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b. 1947, South Korea

Kim Yong-Ik Biography

Korean artist Kim Yong-Ik (김용익) has led a diverse career, from his 'Plane Object' series from the 1970s, geometric compositions from the 1980s, polka dot paintings from the 1990s, and appropriations of his earlier works in the recent decades. Although Kim has witnessed the emergence of various art movements in Korea firsthand, including Dansaekhwa and the Minjung art movement, also known as 'People's Art', he has remained independent, instead committing his work to a constant self-critique and questioning of existing art institutions.

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Kim first garnered attention with his 'Plane Object' series in the mid-1970s, a series of fabric works he conceived while still an undergraduate student at Seoul's prestigious Hongik University. Created by airbrushing large pieces of cloth stretched or hung on the walls, Plane Object transforms the flat surface of painting into a three-dimensional object. Kim also became known as a student to Park Seo-Bo, a leading figure of Dansaekhwa or monochrome painting movement in Korea.

Kim's career in the 1980s coincided with a turbulent chapter in modern Korean history. In 1979, President Park Chung-hee was assassinated and his military dictatorship was replaced by that of Chun Doo-hwan, who brutally oppressed political dissents and regulated the press. Two years later, Kim was invited to participate in the 1st Young Artists Exhibition at the National Museum of Contemporary Art, Seoul, where he made an exception to his generally apolitical stance: instead of showing 'Plane Object' as planned, the artist displayed his work in cardboard shipping crates with labels to inform the viewer of their content. While this untitled work paid an homage to Duchamp, whom Kim admires, it was also interpreted by some critics as a protest against government censorship.

The following two decades witnessed an emergence of various art movements in Korea, notably the Minjung art movement, also known as 'People's Art', of the 1980s. Overtly political and populist, the movement opposed Western modernism and advocated for a return to traditional Korean culture for inspiration. Refusing to conform to either modernism or Minjung art, Kim maintained a critical perspective on both and utilised painting as a tool to interrogate existing decrees of contemporary art. During this period, he focused on formalist concerns, experimenting with sharp-edged geometric compositions.

In the early 1990s, Kim began his iconic polka dot series, which consists of paintings that typically feature an arrangement of circles. Although the overall composition of Kim's polka dot paintings may recall the monochrome paintings of his teacher Park Seo-Bo or Kwon Young-Woo, the mechanical quality of his dots differ from the others' in the visibility of the artist's hand. Kim's dots are also juxtaposed with material imperfections such as dirt, scribbles, drips of paint and doodles: in Apocalypse of Modernism #13 (2016), the otherwise neat grid of dots reminiscent of early modernist paintings is disrupted by paint that the artist has intentionally spread to stain the canvas.

Sherry Paik | Ocula | 2018

Kim Yong-Ik Featured Artworks

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Plane Object by Kim Yong-Ik contemporary artwork
Kim Yong-IkPlane Object, 1977Airbrush paint on cloth (1 piece)
204 x 89 cm
Tina Kim Gallery Contact Gallery
Erased Utopia #16-1 by Kim Yong-Ik contemporary artwork
Kim Yong-IkErased Utopia #16-1, 2016Mixed media on canvas
162 x 130 cm
Kukje Gallery Contact Gallery
Closer... Come Closer... by Kim Yong-Ik contemporary artwork
Kim Yong-IkCloser... Come Closer..., 1992Acrylic, metallic powder on canvas
182 x 227 cm
Kukje Gallery Contact Gallery
Untitled by Kim Yong-Ik contemporary artwork
Kim Yong-IkUntitled, 1990Mixed media on canvas
181.5 x 227 cm
Tina Kim Gallery Contact Gallery
Closer...Come Closer... by Kim Yong-Ik contemporary artwork
Kim Yong-IkCloser...Come Closer..., 1990Mixed media on canvas
130 x 162 cm
Kukje Gallery Contact Gallery
Untitled by Kim Yong-Ik contemporary artwork
Kim Yong-IkUntitled, 1990–2012Acrylic on canvas
194 x 259 cm
Tina Kim Gallery Contact Gallery
Untitled by Kim Yong-Ik contemporary artwork
Kim Yong-IkUntitled, 1992Mixed media on canvas
112 x 145.5 cm
Tina Kim Gallery Contact Gallery

