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Havana Biennial 2019: Constructing the Possible Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula

I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...

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Andrew Stahl and Guo Xiaohui Ocula Conversation Andrew Stahl and Guo Xiaohui

The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...

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The National 2019: New Australian Art Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula

The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...

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Browse Artworks

Untitled (Snake Oil) by Hany Armanious contemporary artwork Hany ArmaniousUntitled (Snake Oil), 1997-2019 glass, silicone, pigment
Roslyn Oxley9 Gallery
The Vessels by Hany Armanious contemporary artwork Hany ArmaniousThe Vessels, 2018 cast pigment polyurethane resin, cork support
117.5 x 81.5 x 61.5 cm
Roslyn Oxley9 Gallery
Eulogy by Hany Armanious contemporary artwork Hany ArmaniousEulogy, 2018 cast pigment epoxy resin, cork support
121.5 x 81.5 x 61.5 cm
Roslyn Oxley9 Gallery
Elvis and Dracula by Hany Armanious contemporary artwork Hany ArmaniousElvis and Dracula, 2018 cast shredded rubber and cast polyurethane resin, cork support
122.5 x 81.5 x 61.5 cm
Roslyn Oxley9 Gallery
Gyprock by Hany Armanious contemporary artwork Hany ArmaniousGyprock, 2018 eco-solvent vertical surface print on linen
135 x 85 cm
Roslyn Oxley9 Gallery
The Like Button by Hany Armanious contemporary artwork Hany ArmaniousThe Like Button, 2018 eco-solvent vertical surface print on wall
180 x 180 cm
Roslyn Oxley9 Gallery
Stereotypes by Hany Armanious contemporary artwork Hany ArmaniousStereotypes, 2018 eco-solvent vertical surface print on wall
180 x 500 cm
Roslyn Oxley9 Gallery
Water Lilies by Hany Armanious contemporary artwork Hany ArmaniousWater Lilies, 2018 solvent pigment print on canvas
255 x 600 cm
Roslyn Oxley9 Gallery
Ventriloquist in an echo by Hany Armanious contemporary artwork Hany ArmaniousVentriloquist in an echo, 2012 Cast pigmented polyurethane resin
94.5 x 96.5 x 75 cm
Roslyn Oxley9 Gallery
Truffles by Hany Armanious contemporary artwork Hany ArmaniousTruffles, 2007 Polyurethane, earth
Roslyn Oxley9 Gallery
Sandy Purifies 2007/2008 (Purified in 2012) by Hany Armanious contemporary artwork Hany ArmaniousSandy Purifies 2007/2008 (Purified in 2012), 2007-2008 Expanding foam silicone, blown glass, silt from Hurricane Sandy, paper, cardboard dimensions variable
Roslyn Oxley9 Gallery
Running Man by Hany Armanious contemporary artwork Hany ArmaniousRunning Man, 2009 Cast polyester resin, cast pigmented polyurethane resin, electric motor
225 x 35 x 35 cm
Roslyn Oxley9 Gallery
Mystery of the Plinth by Hany Armanious contemporary artwork Hany ArmaniousMystery of the Plinth, 2010 Polystyrene, cast pigmented polyurethane resin, epoxy
245 x 235 x 110 cm
Roslyn Oxley9 Gallery
Literature review (pool cues from Year of the Pig Sty) by Hany Armanious contemporary artwork Hany ArmaniousLiterature review (pool cues from Year of the Pig Sty), 2007 Epoxy, pigment
161 x 90 x 3.5 cm
Roslyn Oxley9 Gallery
Limerick by Hany Armanious contemporary artwork Hany ArmaniousLimerick, 2012 Cast pigmented polyurethane foam and resin
191 x 50.5 x 50.5 cm
Roslyn Oxley9 Gallery
Dew Point by Hany Armanious contemporary artwork Hany ArmaniousDew Point, 2012 Cast pigmented polyurethane, resin and pewter
68 x 145.5 x 82 cm
Roslyn Oxley9 Gallery
Comfort and contempt by Hany Armanious contemporary artwork Hany ArmaniousComfort and contempt, 2011 Pigment polyurethane resin, porcelain, hermes scarf
178 x 88 x 65 cm
Roslyn Oxley9 Gallery
Birth of Venus by Hany Armanious contemporary artwork Hany ArmaniousBirth of Venus, 2010 Cast pigmented polyurethane resin
11 x 122 x 125 cm
Roslyn Oxley9 Gallery
Geisha by Hany Armanious contemporary artwork Hany ArmaniousGeisha, 2015 Cork, pigmented polyurethane resin
66.7 x 47.4 cm
Michael Lett
Heaven and Earthenware by Hany Armanious contemporary artwork Hany ArmaniousHeaven and Earthenware, 2016 Giclée print, ultra chrome ink on cotton rag paper
83 x 115 cm
Michael Lett
Logos by Hany Armanious contemporary artwork Hany ArmaniousLogos, 2016 Pigmented polyurethane resin
Michael Lett
Pro Bono by Hany Armanious contemporary artwork Hany ArmaniousPro Bono, 2016 Cork, pigmented polyurethane reson
77 x 177 x 89 cm
Michael Lett
Don Quixote by Hany Armanious contemporary artwork Hany ArmaniousDon Quixote, 2016 Cork, pigmented polyurethane resin
78.9 x 59.2 cm
Michael Lett
The Law of Squares by Hany Armanious contemporary artwork Hany ArmaniousThe Law of Squares, 2016 Giclée print, ultra chrome ink on cotton rag paper
73.5 x 98 cm
Michael Lett
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