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Born in Taipei, Taiwan in 1965Read More
Now lives and works in Taipei, Taiwan
A pioneer of video art in Taiwan, Yuan Goang-Ming has worked with video since 1984, and is now one of the foremost Taiwanese artists active in the international media art circle. He received a master’s degree in media art from the Academy of Design, Karlsruhe Germany (1997), and currently holds a post as professor of the new media art department of the Taipei National University of the Arts.
Combining symbolic metaphors with technological media, his work expresses the state of contemporary existence, while exploring the human mind and consciousness. He received the 13th Hsiung-Shih Art Award for the Best New Artist for his video and sculptural work Out of Position (1987) when he was still in art school in 1988. In 1992, his work Fish on a Dish garnered great acclaim in the Taiwanese art circle, and received the First Prize of the Taipei County Arts Award, while The Reason for Insomnia (1998) received the Jury Prize of the 1st Digital Art Festival. His 'City Disqualified' series (2002) holds an important place in the history of Taiwanese contemporary media art.
Disappearing Landscape (2007) heralded a new approach to the moving image, combining video art and cinema, displaying the fascinating, theatrical everyday in three-channel video installations. The 2011 exhibition Before Memory continues his exploration of the idea of 'home' and expands such exploration into ruins and nature, in a diverse array of large-scale installations about time and memory, the body and perception. His 2014 solo exhibition An Uncanny Tomorrow questions the environment we inhabit in a globalised context, pondering the anxieties and apprehensions of modern people. This exhibition received the 'Exhibition of the Year' of the 13th Taishin Arts Award. The 2018 solo exhibition Tomorrowland pivots around the idea that home in the future is no longer solid. The works are centred on the normalisation and everydayness of warfare, embodying modern-day existence and human despair. The exhibition traveled to the Hayward Gallery in London in 2018.
Yuan has participated in various exhibitions across Asia, Europe, and America. Among these include: Aichi Triennale (2019); Beyond Bliss: Bangkok Art Biennale (2018); Biennale de Lyon: La Vie Moderne, France (2015); Fukuoka Asian Art Triennale, Japan (2014); the 7th Asia Pacific Triennial of Contemporary Art, Australia (2012); Singapore Biennale (2008); Liverpool Biennial, U.K. (2004); Auckland Triennial, New Zealand (2004); Taiwan Pavilion at the 50th Venice Biennale, Italy (2003); the 2nd Seoul International Media Art Biennale, Korea (2002); 010101: Art in Technological Times, San Francisco Museum of Modern Art, U.S. (2001); ICC Biennial, Japan (1997), and Taipei Biennial, Taiwan (2002, 1998, 1996).
His work is housed in public and private collections of art museums and institutions at home and abroad. He has also been on the Collections Committee of the Taipei Fine Arts Museum, and a juror of the Taipei Art Award, Taipei County Arts Award, Public Art, Venice Biennale (Taiwan Pavilion), and Asia Society Arts Award in the United States.
Text courtesy TKG+.
Titling a biennial “Modern Life” is a bold move, but this is what the artistic director of the Lyon Biennale, Thierry Raspail, has chosen to do. The biennial unites 60 artists from 28 countries and shows 300 works across three venues, the Musée d’art contemporain, the Sucrière, an old warehouse, and the modish Musée des...
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