ShanghART gallery was initiated in 1996 in Shanghai. It has since grown to become one of China’s most influential art institutions and a vital resource to the development of contemporary art in China with two spaces in 50 Moganshan Road (Main Space and H-Space), a public warehouse space in West of Shanghai (ShanghART Taopu), and a gallery space in Beijing and representing over 40 artists.
Read MoreBeing recognized for its importance ShanghART became the initial gallery from China participating in major international art fairs like Art Basel and Fiac, Paris. ShanghART gallery also enjoys the great respect of being among the 75 most influencial galleries selected in Thames & Hudson’s publication 'International Art Galleries: Post-war to Post-millennium.'
Ocula News Mega Collector Julia Stoschek and Daata Make More Digital Art Free Online, 10 March 2021 The Julia Stoschek Collection and the online platform Daata are collaborating to present 112 time-based works by leading contemporary artists online, open to the public and free for all.
Ocula News Black Lives Matter Tops ArtReview Power 100 London, 3 December 2020 The list remains overwhelmingly dominated by people, institutions and movements in the Western world.
Ocula Feature Shanghai Art Week: Exhibitions to See By Tessa Moldan, Shanghai With Art021 and West Bund Art & Design taking place in November, we recommend 17 shows to see in Shanghai this winter.
Ocula News Chinese Art World Begins Tentative Return After COVID-19 Peak Beijing, 3 April 2020 Art galleries and museums have made careful moves towards resuming normal operations following what is reportedly the worst of the COVID-19 epidemic in China.
Related Press Lynn Hershman Leeson’s 'First Person Plural' 18 April 2019, Art Agenda Who was Lynn Hershman Leeson between 1965 and 1994? The Centro de Arte Dos de Mayo (CA2M) in Móstoles, a city just southwest of Madrid, is showing First Person Plural, focusing on three decades of Hershman Leeson's oeuvre. The exhibition pivots on questions of identity, technology, and the female, or rather woman-identified, body.
Related Press Artes Mundi 8: Filmmaker Apichatpong Weerasethakul wins £40,000 prize 24 January 2019, BBC News Indie Thai filmmaker Apichatpong Weerasethakul has won the £40,000 Artes Mundi contemporary art prize. The judges said his film Invisibility was 'a powerful weapon in these turbulent times'. The 48-year-old gave a UK premiere to his dream-like work, projected over two screens and showing two figures rising from their beds in separate rooms....
Related Press The man with the exploding head: the director inspired by his medical condition 24 October 2018, The Guardian Apichatpong Weerasethakul's house in northern Thailand is a luscious jungle paradise full of polished concrete and teak, palm trees and bamboo. Even the air smells zen. The house's three gatekeepers, Dracula, King Kong and Vampire, do little to disturb the peace. They are pugs – named because Weerasethakul loves horror movies – who have a...
Related Press Melati Suryodarmo: Timoribus at Shanghart, Singapore 4 July 2018, ArtReview Asia Melati Suryodarmo's greatest asset is her Javanese dance- and butoh-trained body, the limits of which she explores in durational performances. The latter range from full-sprint displays of power (as in her best-known work, Exegie - Butter Dance, 2000, in which she dances and skids on blocks of butter), to periods of deep meditative surrender (in...
Related Video & Audio Yang Fudong: Endless Peaks at ShanghART, Shanghai 24 February 2021, ShanghART 'Huihua dianying' or 'Painting as a film', a concept that Yang Fudong has been developing for years, evolves in this exhibition as the main way to investigate the spiritual landscape of people. Works on display span painting, photography to video installation, and intend to reconstruct the narrative structure of viewing. The title of the...
Related Video & Audio Zeng Fanzhi: From Hand to Mind 16 May 2015, Nowness The search for identity in socially and politically evolving China characterizes Zeng Fanzhi's work. Often compared to the German Expressionists, his vivid brushstrokes have made him the most high-valued Asian artist working today ( The Last Supper, inspired by Leonardo da Vinci's 15th-century mural of the same name, sold for $23.3 million at a...
