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b. 1941, United Kingdom

Sue Williamson (b. Lichfield, UK, 1941) emigrated with her family to South Africa in 1948. Trained as a printmaker, Williamson also works in installation, photography and video. In the 1970s, she started to make work which addressed social change during apartheid and by the 1980s Williamson was well known for her series of portraits of women involved in the country’s political struggle. A Few South Africans is one such a series where she celebrates women who had played roles in the fight for freedom.

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Postcards from Africa: Purchase of ivory in Brazzaville, Congo by Sue Williamson contemporary artwork works on paper
Sue Williamson Postcards from Africa: Purchase of ivory in Brazzaville, Congo, 2021 Ink on Hahnemuhle archival paper, museum glass
50 x 63 cm
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Postcards from Africa: Piroguiers – Dakar by Sue Williamson contemporary artwork works on paper
Sue Williamson Postcards from Africa: Piroguiers – Dakar, 2021 Ink on Yupo synthetic archival paper, museum glass
50 x 63 cm
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Postcards from Africa: Sifting the grain, Zambeze by Sue Williamson contemporary artwork works on paper
Sue Williamson Postcards from Africa: Sifting the grain, Zambeze, 2021 Ink on Yupo synthetic archival paper, museum glass
63 x 50 cm
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Messages from the Atlantic Passage (No. 6) by Sue Williamson contemporary artwork sculpture, installation
Sue Williamson Messages from the Atlantic Passage (No. 6), 2017–2021 Installation of engraved glass bottles, water tanks, steel shackles and fishing net
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What about El Max? Tell your people I by Sue Williamson contemporary artwork photography
Sue Williamson What about El Max? Tell your people I, 2002–2003 Pigment inks on Hahnemühle paper
47.5 x 59 cm
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Truth Games: Joyce Seipei - as a mother - Winnie Madikizela - Mandela by Sue Williamson contemporary artwork print
Sue Williamson Truth Games: Joyce Seipei - as a mother - Winnie Madikizela - Mandela, 1998 Laminated colour laser prints, wood, metal, plastic, perspex
31.5 x 47.2 x 2.4 inches
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A Few South Africans - Virgina Mngoma by Sue Williamson contemporary artwork print, mixed media
Sue Williamson A Few South Africans - Virgina Mngoma, 1984 Photo etching and screenprint collage
100 x 70 cm
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The Last Supper, Manley Villa (Friend) by Sue Williamson contemporary artwork photography
Sue Williamson The Last Supper, Manley Villa (Friend), 1981 Archival print on cotton rag
19.3 x 26.6 inches
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Postcards from Africa: Man climbing palm by Sue Williamson contemporary artwork works on paper
Sue Williamson Postcards from Africa: Man climbing palm, 2021 Ink on Hahnemuhle archival paper, museum glass
64 x 49 cm
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Postcards from Africa: Factory by the river. West Africa by Sue Williamson contemporary artwork works on paper
Sue Williamson Postcards from Africa: Factory by the river. West Africa, 2021 Indian Ink on archival Yupo paper
70 x 100 cm
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Postcards from Africa: Amusement in the South by Sue Williamson contemporary artwork works on paper
Sue Williamson Postcards from Africa: Amusement in the South, 2021 Ink on Yupo synthetic archival paper, museum glass
63 x 50 cm
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Postcards from Africa: Senegalese countryside by Sue Williamson contemporary artwork works on paper
Sue Williamson Postcards from Africa: Senegalese countryside, 2020 Indian ink on Yupo synthetic archival paper, museum glass
70 x 100 cm
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Postcards from Africa: Village in the forests of Majumbe, Congo by Sue Williamson contemporary artwork works on paper
Sue Williamson Postcards from Africa: Village in the forests of Majumbe, Congo, 2020–2021 Ink on Yupo synthetic archival paper, museum glass
70 x 100 cm
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Postcards From Africa: West African Native life and scenes: Dugout Canoes by Sue Williamson contemporary artwork works on paper
Sue Williamson Postcards From Africa: West African Native life and scenes: Dugout Canoes, 2018 Ink on Yupo synthetic archival paper and hand engraved museum glass
87 x 115 cm (incl frame)
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What about El Max? Everything fits to our daily needs II by Sue Williamson contemporary artwork photography
Sue Williamson What about El Max? Everything fits to our daily needs II, 2002–2003 Pigment inks on Hahnemühle paper
47.5 x 59 cm
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Postcards from Africa: Paysage Senegalais avec des Indigenes by Sue Williamson contemporary artwork painting, works on paper, drawing
Sue Williamson Postcards from Africa: Paysage Senegalais avec des Indigenes, 2020 Indian ink on Yupo synthetic archival paper, museum glass
70 x 100 cm
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What about El Max? Everything fits to our daily needs III by Sue Williamson contemporary artwork photography
Sue Williamson What about El Max? Everything fits to our daily needs III, 2002–2003 Pigment inks on Hahnemühle paper
47.5 x 59 cm
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The Last Supper, Manley Villa (Demolished) by Sue Williamson contemporary artwork photography
Sue Williamson The Last Supper, Manley Villa (Demolished), 1981 Archival print on cotton rag
20.9 x 27.4 inches
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Postcards from Africa: Avenue of coconuts, Nigeria by Sue Williamson contemporary artwork painting, mixed media
Sue Williamson Postcards from Africa: Avenue of coconuts, Nigeria, 2018 Ink on Yuko synthetic archival paper, engraved museum glass
70 x 100 cm
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The Last Supper, Manley Villa (Children) by Sue Williamson contemporary artwork photography
Sue Williamson The Last Supper, Manley Villa (Children), 1981 Archival print on cotton rag
19.5 x 26 inches
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The Lost District: Hanover Street by Sue Williamson contemporary artwork mixed media
Sue Williamson The Lost District: Hanover Street, 2016 Engraved glass, steel frames
78 x 66 cm
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Truth Games: Linda Biehl - understand the context - Mongezi Manqina by Sue Williamson contemporary artwork mixed media
Sue Williamson Truth Games: Linda Biehl - understand the context - Mongezi Manqina, 1998 Laminated colour laser prints, wood, metal, plastic, perspex
80 x 120 x 6 cm
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Ocula presents comprehensive online access to a diverse number of artworks by a broad range of artists. On Ocula you can find artworks by well-known established artists as well as emerging artists.

