Within Olowska’s practice, industry, leisure, and socialist symbolism effortlessly occupy the same visual and cultural space. Her realist paintings, drawings, and collages borrow imagery from Eastern European and American popular culture creating a cross cultural reference that is evident throughout her practice, whilst engaging with the concepts of consumerism, feminism, and design.
Given Manifesta’s budget of a reported 5 million francs—with an alleged 8000 euros going to each of the artists to produce work—the biennial would have been better titled ‘What people do for no money’
Read More
Hong Kong seems to be growing out of its love affair with big brand artists, some of which have had about as much appeal as a vagazzler—overexposed, brash, bling. Gone are the dot paintings and Swarovski skulls, and Maos, as the city transitions to a deeper engagement with more challenging and engaging art.
Read More
VOGUE POLSKA debuted in February 2018 and was instantly embroiled—perhaps by design—in heated debates around Polish national identity and self-image. When Condé Nast announced the magazine's forth
Read More
'The first thing I do in the morning is brush my teeth and sharpen my tongue', quipped the American writer Dorothy Parker. I'd like to think that Parker, whose poetry was once dismissed as 'flapper ve
Read More
Artist Paulina Olowska collaborated with choreographer Katy Pyle to create a suite of solo dances based a 1918 series of prints depicting Slavic deities.
Read More
The German collector Thomas Borgmann has donated more than 600 works by artists such as Wolfgang Tillmans, Paulina Olowska, Cosima von Bonin and Cerith Wyn Evans to the Stedelijk Museum in Amsterdam, a move that 'augments on an international scale [our] holdings of contemporary art', museum officials say.
Read More
