An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...
Moving across installation, painting, drawing, and writing, Malaysia-born and London-based artist Mandy El-Sayegh explores the political, social, and economic complexities of humanity, using a mosaic of information—from advertising slogans and pornographic imagery to newspaper articles—that she subjects to processes of layering,...
Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...
Tina Kim Gallery is pleased to present For Mario, an exhibition of modern and contemporary art and design curated by New York / Los Angeles-based architecture firm Charlap Hyman & Herrero (CHH). Works that span a spectrum of mediums are displayed throughout the galleries, which have been draped with cotton muslin in a classicizing gesture. For Mario will open with a public reception on June 27, 2019, from 6 PM to 8 PM and will remain until August 23.
In a performance staged specially for the exhibition’s opening reception, AMOC artists Anthony Roth Costanzo (countertenor) and Jay Campbell (cellist) perform the legendary final lament from Henry Purcell’s 'Dido and Aeneas,' perhaps the greatest monument to neoclassicism in the operatic canon. The performance animates the themes of the show and uses the exhibition design as its set, emerging from the muslin drapes.
The cloaked space is pure and austere. The pieces on view evoke the rooms of a closed-up house in which the owner’s possessions have largely been protected with a plain cloth. As a whole, the assembly of these works forms what the Argentine writer Jorge Louis Borges calls a 'dialogue of echoes'—one that explores the tensions between the ephemeral nature of the home and the transference of memories onto what is collected within. An Expressionist lamp from 1920, watercolors of a dressing table’s surface, a triangular bed designed for the nuclear family, a self portrait in oil, a manhole cover from an experimental capital city and more are revealed as the narrative elements in an imagined life.
For Mario is named for the writer Mario Praz, whose cataloguing and anthropological analysis of every object in his own Roman apartment formed his groundbreaking 1964 spatial autobiography, The House of Life.
The exhibition presents works by Pilar Almon, Park Chan-Kyong, Louise Bourgeois, Anselm Kiefer, Candida Höfer, Gala Porras-Kim, Misha Kahn, Suki Seokyeong Kang, Fritz August Breuhaus de Groot, Milano Chow, Marka Kiley, Carlo Mollino, Oren Pinhassi, Pierre Jeanneret, Katie Stout, Cynthia Talmadge, Davide Balliano, Sam Chermayeff, Ghada Amer, Anna Weyant, Thomas Barger, Kwangho Lee, and Mario Ceroli, SO — IL, and the American Modern Opera Company.
We have sent you an email containing a link to reset your password. Simply click the link and enter your new password to complete this process.
Scan the QR Code via WeChat to follow Ocula's official account.