Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...
Ocula Conversation Zoe Butt on the Challenges and Rewards of Curating Zoe Butt is the artistic director of The Factory Contemporary Arts Centre in Ho Chi Minh City, the first purpose-built space for contemporary art in Vietnam. Founded in March 2016, the Centre was designed by HTAP Architects in an old steel warehouse, with cargo shipping containers added to its structure. Initiated as a social enterprise...
Ocula Report Ocula 报告｜Condo Shanghai 2019 展览看点 11 Jul 2019 : Penny Liu for Ocula 即将于2019年7月13开幕的第二届 Condo Shanghai，联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市，如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城，为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥，《景观/对象WA》（2016）。橡木上固化油墨打印，左: 55.88 × 147.32 cm，中: 121.92 × 152.4 cm，右: 55.88 × 147.32 cm，图片提供：马凌画廊，上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...
Founded in 1996, ShanghART Gallery is one of the first contemporary art galleries established in China. With spaces in Shanghai, Beijing and Singapore, ShanghART has been a driving force of the development of Chinese contemporary art for the past twenty years. Working closely together with over 40 artists, ShanghART regularly participates in the major international art fairs and collaborates with important art institutions in China and from all over the world.
ShanghART Gallery Shanghai is newly located on the West Bund.
Ocula Conversation Melati Suryodarmo: Performance Art as Trigger In 2012, Melati Suryodarmo opened Studio Plesungan in her native Surakarta, also known as Solo, the historic royal capital of the Mataram Empire of Java in Indonesia. Suryodarmo had returned to Indonesia from Germany, where she studied Butoh and choreography with Butoh dancer and choreographer Anzu Furukawa, time-based media with avantgarde...
Ocula Photolog JingArt 2019 31 May 2019 'JINGART is committed to combining the dynamic culture of Beijing with the international art market, in the hope of building a diverse and inclusive platform for local and international exhibitors. This year, exhibitors present works ranging from modern and contemporary art, design, furniture, decorative art, and many more.' –JINGART, Press...
Ocula Report China’s Post-Intranet Artists Get Personal 27 Apr 2019 : Sam Gaskin for Ocula China's post-80s artists are no longer all that 'young', nor do they much need that moniker. With the oldest of that generation fast approaching 40, to call them young would be misleading given how rapidly many of them rose to prominence during the tail-end of China's foreign collector-powered art boom and subsequent influx of domestic collectors....
Ocula Report Art Basel in Hong Kong 2019: A Post-mortem 6 Apr 2019 : Diana d’Arenberg for Ocula Although Art Basel in Hong Kong is the youngest of the Art Basel fairs, and a relative newcomer to the international art fair circuit, it has now become a major attraction for collectors and galleries from around the world. The seventh edition of Art Basel in Hong Kong saw thousands of art courtesans and benefactors kick off the week with a string...
Related Press Reconciling Secular Art in Sacred Spaces Hyperallergic : 20 July 2019 VENICE — The two most arresting exhibitions I saw among the Venice Biennale's collateral displays were Sean Scully's Human and Artists Need to Create on the Same Scale that Society Has the Capacity to Destroy: Mare Nostrum, curated by Phong Bui and Francesca Pietropaolo for The Brooklyn Rail.Scully's show is a magisterial display of a...
Related Press The Best Things to See at the 2019 Venice Biennale AnOther : 13 May 2019 The 58th edition of the Venice Biennale, May You Live in Interesting Times curated by Ralph Rugoff–from London’s very own Hayward Gallery–proves to be as interesting as its title promises. Venice is an easy city to get lost in, and it’s easy to see why Proust dubbed the city’s labyrinth of alleyways a network of 'innumerable slender capillary...
Related Press Lynn Hershman Leeson’s 'First Person Plural' Art Agenda : 18 April 2019 Who was Lynn Hershman Leeson between 1965 and 1994? The Centro de Arte Dos de Mayo (CA2M) in Móstoles, a city just southwest of Madrid, is showing First Person Plural, focusing on three decades of Hershman Leeson's oeuvre. The exhibition pivots on questions of identity, technology, and the female, or rather woman-identified, body.
Related Press Sean Scully’s Figurative Leap Hyperallergic : 9 March 2019 When I became an art critic in 1981 one of the first artists I met and wrote about was Sean Scully. At that time I was teaching philosophy in Pittsburgh and he, having recently moved to New York, was as yet without a dealer. We are almost the same age, and to some extent we grew up together. When we first met, he had just made the transition from...
Related Video & Audio Zeng Fanzhi: From Hand to Mind Nowness : 16 May 2015 The search for identity in socially and politically evolving China characterizes Zeng Fanzhi's work. Often compared to the German Expressionists, his vivid brushstrokes have made him the most high-valued Asian artist working today (The Last Supper, inspired by Leonardo da Vinci's 15th-century mural of the same name, sold for $23.3 million at a 2013...