Kim Yong-Ik Recent Exhibitions

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Contemporary art exhibition, Group Exhibition, For Mario at Tina Kim Gallery, New York
Closed
28 June–23 August 2019 Group Exhibition For Mario Tina Kim GalleryNew York
Contemporary art exhibition, Kim Yong-Ik, Speaking of Latter Genesis at Tina Kim Gallery, New York
Closed
3 May–15 June 2019 Kim Yong-Ik Speaking of Latter Genesis Tina Kim GalleryNew York
Contemporary art exhibition, Kim Yong-Ik, Endless Drawing at Kukje Gallery, Seoul
Closed
20 March–22 April 2018 Kim Yong-Ik Endless Drawing Kukje GallerySeoul

Kim Yong-Ik Represented By

Kukje Gallery contemporary art gallery in Seoul, South Korea Kukje Gallery Busan, Seoul
Tina Kim Gallery contemporary art gallery in New York, USA Tina Kim Gallery New York

Kim Yong-Ik In Ocula Magazine

Kim Yong-Ik Ocula Conversation Kim Yong-Ik By Elliat Albrecht, Hong Kong

Kim Yong-Ik is the understated rebel of the Korean art world. Over his 40-year career as an artist, writer, and curator, Kim has resisted categorical affiliation with dominant art movements in Korea, from the monochromatic and minimalist paintings associated with Dansaekhwa, to the sociopolitically concerned Minjung or 'people's art' in the...

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Kim Yong-Ik In Related Press

STILL VALID: INTERVIEW WITH KIM YONG-IK Related Press STILL VALID: INTERVIEW WITH KIM YONG-IK 10 November 2017, ArtAsiaPacific

Kim Yong-Ik is known as the artist who sought to define his own trajectory beyond the two movements that dominated South Korean artistic thought throughout the 1980s— Dansaekhwa ('monochrome' painting) and the opposing, populist Minjung misul ('people's art'). Kim was also an activist who protested Park Chung-Hee's dictatorship in the...

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Gallery Weekend Korea Related Press Gallery Weekend Korea 23 November 2016, Art Agenda

Where the phrase 'gallery weekend' might once have euphemized a romantic indiscretion, or announced a Happening, it now connotes a program of events coordinated to attract a small but influential international audience to a city with aspirations to the status of a cultural hub. Korea’s contribution to this increasingly popular...

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Kim Yong-Ik In Video & Audio

Kim Yong-Ik | Speaking of Latter Genesis Related Video & Audio Kim Yong-Ik | Speaking of Latter Genesis 18 July 2019, Tina Kim Gallery

Associate Director Katherine Lauricella looks back on Kim Jong-Ik’s solo exhibition at the gallery, Speaking of Latter Genesis, and his repeated motif of the polka dot.

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For Mario Related Video & Audio For Mario 18 July 2019, Tina Kim Gallery

Curator Adam Charlap Hyman (of Charlap Hyman & Herrero) discusses the overarching theme of For Mario.

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Installation video of Kim Yong-Ik at Kukje Gallery Related Video & Audio Installation video of Kim Yong-Ik at Kukje Gallery 8 December 2016, Kukje Gallery

Kim Yong-Ik's practice perfectly embodies the vital importance of post-Dansaekhwa artists in Korea, and the exhibition will present approximately thirty new works, produced within the last two years, that present a clear reframing of his practices by reappropriating past ideas. While new, the works link directly to Kim's long career and his...

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Exhibition trailer of Kim Yong-Ik at Kukje Gallery Related Video & Audio Exhibition trailer of Kim Yong-Ik at Kukje Gallery 8 November 2016, Kukje Gallery

The majority of the works in the exhibition were produced in 2015 and 2016. Each work shares one of the following five titles that directly frame Kim's transformation: Apocalypse of Modernism, In the Lingering Shadow of Lies, Thinner...and thinner..., After 20 years, and Utopia. Produced by reinterpreting and reediting past projects, the...

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