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(1933 – 1963), Italy

A precusor to conceptual art, Manzoni's monochrome paintings used everyday objects such as keys and scissors to apply paint. These painting he called 'Achromes', an ironic critique upon the nature of the valued art object. Active in the 60s, as Italy came to terms with a new post war economic and material order, Manzoni's works turned to these very materials in order to describe universal themes and mythologies. In this he was closely aligned with Arte Povera artists in their attack against the established institutions of government, industry and culture.

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Achrome by Piero Manzoni contemporary artwork mixed media
Piero Manzoni Achrome, 1961–1962 Synthetic fibre
25 x 22 cm
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Achrome by Piero Manzoni contemporary artwork mixed media
Piero Manzoni Achrome, c. 1960 Watte
48 x 38 cm
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Linea m 33,63(Line 33,63 m) by Piero Manzoni contemporary artwork sculpture
Piero Manzoni Linea m 33,63 (Line 33,63 m), 1959 Ink on paper, cardboard tube
41 x 8.5 cm
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Linea (Line) by Piero Manzoni contemporary artwork works on paper
Piero Manzoni Linea (Line), 1960 Ink on paper
60 x 49 cm
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Linea (Line) by Piero Manzoni contemporary artwork ceramics
Piero Manzoni Linea (Line), 1961 Majolica ceramics dish and ink
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Achrome by Piero Manzoni contemporary artwork mixed media
Piero Manzoni Achrome, c. 1962 Package in newspaper paper
40 x 40 cm
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Achrome by Piero Manzoni contemporary artwork mixed media
Piero Manzoni Achrome, c. 1961 Synthetic fibre
32 x 29 cm
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Linea lunga 7200 metri(Long line 7200 meter) by Piero Manzoni contemporary artwork sculpture
Piero Manzoni Linea lunga 7200 metri (Long line 7200 meter), 1960 Ink on paper, zinc cylinder covered with sheets of lead
66 x 96 cm
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Achrome by Piero Manzoni contemporary artwork mixed media
Piero Manzoni Achrome, 1961 Straw, reflective powder and kaolin
38.5 x 48 cm
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Achrome by Piero Manzoni contemporary artwork mixed media
Piero Manzoni Achrome, 1962 Synthetic fibre
28.5 x 21.5 cm
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Achrome by Piero Manzoni contemporary artwork sculpture
Piero Manzoni Achrome, 1961 Straw, reflective powder and kaolin, burnt wooden base
68.3 x 45.8 x 44.5 cm
Not for sale
Hauser & Wirth
Achrome by Piero Manzoni contemporary artwork mixed media
Piero Manzoni Achrome, c. 1960 Cotton wool in squares
21 x 29 cm
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Achrome by Piero Manzoni contemporary artwork mixed media
Piero Manzoni Achrome, 1960–1961 Polystrene and phosphorent paint
60 x 46 cm
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Achrome by Piero Manzoni contemporary artwork mixed media
Piero Manzoni Achrome, c. 1958 Kaolin and creased canvas
70 x 50 cm
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Achrome by Piero Manzoni contemporary artwork mixed media
Piero Manzoni Achrome, c. 1960 Cobalt chloride
30 x 40 cm
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Achrome by Piero Manzoni contemporary artwork mixed media
Piero Manzoni Achrome, 1961 Cotton wool balls, fabric
15 x 20 cm
Not for sale
Hauser & Wirth
Achrome by Piero Manzoni contemporary artwork mixed media
Piero Manzoni Achrome, c. 1961 Plush
20 x 20 cm
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Achrome by Piero Manzoni contemporary artwork textile
Piero Manzoni Achrome, 1959 Kaolin on canvas stitched into squares
100 x 80 cm
Sold
Robilant+Voena
Achrome by Piero Manzoni contemporary artwork sculpture
Piero Manzoni Achrome, 1961–1962 Fibreglass
25.5 x 24 cm
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Linea m 15,81(Line m 15,81) by Piero Manzoni contemporary artwork mixed media
Piero Manzoni Linea m 15,81 (Line m 15,81), 1959 Ink on paper, cardboard tube
31 x 5.5 cm
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Linea (Line) by Piero Manzoni contemporary artwork works on paper
Piero Manzoni Linea (Line), 1960 Ink on paper
60 x 49 cm
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Achrome by Piero Manzoni contemporary artwork mixed media
Piero Manzoni Achrome, c. 1960 Cotton wool
31 x 25 cm
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Achrome by Piero Manzoni contemporary artwork mixed media
Piero Manzoni Achrome, 1961 Synthetic fibre
42 x 33 cm
Not for sale
Hauser & Wirth
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Ocula presents comprehensive online access to a diverse number of artworks by a broad range of artists. On Ocula you can find artworks by well-known established artists as well as emerging artists.

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Using the tools within Ocula you can learn more about the artist who created the work, share the artwork with others, and enquire as to its availability for purchase, and also its price. Defining contemporary art is both complex and controversial, but the decision to place an artwork within the category usually rests on one requirement: namely, that the artwork was created in the current century, regardless of its medium.

Beyond this simplistic definition, however, it can be difficult to pin down any universal principles that bind the pieces produced by 21st-century artists—though perhaps diversity itself might be understood as a general theme. Developing in parallel with the prevalent theory of postmodernism, contemporary art shares a commitment to pluralism and variety (rather than, that is, to stability and straightforward truth).

Some commentators speak of 'modern contemporary art', with this term's conflation of the modern art and the contemporary art models pointing to the murky boundary that separates the early 20th-century modernist movement from the sprawling latter movement that has ruled the art scene in recent decades.

The two are indeed connected—with the contemporary fine arts essentially an outgrowth of the modern movement—but what definitively separates them is the clear set of principles that all modernist artworks share, as opposed to the relatively absent criteria surrounding contemporary artworks.

For all its experimentalism, though, contemporary art is not entirely anti-traditional, as semblances of prior artistic conditions—be that modernism, impressionism, or realism—can be found hidden within many works. Long-established ideas like the anti-establishment role of art and the artist in society continue to prevail in the contemporary art scene, with visionary creatives across the globe often using their talents to make political statements through art.

The diversity of contemporary art is reflected in the many different artworks presented on the pages of Ocula. On these pages you will find artworks ranging from watercolour paintings, acrylic paintings, oil paintings, video artworks, sculptures, conceptual artworks to fine art photography and prints. Many of these artworks are for sale and you can make an enquiry directly to the Ocula member gallery representing the relevant artist.

In Ocula Magazine, an even wider range of artworks are referenced, including performance works. In considering the artworks on Ocula, we encourage you to not view them in isolation, but to consider how the work might fit into the artist's practice by reading the artist's profile, how the work relates to the artist's exhibition history and by exploring the articles written by Ocula Magazine and / or other publications on the artist.

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