represented By

Kim Eull In Related Press

Fall art shows in full swing Related Press Fall art shows in full swing 8 September 2016, The Korea Herald

A strong lineup of art shows are being offered this fall, more so than other seasons. With two big biennale events – the Gwangju Biennale and Busan Biennale – kicking off last week, major Korean museums and galleries have opened a plethora of exhibitions to attract the influx of international art professionals and local art lovers.

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MMCA to exhibit artworks by Korea Artist Prize finalists Related Press MMCA to exhibit artworks by Korea Artist Prize finalists 30 August 2016, Yonhap News

The Museum of Modern and Contemporary Art (MMCA) will open an art show on Wednesday to showcase the artwork by four finalists of an annual artist prize, the museum said Tuesday. The Korea Artist Prize has been awarded to the country's leading contemporary artists since 2012, jointly with the SBS Culture Foundation, and been holding an...

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National art museum to exhibit artworks by Korea Artist Prize finalists Related Press National art museum to exhibit artworks by Korea Artist Prize finalists 30 August 2016, Yonhap News

SEOUL, Aug. 30 (Yonhap) – The Museum of Modern and Contemporary Art (MMCA) will open an art show on Wednesday to showcase the artwork by four finalists of an annual artist prize, the museum said Tuesday.

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Kim Eull In Video & Audio

Kim Eull / 2016 Korea Artist Prize Related Video & Audio Kim Eull / 2016 Korea Artist Prize 27 August 2016, Korea Artist Prize

Drawing is the body and spirit of Kim Eull (1954~). The drawings of Kim Eull holds expansive spectrum encompassing various genres including painting, sculpture, installation and etc. beyond the limitations of the narrow definition and form. Kim had majored in metal craft and received attention with painting and the artist has been emitting...

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