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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Mandy El-Sayegh: Productive Ambiguity Ocula Conversation Mandy El-Sayegh: Productive Ambiguity

Moving across installation, painting, drawing, and writing, Malaysia-born and London-based artist Mandy El-Sayegh explores the political, social, and economic complexities of humanity, using a mosaic of information—from advertising slogans and pornographic imagery to newspaper articles—that she subjects to processes of layering,...

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Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House Ocula Report Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House 5 Jul 2019 : Jareh Das for Ocula

Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...

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Hany Armanious

b. 1962, Egypt

Browse Artworks

Untitled (Snake Oil) by Hany Armanious contemporary artwork
Hany ArmaniousUntitled (Snake Oil), 1997-2019 glass, silicone, pigment
Roslyn Oxley9 Gallery
The Vessels by Hany Armanious contemporary artwork
Hany ArmaniousThe Vessels, 2018 cast pigment polyurethane resin, cork support
117.5 x 81.5 x 61.5 cm
Roslyn Oxley9 Gallery
Eulogy by Hany Armanious contemporary artwork
Hany ArmaniousEulogy, 2018 cast pigment epoxy resin, cork support
121.5 x 81.5 x 61.5 cm
Roslyn Oxley9 Gallery
Elvis and Dracula by Hany Armanious contemporary artwork
Hany ArmaniousElvis and Dracula, 2018 cast shredded rubber and cast polyurethane resin, cork support
122.5 x 81.5 x 61.5 cm
Roslyn Oxley9 Gallery
Gyprock by Hany Armanious contemporary artwork
Hany ArmaniousGyprock, 2018 eco-solvent vertical surface print on linen
135 x 85 cm
Roslyn Oxley9 Gallery
The Like Button by Hany Armanious contemporary artwork
Hany ArmaniousThe Like Button, 2018 eco-solvent vertical surface print on wall
180 x 180 cm
Roslyn Oxley9 Gallery
Stereotypes by Hany Armanious contemporary artwork
Hany ArmaniousStereotypes, 2018 eco-solvent vertical surface print on wall
180 x 500 cm
Roslyn Oxley9 Gallery
Water Lilies by Hany Armanious contemporary artwork
Hany ArmaniousWater Lilies, 2018 solvent pigment print on canvas
255 x 600 cm
Roslyn Oxley9 Gallery
Ventriloquist in an echo by Hany Armanious contemporary artwork
Hany ArmaniousVentriloquist in an echo, 2012 Cast pigmented polyurethane resin
94.5 x 96.5 x 75 cm
Roslyn Oxley9 Gallery
Truffles by Hany Armanious contemporary artwork
Hany ArmaniousTruffles, 2007 Polyurethane, earth
Roslyn Oxley9 Gallery
Sandy Purifies 2007/2008 (Purified in 2012) by Hany Armanious contemporary artwork
Hany ArmaniousSandy Purifies 2007/2008 (Purified in 2012), 2007-2008 Expanding foam silicone, blown glass, silt from Hurricane Sandy, paper, cardboard dimensions variable
Roslyn Oxley9 Gallery
Running Man by Hany Armanious contemporary artwork
Hany ArmaniousRunning Man, 2009 Cast polyester resin, cast pigmented polyurethane resin, electric motor
225 x 35 x 35 cm
Roslyn Oxley9 Gallery
Mystery of the Plinth by Hany Armanious contemporary artwork
Hany ArmaniousMystery of the Plinth, 2010 Polystyrene, cast pigmented polyurethane resin, epoxy
245 x 235 x 110 cm
Roslyn Oxley9 Gallery
Literature review (pool cues from Year of the Pig Sty) by Hany Armanious contemporary artwork
Hany ArmaniousLiterature review (pool cues from Year of the Pig Sty), 2007 Epoxy, pigment
161 x 90 x 3.5 cm
Roslyn Oxley9 Gallery
Limerick by Hany Armanious contemporary artwork
Hany ArmaniousLimerick, 2012 Cast pigmented polyurethane foam and resin
191 x 50.5 x 50.5 cm
Roslyn Oxley9 Gallery
Dew Point by Hany Armanious contemporary artwork
Hany ArmaniousDew Point, 2012 Cast pigmented polyurethane, resin and pewter
68 x 145.5 x 82 cm
Roslyn Oxley9 Gallery
Comfort and contempt by Hany Armanious contemporary artwork
Hany ArmaniousComfort and contempt, 2011 Pigment polyurethane resin, porcelain, hermes scarf
178 x 88 x 65 cm
Roslyn Oxley9 Gallery
Birth of Venus by Hany Armanious contemporary artwork
Hany ArmaniousBirth of Venus, 2010 Cast pigmented polyurethane resin
11 x 122 x 125 cm
Roslyn Oxley9 Gallery
Geisha by Hany Armanious contemporary artwork
Hany ArmaniousGeisha, 2015 Cork, pigmented polyurethane resin
66.7 x 47.4 cm
Michael Lett
Heaven and Earthenware by Hany Armanious contemporary artwork
Hany ArmaniousHeaven and Earthenware, 2016 Giclée print, ultra chrome ink on cotton rag paper
83 x 115 cm
Michael Lett
Logos by Hany Armanious contemporary artwork
Hany ArmaniousLogos, 2016 Pigmented polyurethane resin
Michael Lett
Pro Bono by Hany Armanious contemporary artwork
Hany ArmaniousPro Bono, 2016 Cork, pigmented polyurethane reson
77 x 177 x 89 cm
Michael Lett
Don Quixote by Hany Armanious contemporary artwork
Hany ArmaniousDon Quixote, 2016 Cork, pigmented polyurethane resin
78.9 x 59.2 cm
Michael Lett
The Law of Squares by Hany Armanious contemporary artwork
Hany ArmaniousThe Law of Squares, 2016 Giclée print, ultra chrome ink on cotton rag paper
73.5 x 98 cm
Michael Lett
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