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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Takashi Murakami on Collecting, Contracts, and Teamwork Ocula Conversation
In Collaboration with Tai Kwun Contemporary
Takashi Murakami on Collecting, Contracts, and Teamwork

For three months from 1 June to 1 September 2019, Tai Kwun Contemporary in Hong Kong showcases MURAKAMI vs MURAKAMI, a major survey exhibition of the Japanese artist Takashi Murakami. Curated by Tobias Berger, head of art at Tai Kwun, and Gunnar B Kvaran, director of Astrup Fearnley Museet, Oslo, the exhibition spans the three floors of Tai Kwun's...

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Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House Ocula Report Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House 5 Jul 2019 : Jareh Das for Ocula

Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...

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Ho Tzu Nyen

b. 1976, Singapore

Ho Tzu Nyen was born in Singapore in 1976. He earned a BA in Creative Arts from Victorian College of the Arts, University of Melbourne (2001), and an MA in Southeast Asian Studies from the National University of Singapore (2007). He works primarily in film, video, and performance, and has recently developed environmental multimedia installations. He has also written extensively on art. Ho appropriates the structures of epic myths, invoking their grandeur while revealing them to be not merely stories, but discursive tools. He is particularly concerned with those moments when contemporary figures imagine and invent the past in order to serve the needs of the present. These conditions are especially salient in the context of Singapore, which was established as an independent nation in 1965. A series of occupations and settlements by regional groups constitutes the history of the strategic port archipelago prior to 19th century British colonization. A desire to redress the country’s unaccounted-for history indicates the rise in nationalism that has emerged in parallel with accelerated economic development.

Ho’s work Utama—Every Name in History is I (2003), which consists of a video and twenty portrait paintings, images the quixotic pursuit of the distant past. Depicting the 14th-century figure of Sang Nila Utama, a discoverer of the island nation, the video weaves together apocryphal relationships with other historical regional leaders to boost the legitimacy of the founding narrative and collapses time by employing the same person to play other explorers including Christopher Columbus, Vasco da Gama, Zheng He, and Singapore’s British colonizer Sir Thomas Stamford Raffles. The work simultaneously assembles and dispels myth. Ho is also invested in establishing a tradition of Singaporean contemporary art; in 2005, he produced 4x4—Episodes of Singapore Art, a series of four documentaries on native artists that was aired on Singapore Television.

In 2006, Ho completed Sejarah Singapura, a commission for the National Museum of Singapore that features an immersive, panoramic audiovisual representation of precolonial Singapore. His first feature film, HERE (2009) is an allegory of historical reckoning. Shot in the style of a documentary and set in a mental institution, the film features a protagonist undergoing an experimental “videocure” treatment, a plot inspired by the writings of French theorist Félix Guattari. Ho’s character reenacts a traumatic personal event before the camera, altering its course to generate a positive outcome. He then watches himself on film to complete the therapy—empowered by the fictitious revision, he must confront the consequences of unreconstructed reality.

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Featured Artworks

EARTH (Black to Comm) by Ho Tzu Nyen contemporary artwork
Ho Tzu NyenEARTH (Black to Comm), 2010 Single channel video, 41'
Variable dimensions
Pearl Lam Galleries
Gould by Ho Tzu Nyen contemporary artwork
Ho Tzu NyenGould, 2014 Video, HD 1 min 42 sec
Variable dimensions
Sundaram Tagore Gallery

Current & Recent Exhibitions

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Contemporary art exhibition, Group Exhibition, SINGAPORE UTOPIA at Chan + Hori Contemporary, Singapore
Open Now
27 July–1 September 2019 Group Exhibition SINGAPORE UTOPIA Chan + Hori Contemporary, Singapore
Contemporary art exhibition, Group Exhibition, An Opera for Animals at Para Site, Hong Kong
Closed
23 March–2 June 2019 Group Exhibition An Opera for Animals Para Site, Hong Kong
Contemporary art exhibition, Group exhibition, Embodied at Pearl Lam Galleries, Hong Kong
Closed
7 November 2014–10 January 2015 Group exhibition Embodied Pearl Lam Galleries, Pedder Street, Hong Kong