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Using the tools within Ocula you can learn more about the artist who created the work, share the artwork with others, and enquire as to its availability for purchase, and also its price. Defining contemporary art is both complex and controversial, but the decision to place an artwork within the category usually rests on one requirement: namely, that the artwork was created in the current century, regardless of its medium.

Beyond this simplistic definition, however, it can be difficult to pin down any universal principles that bind the pieces produced by 21st-century artists—though perhaps diversity itself might be understood as a general theme. Developing in parallel with the prevalent theory of postmodernism, contemporary art shares a commitment to pluralism and variety (rather than, that is, to stability and straightforward truth).

Some commentators speak of 'modern contemporary art', with this term's conflation of the modern art and the contemporary art models pointing to the murky boundary that separates the early 20th-century modernist movement from the sprawling latter movement that has ruled the art scene in recent decades.

The two are indeed connected—with the contemporary fine arts essentially an outgrowth of the modern movement—but what definitively separates them is the clear set of principles that all modernist artworks share, as opposed to the relatively absent criteria surrounding contemporary artworks.

For all its experimentalism, though, contemporary art is not entirely anti-traditional, as semblances of prior artistic conditions—be that modernism, impressionism, or realism—can be found hidden within many works. Long-established ideas like the anti-establishment role of art and the artist in society continue to prevail in the contemporary art scene, with visionary creatives across the globe often using their talents to make political statements through art.

The diversity of contemporary art is reflected in the many different artworks presented on the pages of Ocula. On these pages you will find artworks ranging from watercolour paintings, acrylic paintings, oil paintings, video artworks, sculptures, conceptual artworks to fine art photography and prints. Many of these artworks are for sale and you can make an enquiry directly to the Ocula member gallery representing the relevant artist.

In Ocula Magazine, an even wider range of artworks are referenced, including performance works. In considering the artworks on Ocula, we encourage you to not view them in isolation, but to consider how the work might fit into the artist's practice by reading the artist's profile, how the work relates to the artist's exhibition history and by exploring the articles written by Ocula Magazine and / or other publications on the artist.

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