Ocula Report 4th Kochi-Muziris Biennale: Possibilities for a Non-Alienated Life 15 Feb 2019 : Natalie King for Ocula 'Poems are like sentences that have taken their clothes off.' Marlene Dumas' poetic and sensual refrain accompanies her figurative watercolours on view in Possibilities for a Non-Alienated Life, the fourth edition of the Kochi-Muziris Biennale (KMB) in the southern state of Kerala, India (12 December 2018–29 March 2019).Dumas' new series...
Ocula Conversation Ellen Altfest The paintings of Ellen Altfest are ethereal in their detail. Fields of minutiae come together as pulsating images; small brushstrokes of oil paint accumulate over a series of months to single out seemingly innocuous subjects, such as a hand resting atop patterned fabric (The Hand, 2011) or a deep green cactus reaching upwards from beneath a bed of...
Ocula Report Colomboscope 2019: Cross Currents and Dissonance 8 Feb 2019 : Nada Raza for Ocula On the rooftop of the former Rio Hotel complex in Colombo, it was hard to ignore the high-rise buildings, still under construction, blocking all but a sliver of what used to be an open view over Slave Island, once an island on Beira Lake that housed slaves in the 19th century, and now a downtown suburb. The hotel was set alight during the...
ShanghART gallery was initiated in 1996 in Shanghai. It has since grown to become one of China’s most influential art institutions and a vital resource to the development of contemporary art in China with two spaces in 50 Moganshan Road (Main Space and H-Space), a public warehouse space in West of Shanghai (ShanghART Taopu), and a gallery space in Beijing and representing over 40 artists.
Being recognized for its importance ShanghART became the initial gallery from China participating in major international art fairs like Art Basel and Fiac, Paris. ShanghART gallery also enjoys the great respect of being among the 75 most influencial galleries selected in Thames & Hudson’s publication "International Art Galleries: Post-war to Post-millennium."
Lynn HershmanRoberta Multiples Gather at DeYoung Exhibition in Front of Construction Chart Seen From Behind, 1977 Chromogenic print
Chen XiaoyunThe Tragic Conclusion from a Repetitive Ending: All Sins Become More Incomprehensive 从不断重复的结局得出的悲剧结论:所有的罪恶都变得更加不可琢磨, 2018 Acrylic on canvas
Ocula Report Singapore Art Week: Exhibitions to See 18 Jan 2019 : Tessa Moldan for Ocula S.E.A. Focus, the new boutique art fair by STPI – Creative Workshop & Gallery, will take centre stage during this year's Singapore Art Week (19–27 January 2019). Running between 24 and 27 January 2019, 26 galleries will participate in the inaugural edition, showcasing modern and contemporary Southeast Asian art within a pop-up structure in...
Ocula Report Art Taipei 2018: In Flux 10 Nov 2018 : Diana d’Arenberg for Ocula 'There is nothing more boring than the story of decline,' a journalist remarked at an art criticism panel I attended the evening before making the trip to see Art Taipei (26–29 October 2018). As I attended the opening night of Asia's oldest art fair, which celebrates its 25th anniversary this year, those words rang in my head. Wandering up and down...
Ocula Photolog West Bund Art & Design 2018 9 November 2018 'With a strong selection of returning exhibitors, the 2018 edition welcomes 87 galleries in the Galleries section, among which 39 are participating for the first time.'– West Bund Art & Design (8–11 November 2018).
Ocula Report PHOTOFAIRS | Shanghai 2018 15 Oct 2018 : Georgina Adam for Ocula PHOTOFAIRS | Shanghai held its fifth edition between 21 and 23 September 2018. As in previous years, the event was held in the Shanghai Exhibition Center—a neoclassical construction dating from 1955, built in the form of a central hall with two curved wings, topped with an ornate and unmissable 110-metre spire. The building is surprisingly...
Related Press Artes Mundi 8: Filmmaker Apichatpong Weerasethakul wins £40,000 prize BBC News : 24 January 2019 Indie Thai filmmaker Apichatpong Weerasethakul has won the £40,000 Artes Mundi contemporary art prize.The judges said his film Invisibility was 'a powerful weapon in these turbulent times'.The 48-year-old gave a UK premiere to his dream-like work, projected over two screens and showing two figures rising from their beds in separate rooms.He was...
Related Press The man with the exploding head: the director inspired by his medical condition The Guardian : 24 October 2018 Apichatpong Weerasethakul's house in northern Thailand is a luscious jungle paradise full of polished concrete and teak, palm trees and bamboo. Even the air smells zen. The house's three gatekeepers, Dracula, King Kong and Vampire, do little to disturb the peace. They are pugs – named because Weerasethakul loves horror movies – who have a...
Related Press Melati Suryodarmo: Timoribus at Shanghart, Singapore ArtReview Asia : 4 July 2018 Melati Suryodarmo's greatest asset is her Javanese dance- and butoh-trained body, the limits of which she explores in durational performances. The latter range from full-sprint displays of power (as in her best-known work, Exegie - Butter Dance, 2000, in which she dances and skids on blocks of butter), to periods of deep meditative surrender (in...
Related Press I LOVE YOU: MELATI SURYODARMO ArtAsiaPacific : 4 July 2018 For acclaimed Indonesian performance artist Melati Suryodarmo’s first comprehensive solo exhibition in China, hosted at ShanghArt Beijing, she offered a group of works that represent her two-pronged practice, which comprises photography and durational performance art—the latter being her key pursuit, and the main focus of the show.The exhibition...
Related Video & Audio Zeng Fanzhi: From Hand to Mind Nowness : 16 May 2015 The search for identity in socially and politically evolving China characterizes Zeng Fanzhi's work. Often compared to the German Expressionists, his vivid brushstrokes have made him the most high-valued Asian artist working today (The Last Supper, inspired by Leonardo da Vinci's 15th-century mural of the same name, sold for $23.3 million at a 2013...
