Sebastião Salgado was a legendary Brazilian photographer and artist-activist whose epic black-and-white images captured the dignity of labour, the plight of the displaced, and the fragile beauty of the natural world.
Salgado’s monumental projects, including Workers, Migrations, Genesis, and Amazônia, redefined documentary photography and earned him major accolades, such as the Praemium Imperiale and the Sony World Photography Award for Outstanding Contribution to Photography.
Salgado was born in 1944 in Aimorés, Minas Gerais, Brazil, the only son among eight children of a cattle ranching family. He studied economics at the University of São Paulo, earning a master’s degree in 1968, and later completed a PhD in economics at the University of Paris. Forced into exile by Brazil’s military regime, Salgado moved to France in 1969 with his wife, architect Lélia Wanick Salgado. He began his career as an economist, working for the International Coffee Organization, but discovered photography in the early 1970s during work trips to Africa, borrowing Lélia’s camera. By 1973, he had shifted to photography full-time, launching a career spanning more than 120 countries and five decades.
Salgado’s contemporary art practice was defined by long-term, immersive projects that combined the rigour of documentary photography with the empathy of a committed humanist. His signature high-contrast black-and-white images, often produced as large-format prints, bear witness to human suffering and the degradation of the environment but also the planet’s sublime beauty.
Salgado’s first significant project, Other Americas (1977–1984), documented indigenous and rural communities across Latin America, exploring lives marginalised by modernisation and political upheaval. This was followed by Sahel: Man in Distress (1986), a powerful account of famine in Africa, and An Uncertain Grace (1990), which included iconic images of the Serra Pelada gold mine in Brazil.
The monumental series Workers: Archaeology of the Industrial Age (1993) is a tribute to manual labourers worldwide, from miners and steelworkers to ship-breakers and tea pickers. Salgado spent six years documenting the vanishing world of physical labour in 23 countries.
In Migrations (2000), Salgado turned his lens to mass displacement caused by war, famine, and economic hardship. Over six years, he travelled to more than 40 countries, producing a haunting visual record of refugees, migrants, and exiles. The series Exodus (2000) further explores these themes.
From the 2000s, Salgado’s focus shifted towards environmental activism. Genesis (2013) celebrates the planet’s pristine landscapes, wildlife, and indigenous cultures, created over eight years and more than 30 trips. Amazônia (2021) documents the Amazon rainforest and its indigenous peoples, offering a warning and a vision of hope. Salgado’s environmental commitment extended beyond photography: in 1998, he and Lélia founded Instituto Terra, restoring thousands of hectares of Atlantic Forest in Brazil.
Sebastião Salgado has been the subject of solo and group exhibitions at important institutions. Below is a selection.
Sebastião Salgado’s official website: Instituto Terra
Instagram: @sebastiaosalgadoofficial
Salgado is best known for his epic black-and-white documentary photography, including the series Workers, Migrations, Genesis, and Amazônia, which explore themes of labour, migration, environmental destruction, and the planet’s beauty.
His photographs are held in the collections of the Museum of Modern Art (New York), International Center of Photography (New York), Tokyo National Museum of Modern Art, and Science Museum (London).
Instituto Terra is a non-profit environmental organisation founded by Sebastião and Lélia Wanick Salgado in 1998 in Aimorés, Brazil. It is dedicated to reforestation, environmental education, and scientific research in the Atlantic Forest.
Salgado received the Praemium Imperiale, Hasselblad Award, World Press Photo of the Year, Oskar Barnack Award, Sony World Photography Award, and was named a UNESCO Goodwill Ambassador, among others.
It is pronounced “seh-bahs-tee-OWN sal-GAH-doo”.
Salgado’s life and work were the subject of the Oscar-nominated documentary The Salt of the Earth (2014), directed by Wim Wenders and his son Juliano Ribeiro Salgado. He often spent years on a single project, living with his subjects for weeks, and was renowned for his empathy and commitment to social and environmental justice.
Ocula | 2025

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