An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...
Moving across installation, painting, drawing, and writing, Malaysia-born and London-based artist Mandy El-Sayegh explores the political, social, and economic complexities of humanity, using a mosaic of information—from advertising slogans and pornographic imagery to newspaper articles—that she subjects to processes of layering,...
Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...
'It's been said that Inuits have many words to describe white. As the polar snow caps melt faster than we ever imagined, I wonder how long it will be before we have as many words to describe darkness.' –Todd Hido
Reflex Gallery is thrilled to present Bright Black World, a new exhibition by celebrated American photographer Todd Hido. This profoundly beautiful and arresting collection of 18 images–many of them unseen–are the results of Hido's exploration of the northern hemisphere in the impenetrable depths of winter. The realities of climate change lurk behind in these images–the threat of an eternal darkness looming large.
In a crepuscular forest scene, it is uncertain whether the faint blush of sun behind the strident firs is setting or rising. Dawn and sunset are one and the same in midwinter–the light bleeding through the clouds for a mere hour or so and then fading.
Above the leaden horizon of the Norwegian Sea, grey clouds billow and spiral into mysterious forms. In another image of land and sky, the heavy snow clouds bear down like a safety blanket.
A series of epic snowy vistas, devoid of human presence, are magisterial in their desolate beauty. Burrs of snowflakes cling to the camera lens.
Two starkly beautiful portraits of women remind us that this terrain is nevertheless home to some. In other scenes, streetlights, motel signs and a cemetery remind us of the life cycle of a community for whom the hardship of winter is rewarded by the endless light of summer.
After Intimate Distance, Hido's 2016 mid-career survey which explored his childhood in the United States, he felt ready to explore new horizons: 'Having closed that chapter I was very open to shooting in different places. I followed the snow. There I began anew and was able to make a larger reflection about the times that we live in which clearly needs to be done on a global scale.'
Not just a political statement, Bright Black World is infused with Nordic mythology, Ragnarok, and the idea of Fimbulwinter–a winter that never ends.
These images fill the viewer with unease while simultaneously a profound sense of wonder. A vision, as Hido says, that 'pushes the envelope of darkness.' While he hopes these photographs will lead to some greater insight into the changing world that we live in, while providing the motivation and a moment to reflect on how we got here, he invites us to come to our own conclusions. 'As an artist, my job is not to create meaning but to charge the air so that meaning can occur.'
REFLEX Amsterdam is thrilled to present Bright Black World, a new exhibition by the celebrated American photographer Todd Hido. In this video, the star of the exhibition touches upon how he got into photography and what inspires him and his work.For the past three years, Todd Hido has been working on the series Bright Black World. This profoundly...
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