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Bani Abidi: ‘What you see in my films is what I know’ Ocula Conversation Bani Abidi: ‘What you see in my films is what I know’

A group of voices accompanies me in the exhibition. They are singing words I cannot comprehend, yet the warm tunes are familiar: folk songs, love songs, songs of longing. There are letters, too. They speak of the quotidian details of a soldier's life: the hardness of the war, sending money to the family, and longing for familiar landscapes, food,...

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Aichi to Okayama: Art in Japan Looks to the Future Ocula Report Aichi to Okayama: Art in Japan Looks to the Future 11 Oct 2019 : Stephanie Bailey for Ocula

There has been a flurry of triennial and biennial art activity in Japan this year. The Aichi Triennale opened in Nagoya this August, sparking a national debate about the shutting down of a display of formerly censored works—the result of public backlash against a burnt image of Emperor Hirohito and a statue commemorating the women forced into...

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Hans Hartung and Art Informel: Exhibition Walkthrough Ocula Insight | Video
Sponsored Content | Mazzoleni Gallery
Hans Hartung and Art Informel: Exhibition Walkthrough 15 October 2019

Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...

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Matthew Day Jackson

b. 1974, USA

Born in Panorama City CA, 1974

Lives and works in Brooklyn NY

Featured Artworks

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Flowers in a Wooden Tub (Paris) by Matthew Day Jackson contemporary artwork
Matthew Day JacksonFlowers in a Wooden Tub (Paris), 2018 Textile, silkscreen, architectural turf mat, pigment print on paper
243.8 x 178.8 cm
Hauser & Wirth
Little Bouquet in a Clay Jar by Matthew Day Jackson contemporary artwork
Matthew Day JacksonLittle Bouquet in a Clay Jar, 2018 Textile, silkscreen, artificial grass on paper
186.4 x 149.9 cm
Hauser & Wirth
Solipsist XVII by Matthew Day Jackson contemporary artwork
Matthew Day JacksonSolipsist XVII, 2018 Formica, silkscreen, stainless steel panel
228.6 x 153.7 x 5.1 cm
Hauser & Wirth
Solipsist XIV by Matthew Day Jackson contemporary artwork
Matthew Day JacksonSolipsist XIV, 2018 Formica, silkscreen, stainless steel panel
228.6 x 153.7 x 5.1 cm
Hauser & Wirth
Solipsist II by Matthew Day Jackson contemporary artwork
Matthew Day JacksonSolipsist II, 2018 Formica, silkscreen, lead on panel, stainless steel frame
194.9 x 130.5 x 5.1 cm
Hauser & Wirth
Bouquet in a Sculpted Vase Beside a Wreath of Flowers (Berlin) by Matthew Day Jackson contemporary artwork
Matthew Day JacksonBouquet in a Sculpted Vase Beside a Wreath of Flowers (Berlin), 2018 Textile, silkscreen, architectural turf mat, pigment print on paper
161.6 x 149.9 cm
Hauser & Wirth
Lumpenproletariat by Matthew Day Jackson contemporary artwork
Matthew Day JacksonLumpenproletariat, 2010 Wood, plastic, steel
226 x 80.5 x 80.5 cm
Hauser & Wirth
Rainbow Party by Matthew Day Jackson contemporary artwork
Matthew Day JacksonRainbow Party, 2014 Colour etching
68.6 x 52.1 cm
Hauser & Wirth

Recent Exhibitions

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Contemporary art exhibition, Matthew Day Jackson, Pathetic Fallacy at Hauser & Wirth, Somerset
Closed
19 January–6 May 2019 Matthew Day Jackson Pathetic Fallacy Hauser & Wirth, Somerset
Contemporary art exhibition, Group Exhibition, Tables, Carpets & Dead Flowers at Hauser & Wirth, Zurich
Closed
17 November–21 December 2018 Group Exhibition Tables, Carpets & Dead Flowers Hauser & Wirth, Zürich
Contemporary art exhibition, Group Exhibition, Portable Art. A Project by Celia Forner at Hauser & Wirth, Los Angeles
Closed
23 June–12 August 2018 Group Exhibition Portable Art. A Project by Celia Forner Hauser & Wirth, Los Angeles

Represented By

In Ocula Magazine

Matthew Day Jackson Ocula Conversation Matthew Day Jackson

A charred and reflective post-apocalyptic scene looms large in the entrance to Qiao Space in Shanghai. On a sheet of mirror, a cone-shaped architectural structure is etched on the surface, referencing Pieter Bruegel the Elder's The Tower of Babel (1563), rising like a utopian Brigadoon out of the ashes of a scorched recomposed landscape. Pieced...

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In Video & Audio

In Conversation: Matthew Day Jackson and Tom Morton Related Video & Audio In Conversation: Matthew Day Jackson and Tom Morton Hauser & Wirth : 22 March 2018

Matthew Day Jackson will be in conversation with Tom Morton, writer, independent curator and contributing editor for frieze, on the occasion of his exhibition, Still Life and the Reclining Nude. Through two new bodies of work, Jackson critiques conventional genres, their cultural placement and his own authorship.Matthew Day Jackson is an American...

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Matthew Day Jackson. Still Life and the Reclining Nude, Hauser & Wirth London Related Video & Audio Matthew Day Jackson. Still Life and the Reclining Nude, Hauser & Wirth London Hauser & Wirth : 28 February 2018

Matthew Day Jackson. Still Life and the Reclining Nude at Hauser & Wirth London, 1 March–28 April 2018. The artist’s interdisciplinary practice explores a myriad of aspects of human experience and draws from sources that reveal both our intrinsic inventiveness and its counter-point, our ongoing capacity for destruction.

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Matthew Day Jackson. Still Life and the Reclining Nude, Hauser & Wirth London Related Video & Audio Matthew Day Jackson. Still Life and the Reclining Nude, Hauser & Wirth London Hauser & Wirth : 19 January 2018

Matthew Day Jackson talks about his new series of still life paintings and bronze sculptures in his New York studio. Jackson's interdisciplinary practice explores a myriad of aspects of human experience and draws from sources that reveal both our intrinsic inventiveness and its counter-point, our ongoing capacity for destruction.Matthew Day...

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