Angela de la Cruz disrupts the gallery with unruly works that sit between painting and sculpture. She engages with the discourse about the ‘problem’ with painting by targeting its basic anatomy: the stretcher, normally left to its job of keeping the canvas smooth and pliant. De la Cruz breaks convention, quite literally, by mangling the stretcher and piercing the flat edifice of the canvas to unleash it into three-dimensional space. Slashed, twisted and reformed into something approaching sculpture, there is a dark humour at play: “The moment I cut through the canvas I get rid of the grandiosity of painting”, she says. Convention punctured, her works seem to mimic aspects of human behaviour or states of mind – cowering, cringing, surviving – and, more recently, this sense of human scale has been bolstered by works incorporating items of domestic furniture, such as chairs and tables. Prostrate on the floor or hanging on the wall like macabre trophies, they are evidence of a violent process and, as such, confront it as something thrilling, fearsome and, whether soiled or slick, just beneath the surface. For recent works such as Burst (White) (illustrated right, 2012), the artist has violently yet playfully transcended the imposed boundaries of her medium, asserting painting’s three-dimensionality by causing the sides to burst as if about to tear or explode. “These works are about being on the verge of something, the liminal state between one form and another. There is a surface appearance and there is also what lies beneath. These pieces are quite aggressive but they are also in a calm state.”Read More
Angela de la Cruz was born in La Coruña in Galicia, northwest Spain in 1965 and lives and works in London. She received a BA in philosophy from the University of Santiago de Compostela, 1989, before moving to London, where she has a BA in Fine Art from Goldsmiths College, 1994, and an MA Sculpture and Critical Theory from the Slade, 1996. Solo exhibitions include Camden Arts Centre, London, 2010, Centro Andaluz de Arte Contemporáneo, Sevilla, Spain, 2005, and Museo de Arte Contemporanea de Vigo, Annex Space MARCO, Spain, 2004. She was nominated for the Turner Prize in 2010.
Text courtesy Lisson Gallery.
The exhibition Beyond Boundaries at Somerset House in [London] (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, [Beijing] (CAFA) and the Slade Sc
Thomas Schulte speaks about Allan McCollum's exhibition Everything Is Going To Be OK and the simultaneous group show Listen To a Heart Beat, both of which are on view at Galerie Thomas Schulte fro
On the occasion of her exhibition Layers at Galerie Thomas Schulte (26 October 2019 to 11 January 2020), Angela de la Cruz spoke to Louisa Elderton about her choice of a minimalist display mirroring