Represented By

In Ocula Magazine

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I Taste the Future: Lofoten International Arts Festival 2017 Ocula Report I Taste the Future: Lofoten International Arts Festival 2017 12 Oct 2017 : Cathryn Drake for Ocula

'We are all lichens'. Famously associated with the thinking of feminist theorist Donna Haraway, this declaration—referring to a fungus that grows from algae and cyanobacteria—provided a compelling key to the 2017 Lofoten International Arts Festival (LIAF), I Taste the Future (1 September–1 October 2017), curated by Heidi Ballet and...

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Ho Tzu Nyen Ocula Conversation Ho Tzu Nyen Artist, Singapore

Singapore artist Ho Tzu Nyen’s two-channel video The Nameless (2014) is currently on view at Brisbane’s Gallery of Modern Art as part of the exhibition Time of others (a collaboration between Museum of Contemporary Art Tokyo, The National Museum of Art, Osaka, Singapore Art Museum, and Queensland...

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Ocula Report: The Tenth Shanghai Biennale Ocula Report Ocula Report: The Tenth Shanghai Biennale 12 Dec 2014 : Sam Gaskin for Ocula

Biennials are inherently messy. Gathering hundreds of pieces by international artists working in different mediums creates an exponential number of echoes and dissonances. Their messiness differs, though, in kind and degree, as exemplified in recent Shanghai Biennales.

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Ghosts, Spies And Grandmothers At Mediacity Seoul 2014 Ocula Report Ghosts, Spies And Grandmothers At Mediacity Seoul 2014 16 Sep 2014 : Jeesun Park for Ocula

Much has already been said about the fast-paced development and break-neck modernization of Asia but what has been largely forgotten in these breathless accounts is the importance of its history. In order to understand contemporary Asia one needs to look into the past, look more closely at its regional diversity and draw connections to local...

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In Related Press

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'2 or 3 Tigers' at Haus der Kulturen der Welt, Berlin Related Press '2 or 3 Tigers' at Haus der Kulturen der Welt, Berlin Art Agenda : 29 June 2017

Though at present the concept of 'media' is almost wholly equated with communication technologies, throughout the modern period this notion extended beyond the technological field, to include aesthetic and spiritual registers. In the late nineteenth century, a medium was someone with the alleged ability to act as a psychic conduit or transmitter,...

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'2 or 3 Tigers': Asian new media artists at Berlin’s Haus der Kulturen der Welt Related Press '2 or 3 Tigers': Asian new media artists at Berlin’s Haus der Kulturen der Welt Art Radar Journal : 31 May 2017

2 or 3 Tigers explores modernity as a colonial pattern inscribed in the history of nation states, militarisation and financialisation as well as an ontological revolution that fundamentally orders the social realm, national narratives and cosmologies, and whose effects have led to a profound crisis of consciousness as well as myriad and multiple...

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Contour Biennale 8, 'Polyphonic Worlds: Justice as Medium' Related Press Contour Biennale 8, 'Polyphonic Worlds: Justice as Medium' art agenda : 7 April 2017

What could be more pertinent to today's helter-skelter mudslide into the political abyss than a reflection on the idea of justice? The eighth edition of the Contour Biennial is dedicated to this most noble of themes. Both thrilling and frustrating, the biennial offers vertiginous perspectives by artists and theorists, as well as the inevitable...

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Navigating the Fair: Highlights of Art Basel Hong Kong Related Press Navigating the Fair: Highlights of Art Basel Hong Kong The New York Times : 23 March 2017

Alongside the usual big names, 29 galleries are new to the fair this year, 11 from Asia. (Roughly half of all participating galleries have spaces in Asia and the Asia-Pacific region.) Public viewing days are from March 23 to 25. (The film program began on March 20.) As with each fair that bears the Basel brand, the offerings are diverse and...

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