Ocula Conversation transmediale Artistic Director Kristoffer Gansing Looks Back Terence Sharpe, Berlin Kristoffer Gansing traces eight years of change at Berlin's digital media and culture festival transmediale, as his final iteration as artistic director, End to End , opens 28 January.
Ocula Report Taipei Lowdown: Shows to See Tessa Moldan, Taipei As Taipei Dangdai returns for its second edition between 17 and 19 January 2020 at the Nangang Exhibition Center, a selection of exhibitions across the city confirm Taipei as one of the region's most exciting art hubs.
Ocula Insight Images from Abroad: Lada Nakonechna at Galerie EIGEN + ART Phoebe Blatton, Berlin Images from abroad , Lada Nakonechna's solo exhibition at Galerie EIGEN + ART in Berlin, considers the barriers that exist between depictions of conflict and their viewers.
Para Site is Hong Kong's leading contemporary art centre and one of the oldest and most active independent art institutions in Asia. It produces exhibitions, publications, discursive, and educational projects aimed at forging a critical understanding of local and international phenomena in art and society.
Read MoreFounded in early 1996 as an artist run space, Para Site was Hong Kong's first exhibition-making institution of contemporary art and a crucial self-organised structure within the city’s civil society, during the uncertain period preceding its handover to Mainland China. Throughout the years, Para Site has grown into a contemporary art centre, engaged in a wide array of activities and collaborations with other art institutions, museums, and academic structures in Hong Kong and the international landscape. In early 2015, Para Site moved to greatly increased premises, in North Point/Quarry Bay. Throughout its history, Para Site's activities have included a range of different formats, among which P/S magazine (1997-2006), a bilingual publication, which was Hong Kong's first visual arts magazine and a central platform for the development of art writing and of a discursive scene in the city and the Curatorial Training Programme (2007-2010). Since 2012, Para Site has been running an International Art Residency Programme and has been organizing an annual international conference. This is accompanied, starting from 2015, by a new educational format aimed at training young curators and other art professionals. Para Site's activities are made possible by the generous support of its patrons, and grants from foundations and the Government of the HKSAR.
Ocula Report ‘Organising Wherever You Are’: Art and Praxis at Para Site Conference Sara Garzón, Hong Kong 'Where do Turkeys originally come from?' asked Sugata Ray, associate professor of South and Southeast Asian art at Berkeley University, as he inquired into the possibility of a post-anthropocentric approach to art history. Ray was one of the 14 invited speakers at Para Site 's annual conference in Hong Kong (10–12 October 2019), organised in...
Ocula Report Aichi Triennale Grapples with History and Censorship Stephanie Bailey, Nagoya The 2019 Aichi Triennale (1 August–14 October 2019) is all about mediating polarisations—whether between 'nationalism and globalism, elitism and anti-intellectualism, universalism and relativism, idealism and realism, metropole and periphery, young and old'. The exhibition enacts this mediation by deftly weaving together works employing...
Ocula Report Art Basel in Hong Kong: Exhibitions to See Tessa Moldan, Hong Kong For those visiting during Art Basel in Hong Kong (29–31 March 2019), the smell of fresh paint may still be in the air at the latest heritage conservation project, The Mills, which opened on 16 March to encompass the Centre for Heritage, Arts and Textiles (CHAT), joining the ranks with ex-prison complex Tai Kwun, along with Eaton HK—a retro...
Ocula Insight What to Let Go? , the sixth annual Para Site International Conference (22–24 November 2018) organised by Hong Kong non-profit art organisation Para Site, took as its theme the tangled issue of heritage. Fittingly, the conference was held in the JC Cube Auditorium in the recently opened Tai Kwun – Centre for Heritage and Arts, Hong Kong's...
Related Press Nam June Paik today 18 October 2019, ArtReview Koki Tanaka How did you first encounter the work of Nam June Paik? I think it was through TV Buddha, but not sure which one. I just googled it now, and find out there are so many different versions of TV Buddhas by Paik...
Related Press Material World: Para Site Director Cosmin Costinas' Textiles Collection 8 April 2019, Hong Kong Tatler 'Oh, I'm getting all excited now,' Cosmin Costinas exclaims as he flings open a wardrobe in his apartment, revealing hundreds of brightly coloured, intricately patterned textiles stacked on top of each other. 'I think I have over a thousand,' he adds, opening a second cupboard packed with fabrics and gesturing at the reams of material draped...
Related Press Beyond Art Basel: 9 Non-Profit And Museum Shows To See In Hong Kong 19 March 2019, Hong Kong Tatler Hong Kong artist Hon Chi-fun, now in his late 90s, and American artist James Turrell, are featured at the Asia Society. Hon is renowned for co-founding the Circle Art Group in the 1960s, a pioneering collective of artists hailed for bringing modern art to Hong Kong.
Related Press Jakarta’s Museum Macan launches with exhibition of who’s who in Eastern and Western art 29 August 2017, Post Magazine Chinese collectors have so quickly become a mainstay of the art market that it is easy to forget that wealthy Southeast Asian connoisseurs started buying contemporary art decades earlier.
