Artist Taloi Havini and Ruth McDougall, curator of Pacific art at Queensland Art Gallery and Gallery of Modern Art, discuss Havini's first Australian solo exhibition, Reclamation .
'This year's Biennale of Sydney seems like a corrective,' writes Soo-Min Shim, 'prioritising autonomy in an international exhibition format that has all too often omitted or sidelined First Nations artists.'
In the United States, parallels have been drawn between the HIV/AIDS crisis and what is unfolding with Covid-19. These connections feed into P·P·O·W's online exhibition, Hell is a Place on Earth. Heaven is a Place in Your Head .
Most of Todd Hido's photographs of suburban landscapes are taken during solitary, long drives. The main subject of his work is the quality of natural and artificial light in the American landscape, as in reflected sunrays or the illumination of a television pouring from an anonymous window.Read More
Hido takes his pictures in a 'fairly undirected way', he says, but edits his negatives together and manipulates them until he produces an image that represents his encounter with a place. In describing his process, Hido says, 'I shoot sort of like a documentarian, but I print like a painter.' He has also produced a number of interior shots featuring human figures; his models include his wife and former girlfriends.
Text courtesy Reflex Amsterdam.
Moving from American suburbia to the brooding landscapes of northern Europe, Todd Hido sees a world facing an uncertain climatic future with 'the darkness that I see coming' To look through Todd Hido’s lens is to view the world darkly. The San Francisco-based photographer’s entire oeuvre of compelling visual narratives is shrouded in inky...
REFLEX Amsterdam is thrilled to present Bright Black World , a new exhibition by the celebrated American photographer Todd Hido. In this video, the star of the exhibition touches upon how he got into photography and what inspires him and his work. For the past three years, Todd Hido has been working on the series Bright Black World . This...
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