An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...
Zoe Butt is the artistic director of The Factory Contemporary Arts Centre in Ho Chi Minh City, the first purpose-built space for contemporary art in Vietnam. Founded in March 2016, the Centre was designed by HTAP Architects in an old steel warehouse, with cargo shipping containers added to its structure. Initiated as a social enterprise...
即将于2019年7月13开幕的第二届 Condo Shanghai，联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市，如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城，为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥，《景观/对象WA》（2016）。橡木上固化油墨打印，左: 55.88 × 147.32 cm，中: 121.92 × 152.4 cm，右: 55.88 × 147.32 cm，图片提供：马凌画廊，上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...
REFLEX Amsterdam is thrilled to present Bright Black World, a new exhibition by the celebrated American photographer Todd Hido. In this video, the star of the exhibition touches upon how he got into photography and what inspires him and his work.
For the past three years, Todd Hido has been working on the series Bright Black World. This profoundly beautiful and arresting collection of images is currently on show at REFLEX. Many of the photographs, results of Hido's exploration of the northern hemisphere in the impenetrable depths of winter, have previously been unseen. The realities of climate change lurk behind in these images–the threat of an eternal darkness looming large.
IN CONVERSATION WITH... is a new series of videos brought to you by REFLEX Amsterdam. The series is aimed at introducing our artists and exhibitions to a wide audience.
This video was made in context of the exhibition Todd Hido: Bright Black World, which is on show from 15 September–17 November 2018 at REFLEX Amsterdam.
Todd Hido was born in 1968 in Kent, Ohio, USA. In his celebrated photographs of the American urban landscape, he excels in capturing images that evoke a sense of mystery and unseen narratives. Whether in his eerie exteriors of isolated houses at night, where the only source of life emanates from a single lit room; or carefully framed interiors of tousled sheets on a single bed, or the numbing glare of an old TV set. And even in his disturbing yet evocative images of female models, a confusing yet very real range of female identities lifted from his past - we feel a sense of unease: some allow vulnerability and others exhibit empowerment.
These powerful cinematic images have a rich cultural impact, recalling the legacy of filmmakers such as Alfred Hitchcock and David Lynch, and novelists Raymond Carver and Stephen King.
Todd Hido's photographs are in the permanent collections of the J Paul Getty Museum, Los Angeles; Whitney Museum of Art, New York; Solomon R. Guggenheim Museum, New York; San Francisco Museum of Modern Art; Los Angeles County Museum of Art; and Pier 24 Photography, San Francisco, amongst others.
'It's been said that Inuits have many words to describe white. As the polar snow caps melt faster than we ever imagined, I wonder how long it will be before we have as many words to describe darkness.' – Todd Hido
Reflex Gallery is thrilled to present Bright Black World, a new exhibition by celebrated American photographer Todd Hido. This profoundly beautiful and arresting collection of 18 images–many of them unseen–are the results of Hido's exploration of the northern hemisphere in the impenetrable depths of winter. The realities of climate change lurk behind in these images–the threat of an eternal darkness looming large.
In a crepuscular forest scene, it is uncertain whether the faint blush of sun behind the strident firs is setting or rising. Dawn and sunset are one and the same in midwinter–the light bleeding through the clouds for a mere hour or so and then fading.
Above the leaden horizon of the Norwegian Sea, grey clouds billow and spiral into mysterious forms. In another image of land and sky, the heavy snow clouds bear down like a safety blanket.
A series of epic snowy vistas, devoid of human presence, are magisterial in their desolate beauty. Burrs of snowflakes cling to the camera lens.
Two starkly beautiful portraits of women remind us that this terrain is nevertheless home to some. In other scenes, streetlights, motel signs and a cemetery remind us of the life cycle of a community for whom the hardship of winter is rewarded by the endless light of summer.
After Intimate Distance, Hido's 2016 mid-career survey which explored his childhood in the United States, he felt ready to explore new horizons: 'Having closed that chapter I was very open to shooting in different places. I followed the snow. There I began anew and was able to make a larger reflection about the times that we live in which clearly needs to be done on a global scale.'
Not just a political statement, Bright Black World is infused with Nordic mythology, Ragnarok, and the idea of Fimbulwinter–a winter that never ends.
These images fill the viewer with unease while simultaneously a profound sense of wonder. A vision, as Hido says, that 'pushes the envelope of darkness.' While he hopes these photographs will lead to some greater insight into the changing world that we live in, while providing the motivation and a moment to reflect on how we got here, he invites us to come to our own conclusions. 'As an artist, my job is not to create meaning but to charge the air so that meaning can occur.'
Bright Black World runs from September 15 to November 17 at Reflex Amsterdam. A special book of images, also titled Bright Black World, published by Nazraeli Press, will be presented at Unseen Photo Fair, 21–23 September 2018. A limited edition of two prints, and a copy of the book will be available at Reflex.
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