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Visions of Brazil: Reimagining Modernity from Tarsila to Sonia Ocula Report Visions of Brazil: Reimagining Modernity from Tarsila to Sonia 18 May 2019 : Fawz Kabra for Ocula

Bridging almost a century of Brazilian art, Visions of Brazil: Reimagining Modernity from Tarsila to Sonia at Blum & Poe in New York (30 April–22 June 2019), hosted in collaboration with Mendes Wood DM, offers a rereading of Brazilian Modernism through the works of artists practising at different times, from the 20th century through to the...

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Reiko Tomii Ocula Conversation Reiko Tomii

In 1969, Horikawa Michio, schoolteacher and member of the artist collective GUN (Group Ultra Niigata), filled out the customs paperwork to mail a one-kilogram river stone from Niigata, the proverbial 'backside of Japan', to President Nixon. In return, Horikawa received a thank you note for this 'most unusual Christmas gift'—a muted anti-war...

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Yun Hyong-keun in Venice: The Artist Behind the Paintings Ocula Report Yun Hyong-keun in Venice: The Artist Behind the Paintings 4 May 2019 : Sherry Paik for Ocula

'He was not a "political" kind of person. He just wanted to be honest and straight. But it was not easy in Korea to live like that,' writes curator Kim Inhye on artist Yun Hyong-keun. For much of his life, Yun lived in proximity to some of the most tumultuous moments in modern Korean history, from which he emerged as a pioneer of abstract...

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Kim Eull

b. 1954, South Korea

Working since the 1980s, Korean artist Kim Eull is known for his complex and highly personal paintings, drawings and installations concerned with identity and tradition.

Kim began painting self-portraits to explore identity as early as 1994, eventually completing thousands of such works. Often rendered in earthy palettes, the self-portraits take on heavy themes. In the mixed-media image Untitled (1995) Kim painted himself holding his heart, blood splattered all over his dress shirt. Similarly, in one of his Me paintings from 1995, Kim depicts himself with a black eye; the aggressive, palpable brushstrokes in the work match the violent tone of the artist's face.

Particularly known for its exploration of ancestry and identity is Kim's 'Blood Map' (1997–2002), a series of paintings that range from portraits and family trees to landscapes and maps. In a 1999 painting sharing the series' title, a root is painted over Korean paper in red to mimic blood, while in Copy of Mountain Map (2001), tiny red dots, made to look like blood splatters, are sprawled over the middle area of a map. Perhaps the most literal work from the series is Arilang Hill (1997), in which faces are depicted hovering above luscious green hills. Equated with trees, family ties and blood relations become as natural as the landscape.

Towards the end of the 1990s, Kim shifted from painting to drawing. While in 1998 a fire broke out in his studio and destroyed almost 400 artworks, Kim had also long been debating the legitimacy of painting as a medium. After the fire, the artist nearly exclusively devoted himself to drawing and dedicated years to various projects. From 2001, his monumental 'Miscellaneous Drawings' series, for example, saw Kim commit to making 1,000 drawings every three years. The work was theme-less so it could be more organic and free the artist from the constraints of thematic work. A random mélange of landscapes, found-object and collage-like works, as well as text-based and figurative drawings, the series reads like a free-form journal.

Through this continued emphasis on personal histories, introspection and self-reflection, Kim's drawings can be seen as an extension of his early self-portrait paintings. What distinguishes his later works from his early series, however, is the latter's more spontaneous and honest—or as Kim states, 'natural'—representation of himself.

Kim playfully refers to his current-day studio as the Twilight Zone, and created two life-size models of the space for My Twilight Zone Studio, his 2018 exhibition at Kunsträume Michael Horbach in Cologne. By inserting themselves into replicas of his space (which were adorned with drawings and toys), viewers were given insight into the artist's process.

Kim was a jewellery designer, carpenter and pastor before becoming an artist. He studied metal craft at Wonkwang University, receiving his degree in 1982. He then earned his MFA in jewellery design at Hongik University in 1989. He was awarded the Korea Artist Prize in 2016 by Korea's National Museum of Modern and Contemporary Art. He has exhibited internationally at several art institutions and galleries such as Space Mom Museum, Cheong Ju; O Museum, Tokyo; and the Nam June Paik Art Center, Yongin, amongst others.

Perwana Nazif | Ocula | 2018
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Featured Artworks

6-2, untitled by Kim Eull contemporary artwork Kim Eull6-2, untitled, 2016 Mixed media
83 x 55 x 14 cm
CHOI&LAGER Gallery
Beyond the painting by Kim Eull contemporary artwork Kim EullBeyond the painting, 2015 mixed media
75 x 63 x 7 cm
CHOI&LAGER Gallery
Beyond the painting by Kim Eull contemporary artwork Kim EullBeyond the painting, 2017 mixed media
75 x 63 x 7 cm
CHOI&LAGER Gallery
Untitled by Kim Eull contemporary artwork Kim EullUntitled mixed media
92 x 96 x 15 cm
CHOI&LAGER Gallery

Recent Exhibitions

Contemporary art exhibition, Kim Eull, My Twilight Zone Studio at CHOI&LAGER Gallery, Cologne
Closed
10–30 August 2018 Kim Eull My Twilight Zone Studio CHOI&LAGER Gallery, Cologne
Contemporary art exhibition, Kim Eull, Three Steps To The Left, One Step Forward at CHOI&LAGER Gallery, Cologne
Closed
28 May–30 July 2017 Kim Eull Three Steps To The Left, One Step Forward CHOI&LAGER Gallery, Cologne

Represented By

In Related Press

Fall art shows in full swing Related Press Fall art shows in full swing The Korea Herald : 8 September 2016

A strong lineup of art shows are being offered this fall, more so than other seasons.With two big biennale events – the Gwangju Biennale and Busan Biennale – kicking off last week, major Korean museums and galleries have opened a plethora of exhibitions to attract the influx of international art professionals and local art lovers.

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MMCA to exhibit artworks by Korea Artist Prize finalists Related Press MMCA to exhibit artworks by Korea Artist Prize finalists Yonhap News : 30 August 2016

The Museum of Modern and Contemporary Art (MMCA) will open an art show on Wednesday to showcase the artwork by four finalists of an annual artist prize, the museum said Tuesday.The Korea Artist Prize has been awarded to the country's leading contemporary artists since 2012, jointly with the SBS Culture Foundation, and been holding an...

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National art museum to exhibit artworks by Korea Artist Prize finalists Related Press National art museum to exhibit artworks by Korea Artist Prize finalists Yonhap News : 30 August 2016

SEOUL, Aug. 30 (Yonhap) – The Museum of Modern and Contemporary Art (MMCA) will open an art show on Wednesday to showcase the artwork by four finalists of an annual artist prize, the museum said Tuesday.

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In Related Video

Kim Eull / 2016 Korea Artist Prize Related Video & Audio Kim Eull / 2016 Korea Artist Prize Korea Artist Prize : 27 August 2016

Drawing is the body and spirit of Kim Eull (1954~). The drawings of Kim Eull holds expansive spectrum encompassing various genres including painting, sculpture, installation and etc. beyond the limitations of the narrow definition and form. Kim had majored in metal craft and received attention with painting and the artist has been emitting...

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