ShanghART Singapore is honoured to present Tang Da Wu's first solo exhibition with ShanghART Gallery, 3, 4, 5, I Don't Like Fine Art, opening on 29 July 2023 with a live performance by the artist at 4.30pm. Featuring new works inspired by his personal experiences as an artist, the exhibition showcases several sculptural installations that tell the story of Tang's life journey with art.
From his very first painting exhibition in 1970, to Earth Work (1980) upon his first return from studying overseas, to co-founding The Artists Village (1988), Tang has been a constant presence in the development of Singapore's contemporary art scene. Working tirelessly and staying true to himself as an artist through the years, Tang continues to contribute to the growth of the art scene by sharing his knowledge and experiences with the next generations, having been teaching at the National Institute of Education for the past twenty years.
Following up on his series of double-bill exhibitions at the Nanyang Academy of Fine Arts in the recent years, Tang continues to draw upon local mythologies, art history, recurring motifs such as the phoenix, while looking inwards at his personal art practice spanning over five decades in creating this new series of works.
At 80 years of age, Tang's unwavering dedication to art can be seen through his sustained focus in making art every day, as he continues to hold the belief that art "should provoke thoughts, not to please the eyes or to entertain, much less for decoration." With his artistic vision, the installation works command a strong presence within the gallery space, captivating the audience and inviting us into his world.
Tang Da Wu was born in 1943 in Thang Kian Hiong, Singapore. He received a BA in sculpture from the School of Fine Art, Birmingham Polytechnic (now Birmingham Institute of Art and Design) in 1974 and pursued advanced studies in sculpture at Saint Martins School of Art (now Central Saint Martins) from 1974–75. In 1985, he received an MFA from Goldsmith’s College, University of London. After returning to Singapore in 1979, Tang began to work in performance art, and in 1988, cofounded the Artists Village, a collective committed to promoting experimental art through the provision of studio and exhibition space. Working through a de facto ban on performance that began in 1994 as a response to artist Josef Ng trimming his pubic hair at a public festival, the organization supports community interaction through social relevance and the hosting of public site-specific interventions. Through performance, installation, painting, and drawing, Tang explores social and environmental themes including deforestation, animal endangerment, and urban transformation.
When ShanghArt Gallery opened its doors in Shanghai in 1996, it was one of the first contemporary art galleries in China. Today, the gallery operates from two spaces in the city (West Bund and Putuo District), with additional locations in Beijing and Singapore.
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