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b. 1962, Egypt

Hany Armanious Biography

Drawing upon mythology, cult iconography and shamanistic rituals, Hany Armanious' sprawling installations conjure up a world of alchemy and ectoplasm- a wunderkammer of curiosities that also represents a humorous jibe at the art world machine. At first glance Armanious' installations appear as a collection of odd souvenirs and kitsch memorabilia- in fact they are one off die-casts. In his exhibition Seflok at the Hammer Museum, Los Angeles, the artist conjured up a magician's workshop, where ideas of creationism, cosmetics and the cosmos are analogous.

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Growing up in Ismahlia, Egypt, the now Australian-based artists showed an early aptitude for pulling things apart and remodeling them. This circular process can be thought of as a metaphor for his work. Taking the image of the potters wheel, the oldest symbol of human civilization, the artist places the act of creation at the center of his practice.

Armanious studied at the City Art Institution in Sydney and has exhibited extensively, including at the Govett-Brewster in New Plymouth, New Zealand, Sarah Cottier Gallery in Sydney and Thomas Taubert Gallery in Dusseldorf.

Hany Armanious Featured Artworks

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Repose by Hany Armanious contemporary artwork
Hany ArmaniousRepose, 2013Pigmented polyurethane resin, sterling silver
162 x 47 x 50 cm
Michael Lett Contact Gallery
Basic Instruction by Hany Armanious contemporary artwork
Hany ArmaniousBasic Instruction, 2018PVC
46 x 25 x 18 cm
Michael Lett Contact Gallery
untitled by Hany Armanious contemporary artwork
Hany Armaniousuntitled, 1998Marker pen on wallpaper
67 x 53 cm
Michael Lett Contact Gallery
Ejaculate and Dick by Hany Armanious contemporary artwork
Hany ArmaniousEjaculate and Dick, 2013Pigmented polyurethane resin
131 x 44 x 50 cm
Michael Lett Contact Gallery
Untitled (Snake Oil) by Hany Armanious contemporary artwork
Hany ArmaniousUntitled (Snake Oil), 1997-2019glass, silicone, pigment
Roslyn Oxley9 Gallery Contact Gallery
The Vessels by Hany Armanious contemporary artwork
Hany ArmaniousThe Vessels, 2018cast pigment polyurethane resin, cork support
117.5 x 81.5 x 61.5 cm
Roslyn Oxley9 Gallery Contact Gallery
Eulogy by Hany Armanious contemporary artwork
Hany ArmaniousEulogy, 2018cast pigment epoxy resin, cork support
121.5 x 81.5 x 61.5 cm
Roslyn Oxley9 Gallery Contact Gallery
Elvis and Dracula by Hany Armanious contemporary artwork
Hany ArmaniousElvis and Dracula, 2018cast shredded rubber and cast polyurethane resin, cork support
122.5 x 81.5 x 61.5 cm
Roslyn Oxley9 Gallery Contact Gallery

Hany Armanious Recent Exhibitions

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Contemporary art exhibition, Hany Armanious, O Week at Michael Lett, Auckland
Closed
11 October–9 November 2019 Hany Armanious O Week Michael LettAuckland
Contemporary art exhibition, Group Exhibition, The Like Button at Roslyn Oxley9 Gallery, Sydney
Closed
13 December 2018–19 January 2019 Group Exhibition The Like Button Roslyn Oxley9 GallerySydney
Contemporary art exhibition, Hany Armanious, Hany Armanious at Roslyn Oxley9 Gallery, Sydney
Closed
7 June–7 July 2018 Hany Armanious Roslyn Oxley9 GallerySydney

Hany Armanious Represented By

Hany Armanious In Ocula Magazine

Hany Armanious at Southard Reid, London and Roslyn Oxley9 Gallery, Sydney Ocula Insight Hany Armanious at Southard Reid, London and Roslyn Oxley9 Gallery, Sydney By Sherman Sam

The artist Hany Armanious, who represented Australia in 2011 at the Venice Biennale, is best known for creating sculptures through the method of casting with resin. The subjects of his casts are often everyday abandoned items we tend to overlook, his process transforming such objects into new constructions with possibly new meanings....

Fade out copy.
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