Imbued with an appearance of scientific rationality, Conrad Shawcross’ sculptures explore subjects that lie on the borders of geometry and philosophy, physics and metaphysics. Inspired by different technologies, the artist's structures may retain in appearance the authority of machines - yet, they remain enigmatic, filled with paradox and wonder. Some have an absurdist melancholy feel, while others tend to the sublime, substituting the purely functional for phenomenological experience. In the end, Shawcross’s art questions what we take for granted and encourages us to see beyond the physical.Read More
Throughout his career, Shawcross has experimented with ideal geometries and topologies; these constructions are conceived as systems, sometimes modular, sometimes mechanical, which could be theoretically extended infinitely into space. In these and other sculptures, Shawcross has paid tribute to some of the great pioneers and analysts, and considered specific moments or figures from the past. Paradigm (Ode to the Difference Engine), 2006 references the life of Charles Babbage; Space Trumpet, 2007 is inspired by the history of early acoustic mapping; while Slow Arc Inside a Cube, 2008 takes its inspiration from the scientist Dorothy Hodgkin's discovery of the structure of pig insulin.
More recently, Shawcross has developed the scale of his practice, taking on architectural and public space with work that combines epic scope and poetic grace. Timepiece, 2013, a major commission originally conceived for the Roundhouse in London, saw the artist transform the iconic main space of this historic London building into a vast timekeeping device activated by sculptural and light elements, as well as the shadow presence of each visitor to the space.
A further evolution of Shawcross' practice has seen the development of static works that contain both an internal dynamic and an idea movement. Three Perpetual Chords, 2015, a series of knot-like permanent sculptures commissioned for Dulwich Park following a commission by Southwark Council advised by the Contemporary Art Society to replace works by Barbara Hepworth that were stolen in 2011, draws from the artist's ongoing study of harmonic ratios. The Dappled Light of the Sun, 2015, first installed in the Annenberg Courtyard of the Royal Academy of Arts, London as part of the Summer Exhibition 2015, is an immersive work comprising five branching cloud-like forms made up of thousands of tetrahedrons. Part of Shawcross' ongoing explorations of the four-sided tetrahedron as a tessellating form, Paradigm, 2016, a permanent installation which marked the inauguration of The Francis Crick Institute in King's Cross, is currently the tallest public sculpture in central London.
Unveiled in Autumn 2016, The Optic Cloak, a major architectural intervention for the Greenwich Peninsula low carbon Energy Centre, is a synthesis of engineering and optical research that draws on subjects including maritime camouflage, Cubism and Op Art. Made from lightweight aluminium perforated panels whose overlays create an optical effect, the structure is both monumental and visually dynamic, utilitarian and beguiling, created in sympathy with the design and ethos of the Energy Centre while appearing continually to change in different lighting conditions and as viewers move around it.
In June 2017, the Royal Academy of Arts and St Pancras International unveiled the major site-specific installation, The Interpretation of Movement (a 9:8 in blue). Shawcross' most ambitious mechanical work to date, it stretches out to a 16m diameter as it methodically turns above the station concourse. Consisting of three articulated arms driven by a complex sequence of gears, the mechanism drives three 'optic sails' which expand and contract in an orbit from the centre, at which point they eclipse each other where they form a complex pattern of interference.
Shawcross was born in 1977 in London, where he currently lives and works. The artist has undertaken numerous residencies, awards and commissions including The Ada Project, an ongoing series of musical commissions between Shawcross and leading contemporary composers which was conceived for the Palais de Tokyo, Paris, 2013, and has since travelled to venues in Tasmania, London, Hong Kong and Denmark. Shawcross was one of three contemporary artists invited to create works inspired by Titian's masterpieces for the project Metamorphosis: Titian 2012, an ambitious collaboration with the National Gallery and Royal Ballet for the Cultural Olympiad. He was Artist in Residence at the Science Museum, London, from 2009–2011, and his first public realm commission Space Trumpet, installed in the atrium of the refurbished Unilever Building in London in 2007, won the Art & Work 2008 Award for a Work of Art Commissioned for a Specific Site in a Working Environment. In 2009 he was awarded the Illy prize for best solo presentation at Art Brussels.
The artist has had solo exhibitions at institutions including the New Art Centre, Roche Court, 2015; ARTMIA Foundation, Beijing, 2014; MUDAM, Luxembourg, 2012; Science Museum, London, 2011–2012; Turner Contemporary, Margate, 2011; and Oxford Science Park, 2010. His work has recently been exhibited nationally and internationally as part of the Summer Exhibition 2017, Royal Academy of Arts, London, 2017; Socle du Monde Biennale (2017, HEART Herning Museum of Contemporary Art, Denmark, 2017; Into the Unknown: A Journey Through Science Fiction, Barbican, London, 2017; The Universe and Art, Mori Art Museum, Tokyo, 2016–2017, travelling to ArtScience Museum, Singapore, 2017; GLOBALE: Exo-Evolution, ZKM | Center for Art and Media Karlsruhe, 2015–2016; Art Out Loud, Chatsworth House, Derbyshire, 2015; Proportio, Palazzo Fortuny, Venice, 2015; Summer Exhibition 2014, Royal Academy, London, 2014; Light Show, Hayward Gallery, London, 2013, travelling to Auckland Art Gallery, 2014–2015, MCA Sydney, 2015, Sharjah Art Foundation, 2015 and Benaki Museum, Athens, 2016; the 55th Venice Biennale (2013); Journeys: Conrad Shawcross and Tavares Strachan, Museum of Art, Rhode Island School of Design, 2011; and 4th edition international sculpture exhibition, LUSTWARANDE '11 - RAW, Park De Oude Warande, Tilburg, 2011.
Text courtesy Victoria Miro.
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The British artist Conrad Shawcross has a thing about harmony. And not some woolly idea of beauty in balance but harmony proper; the harmony of mathematical ratios and Pythagorean intervals, of chords, secret and otherwise. He sees this harmony, or rather finds it, with a sort of engineered synaesthesia, in the strange machines he invents or in...
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