Ocula Report 4th Kochi-Muziris Biennale: Possibilities for a Non-Alienated Life 15 Feb 2019 : Natalie King for Ocula 'Poems are like sentences that have taken their clothes off.' Marlene Dumas' poetic and sensual refrain accompanies her figurative watercolours on view in Possibilities for a Non-Alienated Life, the fourth edition of the Kochi-Muziris Biennale (KMB) in the southern state of Kerala, India (12 December 2018–29 March 2019).Dumas' new series...
Ocula Conversation Ellen Altfest The paintings of Ellen Altfest are ethereal in their detail. Fields of minutiae come together as pulsating images; small brushstrokes of oil paint accumulate over a series of months to single out seemingly innocuous subjects, such as a hand resting atop patterned fabric (The Hand, 2011) or a deep green cactus reaching upwards from beneath a bed of...
Ocula Report Colomboscope 2019: Cross Currents and Dissonance 8 Feb 2019 : Nada Raza for Ocula On the rooftop of the former Rio Hotel complex in Colombo, it was hard to ignore the high-rise buildings, still under construction, blocking all but a sliver of what used to be an open view over Slave Island, once an island on Beira Lake that housed slaves in the 19th century, and now a downtown suburb. The hotel was set alight during the...
In the spring of 2012, Wooson Gallery inaugurated the new space with the exhibition of the world's leading sculptor 'Tony Cragg' which was artist's first solo exhibition at a gallery in Korea. Including Tony Cragg, Wooson Gallery represents and promotes numerous important international artists for the first time in Korea such as Sean Scully, Jannis Kounellis, Hubert Scheibl, Andrei Molodkin, Barthélémy Toguo, and Kei Takemura. Also, Wooson Gallery presented the exhibition of Chung Sang-Hwa and Ha Chong-Hyun in 2013 and 2014, which contributed to arouse attention of Korean Monochrome in the international art word. In 2016, the gallery provides exhibitions of Choi Byung-So and Lee Kang-So at Musée d'art moderne et contemporain de Saint-Etienne, France, appraising Korean artists to the world.
Wooson Gallery is directly working with international artists and critics to produce museum-quality exhibitions of distinguished work with the intention of enlightening clients and visitors so that they may form motley opinions and make decisions when appreciating and acquiring contemporary art. The gallery staff takes this educational mission seriously so that they devote to publish raisonne of the artists whose exhibition have in Wooson and organizes according educational programs such as lectures, artist talks, international communication between art lovers and professionals as well as any kind of meetings with artists, art critics and art historians. Wooson Gallery continues not only to focus on great international and Korean masters but also to introduce young Korean artists to the global audience. At the same time Wooson Gallery sees its principal mission of the great artists of our epoch and in their museological and public integration in Korea.
Sakai KohtaThat is Completely a Likened Play that Keeps Considering the Meaning of Life, 2018 Wooden carving
Sandra Vásquez de la Horra10El Director de las Olas, 2017 Drawing on paper graphit, aquarelle in wax,
Ocula Photolog Art Basel in Hong Kong 2018 29 March 2018 'The sixth edition of Art Basel in Hong Kong brought together a uniquely global mix of galleries spanning six continents, outstanding artworks by established and new artists from across theworld and a singular gathering of international collectors and institutions.' –Art Basel in Hong Kong (29–31 March 2018).
Ocula Conversation Sean Scully Artist, USA Already recognised in the Western art historical canon, 71-year-old Irish-born, American-based artist Sean Scully’s oil paintings are characterised by their geometric constructions and painterly expression. These two disparate modes marry in the artist’s canvases and act as a retort to the rigidity of last century’s hard...
Ocula Conversation Lee Kang-So and Choi Byung-So Artists, Korea Korean artists Choi Byung-So and Lee Kang-So are holding simultaneous solo exhibitions at the Musée d'art moderne de Saint-Étienne Métropole, on view through to 16 October 2016. Though their names are most commonly associated with Dansaekhwa, the artists maintain distinct styles that situate their practices outside of the...
Ocula Report All Hail Xu Zhen: Report From Art021, Shanghai 2014 1 Dec 2014 : Sam Gaskin for Ocula ART021 takes its name from the Shanghai dialing code. The numbers serve as a synonym for the city, but only for people calling from within China—from outside the country, you’d call +8621. Still, 021 make more sense for this fair. Founded in 2013 by local PR director Bao Yifeng and former gallery director Kelly Ying, ART021’s...
Related Press YUN HYONG-KEUN, NATIONAL MUSEUM OF MODERN AND CONTEMPORARY ART ArtAsiaPacific : 1 December 2018 When Donald Judd asked Yun Hyong-Keun what art is, the latter responded that art is 'artless and bland.' To some viewers of Yun's paintings—which have been associated with Korean Dansaekhwa—these words may serve as curious descriptors of the late artist's striking, monochromatic canvases.
Related Press Frieze Sculpture 2018: the highlights Wallpaper* : 4 July 2018 Between Wimbledon and the FIFA World Cup, there's been plenty of distractions from London's unusually Mediterranean weather of late.
Related Press Sean Scully on Bank Robberies and Expectations Elephant : 9 May 2018 When I was last in New York I took the bus an hour’s ride north of Manhattan, to historic Tappan, and visited Sean Scully in his studio. I first met the contemporary painter at his other New York studio in Chelsea, and also spent a great weekend with him when he was over in the UK, looking around Yorkshire Sculpture Park near Wakefield, as he...
Related Press The abstract artist taking on Luis Barragán's famed modernist estate Wallpaper* : 7 February 2018 In 1983, while traveling through Mexico, the Irish-born, American artist Sean Scully made a series of watercolours inspired by the stacking of stones in Pre-Columbian and vernacular constructions. Although he put them aside at the time, these aquarelles came to shape his Wall of Light series in the late 1990s, introducing stripes and bars, arranged...
