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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Zoe Butt on the Challenges and Rewards of Curating Ocula Conversation Zoe Butt on the Challenges and Rewards of Curating

Zoe Butt is the artistic director of The Factory Contemporary Arts Centre in Ho Chi Minh City, the first purpose-built space for contemporary art in Vietnam. Founded in March 2016, the Centre was designed by HTAP Architects in an old steel warehouse, with cargo shipping containers added to its structure. Initiated as a social enterprise...

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Ocula 报告|Condo Shanghai 2019 展览看点 Ocula Report Ocula 报告|Condo Shanghai 2019 展览看点 11 Jul 2019 : Penny Liu for Ocula

即将于2019年7月13开幕的第二届 Condo Shanghai,联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市,如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城,为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥,《景观/对象WA》(2016)。橡木上固化油墨打印,左: 55.88 × 147.32 cm,中: 121.92 × 152.4 cm,右: 55.88 × 147.32 cm,图片提供:马凌画廊,上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...

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Suh Se Ok

b. 1929, South Korea

South Korean artist Suh Se Ok (서세옥) makes large-scale, experimental, black ink paintings that often depict the human form. Born into a family of scholars in 1929 in Daegu, Suh graduated with a BFA from the Oriental Painting department of Seoul National University in 1950. He has since played an important role in the modernisation of traditional ink painting in Korea, primarily through his reinterpretation of popular visual conventions.

An accomplished calligraphist (as well as seal engraver, poet and philosopher), Suh began modifying classical calligraphy techniques in the 1950s. He experimented with the deconstruction of painting in works such as Line Variation (1959), in which he brushed ink in irregular vertical lines across the page; and in Point Variation (ca 1960), in which he haphazardly dabbed the paper with ink.

Suh's development of unconventional modes of ink painting intensified from 1959 onwards, when he founded the artist collective Mungnimhoe, or Ink Forest Society—a group of Korean artists who, like Suh, grew up under Japanese occupation and wanted to break free from the traditional Japanese nihonga painting style that was dominant at the time. Together, the group strived to develop new ways of mark-marking and to evolve the discipline of ink painting.

During the 1960s and 1970s, Suh was drawn to a more intuitive method of working, allowing the ink to spill or bleed across the paper and letting the fluid material—along with the negative space it produced—inform his compositions. This is seen in the painting Where Clouds Disperse (1977), in which ink spots line the edges of the paper and the centre remains untouched. In the decades that followed, Suh began to paint with more precise dashes, flicks and flecks, particularly when rendering the human body.

Represented either figuratively or abstractly, the humans in Suh's works are comprised of few brushstrokes in varying thicknesses, tones and lengths, applied using extended ink brushes on sheets of rice and mulberry paper. As part of his series 'People' (1960s–ongoing), Suh painted bodies as highly stylised stick figures, reduced to nothing more than black forms and devoid of any discernable features. Such figures are in turn stacked up like towers (People, 1995), joyously jumping side by side (Dancing People, 1995), standing uniformly in a line (Dancing People, ca 2000) or holding hands (Two People, 1995).

Suh has also reduced the human form so it appears as stand-alone abstract shapes such as triangles in People (2000) or diamonds in Dancing People (1998), or as components of a larger, repetitive pattern such as a bird's-eye view of a crowd. At other times, the body is repeated as zig-zagged lines reaching across the page in People (1986), or as parts of a wire fence, torsos twisted and limbs outstretched, in Dancing People (ca 2000).

While Suh's work may appear deceptively simple and even stark—the painting Person (1997) features fewer than ten brushstrokes—his paintings belie the highly disciplined practice of an artist who, using his penchant for poetry, creates layered and meditative images that reveal more of their complexity with each viewing.

Suh has participated in numerous solo and group exhibition around the world as well as in international biennials such as the 1963 Bienal de São Paulo, and has work held in numerous public and private collections, including the British Museum, London, and the Fukuoka Art Museum. Selected group exhibitions include the Leeum 10th Anniversary Exhibition: Beyond and Between, Leeum, Samsung Museum of Art, Seoul (2014); and College of Fine Arts Archives: Oriental Painting, Museum of Art, Seoul National University (2015).

For his continued contribution to Korean contemporary art, Suh was awarded the Order of Civil Merit in 1993 and the Order of Cultural Merit—a silver medal from the Korean government—in 2012. He is the father of artist Do-ho Suh.

Suh lives and works in Seoul.

Genista Jurgens | Ocula | 2018
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Featured Artworks

View All (34)
Person by Suh Se Ok contemporary artwork
Suh Se OkPerson, 1998 Ink on mulberry paper
80.3 x 109.2 x 4.3 cm
Lehmann Maupin
Dancing people: Hand in hand by Suh Se Ok contemporary artwork
Suh Se OkDancing people: Hand in hand, 1989 Ink on mulberry paper
49.21 x 62.6 inches
Lehmann Maupin
People by Suh Se Ok contemporary artwork
Suh Se OkPeople, 2000s Ink on mulberry paper
70 x 91 cm
Lehmann Maupin
Dancing People by Suh Se Ok contemporary artwork
Suh Se OkDancing People, 2000s Ink on mulberry paper
67 x 138.5 cm
Lehmann Maupin
People by Suh Se Ok contemporary artwork
Suh Se OkPeople, 2000s Ink on mulberry paper
56 x 69 cm
Lehmann Maupin
Person by Suh Se Ok contemporary artwork
Suh Se OkPerson, 2000s Ink on mulberry paper
113 x 138 cm
Lehmann Maupin
Dancing Two People by Suh Se Ok contemporary artwork
Suh Se OkDancing Two People, 2000s Ink on mulberry paper
34 x 57 cm
Lehmann Maupin
Person by Suh Se Ok contemporary artwork
Suh Se OkPerson, 2000s Ink on mulberry paper
130.5 x 139 cm
Lehmann Maupin

Recent Exhibitions

Contemporary art exhibition, Suh Se Ok, Solo Exhibition at Lehmann Maupin, New York
Closed
8 September–27 October 2018 Suh Se Ok Solo Exhibition Lehmann Maupin, 536 West 22nd Street

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