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Havana Biennial 2019: Constructing the Possible Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula

I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...

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Andrew Stahl and Guo Xiaohui Ocula Conversation Andrew Stahl and Guo Xiaohui

The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...

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The National 2019: New Australian Art Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula

The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...

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Kate Newby

b. 1979, New Zealand

A standard list of materials for a Kate Newby work might include anything from lip balm, coffee stains and wooden decking to mulberries, hand-written notes and stoneware. Deeply concerned with the intricate textures of the everyday, Newby is an artist who works across a wide range of media including textiles, ceramics, casting and glass. Whatever the medium, there is always an emphasis on the handmade as a way of communicating lived experience through objects furnished with the evidence of their making. That her work tends to be site-specific—made in response to a given location and to the people and events witnessed there—similarly demonstrates Newby's desire to privilege direct experience above mediation within her work. As such, certain idiosyncrasies of each site—the light, the atmosphere, a suntrap window, a line of nails embedded in a floor—will often become integral to the work, causing an installation to be necessarily altered if and when it is re-installed in a new context.

Born in Auckland, New Zealand, in 1979, Newby studied at the University of Auckland's Elam School of Fine Arts, graduating with a Doctor of Fine Arts in 2015. Three years prior to completing her doctorate, she had already won the most prestigious art award in Aotearoa—the Walters Prize, judged that year by Mami Kataoka, chief curator of the Mori Art Museum in Tokyo, Japan. The work that won her the prize, Crawl out your window (2010), is Newby at her casual, poetic best: a blue-washed concrete ramp crawls out into the gallery, encrusted with silver pull-tabs, gum and stones; a soiled curtain divides the space, filtering the sunlight. Kataoka described the work as 'the most reserved but radical way of transcending the fixed architectural space for contemporary art', and it is this careful combination of transcendence and banality that has come to characterise her practice.

Since winning the prize in 2012, Newby has had a busy international exhibition slate, including solo exhibitions such as Maybe I won't go to sleep at all. in 2013 at La Loge, Brussels; Two aspirins a vitamin C tablet and some baking soda at Laurel Doody, Los Angeles in 2015; and Let me be the wind that pulls your hair at Artpace in San Antonio, Texas, in 2017. She has also undertaken numerous residencies, including the highly sought-after Fogo Island Arts residency (2013), Newfoundland, and the Chinati Foundation residency in Marfa (2017).

Lucinda Bennett | Ocula | 2018
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Featured Artworks

I'm actually weirdly exciting by Kate Newby contemporary artwork Kate NewbyI'm actually weirdly exciting, 2018 Bronze, white brass, brass, silver, wire, PVC coated wire, dimensions variable
Michael Lett
New Guy, Shadow, Carrots One and Carrots Two by Kate Newby contemporary artwork Kate NewbyNew Guy, Shadow, Carrots One and Carrots Two, 2018 Soft ground etching,
66.5 x 54 cm
Michael Lett
Between Flavin and the Horn by Kate Newby contemporary artwork Kate NewbyBetween Flavin and the Horn, 2018 Soft ground etching,
66.5 x 54 cm
Michael Lett
I’m glad we’ve done it just to see by Kate Newby contemporary artwork Kate NewbyI’m glad we’ve done it just to see, 2018 Soft ground etching,
66.5 x 54 cm
Michael Lett

Recent Exhibitions

Contemporary art exhibition, Kate Newby, Swift little verbs pushing the big nouns around at Michael Lett, Auckland
Closed
7 February–10 March 2018 Kate Newby Swift little verbs pushing the big nouns around Michael Lett, Auckland
Contemporary art exhibition, Kate Newby, Big Tree. Bird’s Eye. at Michael Lett, Auckland
Closed
13 November–10 December 2016 Kate Newby Big Tree. Bird’s Eye. Michael Lett, Auckland

Represented By

In Related Press

The 21st Biennale of Sydney (2018) announces first 21 artists for its 45th anniversary exhibition Related Press The 21st Biennale of Sydney (2018) announces first 21 artists for its 45th anniversary exhibition 6 April 2017

The world-renowned Biennale of Sydney is back next year to celebrate its 45th anniversary exhibition. Set to maintain its status as the largest and best-attended contemporary arts event in Australia, the 21st Biennale of Sydney is anticipated to once again bring an impressive and diverse range of contemporary artists and artworks to the...

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