'Coinciding with Frieze London, Frieze Masters features more than 130 of the world's leading galleries specialising in antiquities, Asian art, ethnographic art, illuminated manuscripts, medieval, modern and post-war art, Old Masters and 19th century, as well as photography and sculpture.' –Frieze Masters (3–6 October 2019).

'The places where water comes together with other water. Those places stand out in my mind like holy places.' This excerpt from a poem by American writer Raymond Carver is the somewhat florid departure for Là où les eaux se mêlent, the 15th Lyon Biennale (18 September 2019–5 January 2019)—a materially rich exhibition of works by around 50...

'Building on Frieze's history as a platform for discovery and challenging the traditional art fair format, the eighth edition introduces new curators and collaborations with leading museum directors; including two exhibitions exploring virtual reality and the significance of self-taught artists, and two new sections celebrating Latin American art...

'The Fair's timing in early May is intended to coincide with auctions, exhibitions, and other fairs in New York dedicated to modern and contemporary art and design. The historic Park Avenue Armory provides the prime Manhattan location and setting for the world's leading art dealers to meet with curators and collectors.' –TEFAF New York Spring,...

Kim Tschang-Yeul (b. 1929), a towering figure of Korean modern art, is best known for his trompe l'oeil depictions of pristine water drops beaded on either a monochromatic surface or raw linen. As Kim Tschang-Yeul: New York to Paris, at Tina Kim, underscores, it was while living he was living in New York that his work began to change, leading...

Suki Seokyung Kang’s multipart installations are neatly organised so as not to interfere with one another. The space invites people to walk, sit and stand among minimalist installations in soft colours.The Korean contemporary artist is introducing two works at the 58th Venice Biennale’s main exhibition May You Live in Interesting Times, curated by...

This year, all Koreans at the Venice Biennale are women. The Korean Pavilion is curated by Kim Hyun-jin and three participating artists Jung Eun-young, also known as siren eun young jung, Jane Jin Kaisen and Nam Hwa-yeon. At the main exhibition, the works of three Korean women artists Lee Bul, Suki Seokyeong Kang and Anicka Yi are on view.

As someone who has personally spent too much time in too many art fairs over the past decade or so, I have become acclimated to a certain kind of art-fair art-viewing experience. Neon signs vie for attention with massive dayglo paintings, holograms in pristine plexiglass vitrines strive to out-wow the virtual reality experiences offered in Oculus...

Associate Director Katherine Lauricella looks back on Kim Jong-Ik’s solo exhibition at the gallery, Speaking of Latter Genesis, and his repeated motif of the polka dot.

Curator Adam Charlap Hyman (of Charlap Hyman & Herrero) discusses the overarching theme of For Mario.

TEFAF spoke with Tina Kim, founder of the Tina Kim Gallery (stand 60), on Ha's bae-ap-bub painting technique (backpressure method).

Park Chan-kyong first became known as an art critic in the 1990s. His first major exhibition as a visual artist was in 1997 at the Kumho Museum of Art titled Black Box: Memory of the Cold War Images. Park's practice is celebrated for its multidisciplinary approach and he has garnered praise for transcending genres as a media artist, film director,...