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Jess Johnson: Worlds Within Worlds Ocula Conversation Jess Johnson: Worlds Within Worlds

Geometric patterns, anthropomorphic characters, architectural spatial environments, and relics of the ancient world appear throughout Jess Johnson's artworks.Johnson's solo art-ventures began in drawing, but her long-term collaborative relationship with animator Simon Ward brings her drawings to life in videos and virtual reality. The animator has...

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Melati Suryodarmo: Performance Art as Trigger Ocula Conversation Melati Suryodarmo: Performance Art as Trigger

In 2012, Melati Suryodarmo opened Studio Plesungan in her native Surakarta, also known as Solo, the historic royal capital of the Mataram Empire of Java in Indonesia. Suryodarmo had returned to Indonesia from Germany, where she studied Butoh and choreography with Butoh dancer and choreographer Anzu Furukawa, time-based media with avantgarde...

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Lagos Biennial 2019: Stories from Africa’s most Populous City Ocula Report Lagos Biennial 2019: Stories from Africa’s most Populous City 15 Nov 2019 : Jareh Das for Ocula

Under the direction of Folakunle Oshun, the second edition of the Lagos Biennial (26 October–23 November 2019) includes works by over 40 Lagos-based and international artists, architects, and collectives. Curated by architect Tosin Oshinowo, curator and producer Oyindamola Fakeye, and assistant curator of photography at the Art Institute of...

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Hans Hartung and Art Informel: Exhibition Walkthrough Ocula Insight | Video
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Hans Hartung and Art Informel: Exhibition Walkthrough 15 October 2019

Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...

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Suh Se Ok

b. 1929, South Korea

South Korean artist Suh Se Ok (서세옥) makes large-scale, experimental, black ink paintings that often depict the human form. Born into a family of scholars in 1929 in Daegu, Suh graduated with a BFA from the Oriental Painting department of Seoul National University in 1950. He has since played an important role in the modernisation of traditional ink painting in Korea, primarily through his reinterpretation of popular visual conventions.

An accomplished calligraphist (as well as seal engraver, poet and philosopher), Suh began modifying classical calligraphy techniques in the 1950s. He experimented with the deconstruction of painting in works such as Line Variation (1959), in which he brushed ink in irregular vertical lines across the page; and in Point Variation (ca 1960), in which he haphazardly dabbed the paper with ink.

Suh's development of unconventional modes of ink painting intensified from 1959 onwards, when he founded the artist collective Mungnimhoe, or Ink Forest Society—a group of Korean artists who, like Suh, grew up under Japanese occupation and wanted to break free from the traditional Japanese nihonga painting style that was dominant at the time. Together, the group strived to develop new ways of mark-marking and to evolve the discipline of ink painting.

During the 1960s and 1970s, Suh was drawn to a more intuitive method of working, allowing the ink to spill or bleed across the paper and letting the fluid material—along with the negative space it produced—inform his compositions. This is seen in the painting Where Clouds Disperse (1977), in which ink spots line the edges of the paper and the centre remains untouched. In the decades that followed, Suh began to paint with more precise dashes, flicks and flecks, particularly when rendering the human body.

Represented either figuratively or abstractly, the humans in Suh's works are comprised of few brushstrokes in varying thicknesses, tones and lengths, applied using extended ink brushes on sheets of rice and mulberry paper. As part of his series 'People' (1960s–ongoing), Suh painted bodies as highly stylised stick figures, reduced to nothing more than black forms and devoid of any discernable features. Such figures are in turn stacked up like towers (People, 1995), joyously jumping side by side (Dancing People, 1995), standing uniformly in a line (Dancing People, ca 2000) or holding hands (Two People, 1995).

Suh has also reduced the human form so it appears as stand-alone abstract shapes such as triangles in People (2000) or diamonds in Dancing People (1998), or as components of a larger, repetitive pattern such as a bird's-eye view of a crowd. At other times, the body is repeated as zig-zagged lines reaching across the page in People (1986), or as parts of a wire fence, torsos twisted and limbs outstretched, in Dancing People (ca 2000).

While Suh's work may appear deceptively simple and even stark—the painting Person (1997) features fewer than ten brushstrokes—his paintings belie the highly disciplined practice of an artist who, using his penchant for poetry, creates layered and meditative images that reveal more of their complexity with each viewing.

Suh has participated in numerous solo and group exhibition around the world as well as in international biennials such as the 1963 Bienal de São Paulo, and has work held in numerous public and private collections, including the British Museum, London, and the Fukuoka Art Museum. Selected group exhibitions include the Leeum 10th Anniversary Exhibition: Beyond and Between, Leeum, Samsung Museum of Art, Seoul (2014); and College of Fine Arts Archives: Oriental Painting, Museum of Art, Seoul National University (2015).

For his continued contribution to Korean contemporary art, Suh was awarded the Order of Civil Merit in 1993 and the Order of Cultural Merit—a silver medal from the Korean government—in 2012. He is the father of artist Do-ho Suh.

Suh lives and works in Seoul.

Biography by Genista Jurgens | Ocula | 2018
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Featured Artworks

View All (34)
Person by Suh Se Ok contemporary artwork
Suh Se OkPerson, 1998 Ink on mulberry paper
80.3 x 109.2 x 4.3 cm
Lehmann Maupin
Dancing people: Hand in hand by Suh Se Ok contemporary artwork
Suh Se OkDancing people: Hand in hand, 1989 Ink on mulberry paper
49.21 x 62.6 inches
Lehmann Maupin
People by Suh Se Ok contemporary artwork
Suh Se OkPeople, 2000s Ink on mulberry paper
70 x 91 cm
Lehmann Maupin
Dancing People by Suh Se Ok contemporary artwork
Suh Se OkDancing People, 2000s Ink on mulberry paper
67 x 138.5 cm
Lehmann Maupin
People by Suh Se Ok contemporary artwork
Suh Se OkPeople, 2000s Ink on mulberry paper
56 x 69 cm
Lehmann Maupin
Person by Suh Se Ok contemporary artwork
Suh Se OkPerson, 2000s Ink on mulberry paper
113 x 138 cm
Lehmann Maupin
Dancing Two People by Suh Se Ok contemporary artwork
Suh Se OkDancing Two People, 2000s Ink on mulberry paper
34 x 57 cm
Lehmann Maupin
Person by Suh Se Ok contemporary artwork
Suh Se OkPerson, 2000s Ink on mulberry paper
130.5 x 139 cm
Lehmann Maupin

Recent Exhibitions

Contemporary art exhibition, Suh Se Ok, Solo Exhibition at Lehmann Maupin, New York
Closed
8 September–27 October 2018 Suh Se Ok Solo Exhibition Lehmann Maupin, 536 West 22nd Street, New York

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