Renowned for his blend of modernism and unique, deeply personal form of expression in his art, Marc Chagall was a prolific Jewish artist born to a highly religious family in Liozna, a small town near Vitebsk, Belarus, then part of the Russian Empire. His vibrant, imaginative works anticipated the dreamy imagery of the Surrealists, and starkly recorded the turmoil and chaos of twentieth century Europe. While Chagall certainly engaged with the various art movements of the early twentieth century, namely Fauvism and Cubism, it is his personal experiences and use of religious and folklore imagery that differentiates him, imbuing and informing all his work. His Jewish roots are a notable element of his style, through both his own understanding and experience with Judaism and the displacement and horror Jews faced over the first half of the twentieth century.
Read MoreColour and fantasy are important aspects of Chagall’s practice, providing the means to push the boundaries of his art. An expressive, explosive use of colour picked up from Fauvism serves to highlight shifts in movement, form and rhythm. Fantastic subject matter laden with mysticism also wove its way in but rather than serving as an escape, Chagall’s imagery served to represent both his inner thoughts and the atmospheres of the world as he experienced it.
This personal self expressive aspect to Chagall’s art is its defining element. He saw his work as a form of self-expression rather than as a part of the various European avant-garde art movements.
Chagall’s many major exhibitions include retrospectives at the Galerie Barbazanges-Hodebert, Paris (1924) and at the Kunsthalle Basel in Switzerland (1933); the Museum of Modern Art, New York (1946); the Louvre, Paris (1967); the Philadelphia Museum of Art (1985); the Réunion des Musées Nationaux (2003) and the Luxembourg Museum in Paris (2013). Stained glass window commissions include for the synagogue of the Hadassah University Medical Center, Jerusalem (1962); a ceiling for the Paris Opéra (1964); and a window for the United Nations building, New York (1964).
Multi-sensory additions at the Van Abbemuseum are aimed at those with visual and auditory impairments, and anyone else who wants to experience art differently.
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Just in time for Christmas, Arts Council England announced a record number of artworks acquired under tax forgiveness schemes.
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