Para Site is Hong Kong's leading contemporary art centre and one of the oldest and most active independent art institutions in Asia. It produces exhibitions, publications, discursive, and educational projects aimed at forging a critical understanding of local and international phenomena in art and society.
Read MoreFounded in early 1996 as an artist run space, Para Site was Hong Kong's first exhibition-making institution of contemporary art and a crucial self-organised structure within the city’s civil society, during the uncertain period preceding its handover to Mainland China. Throughout the years, Para Site has grown into a contemporary art centre, engaged in a wide array of activities and collaborations with other art institutions, museums, and academic structures in Hong Kong and the international landscape. In early 2015, Para Site moved to greatly increased premises, in North Point/Quarry Bay. Throughout its history, Para Site's activities have included a range of different formats, among which P/S magazine (1997-2006), a bilingual publication, which was Hong Kong's first visual arts magazine and a central platform for the development of art writing and of a discursive scene in the city and the Curatorial Training Programme (2007-2010). Since 2012, Para Site has been running an International Art Residency Programme and has been organizing an annual international conference. This is accompanied, starting from 2015, by a new educational format aimed at training young curators and other art professionals. Para Site's activities are made possible by the generous support of its patrons, and grants from foundations and the Government of the HKSAR.
Ocula News Para Site’s Celia Ho: ‘We Are Never Afraid of Addressing Political Issues’ Hong Kong, 7 September 2020 The curator's first exhibition for the influential art centre will feature Hong Kong artists Luke Ching Chin Wai and Vvzela Kook.
Ocula Report Exhibitions to See in Hong Kong By Tessa Moldan, Hong Kong As Hong Kong gradually opens up after months of lockdown, this lowdown provides a selection of exhibitions taking place throughout the summer.
Ocula News Art Power HK Launches Campaign to Revive Hong Kong Art Scene Hong Kong, 16 March 2020 With art galleries, museums and events closing around the world, the campaign offers a way for art fans and professionals in the city to keep calm and carry on.
Ocula Report ‘Organising Wherever You Are’: Art and Praxis at Para Site Conference By Sara Garzón, Hong Kong 'Where do Turkeys originally come from?' asked Sugata Ray, associate professor of South and Southeast Asian art at Berkeley University, as he inquired into the possibility of a post-anthropocentric approach to art history. Ray was one of the 14 invited speakers at Para Site 's annual conference in Hong Kong (10–12 October 2019), organised in...
Related Press Nam June Paik today 18 October 2019, ArtReview Koki Tanaka How did you first encounter the work of Nam June Paik? I think it was through TV Buddha, but not sure which one. I just googled it now, and find out there are so many different versions of TV Buddhas by Paik...
Related Press Material World: Para Site Director Cosmin Costinas' Textiles Collection 8 April 2019, Hong Kong Tatler 'Oh, I'm getting all excited now,' Cosmin Costinas exclaims as he flings open a wardrobe in his apartment, revealing hundreds of brightly coloured, intricately patterned textiles stacked on top of each other. 'I think I have over a thousand,' he adds, opening a second cupboard packed with fabrics and gesturing at the reams of material draped...
Related Press Beyond Art Basel: 9 Non-Profit And Museum Shows To See In Hong Kong 19 March 2019, Hong Kong Tatler Hong Kong artist Hon Chi-fun, now in his late 90s, and American artist James Turrell, are featured at the Asia Society. Hon is renowned for co-founding the Circle Art Group in the 1960s, a pioneering collective of artists hailed for bringing modern art to Hong Kong.
Related Press Jakarta’s Museum Macan launches with exhibition of who’s who in Eastern and Western art 29 August 2017, Post Magazine Chinese collectors have so quickly become a mainstay of the art market that it is easy to forget that wealthy Southeast Asian connoisseurs started buying contemporary art decades earlier.
