Ocula MagazineContentsView All
Featured ContentView All
Ocula ReportFrieze Week 2018: London, Masters and 1-5412 Oct 2018 : Amah-Rose McKnight-Abrams for Ocula{{document.location.href}}
A rush of politics kicked off Frieze Week this year, with a talk between Chelsea Manning and James Bridle organised by the Institute of Contemporary Arts at the Royal Institution, three days ahead of the opening of Frieze London, Frieze Masters and 1-54 (4–7 October 2018). The event felt more like a press conference, with attendees seemingly...
{{article.Type.toLowerCase().indexOf('lightbox') > -1 ? 'View Lightbox' : (article.Type.toLowerCase().indexOf('city') > -1 ? 'View City' : (article.Type.toLowerCase().indexOf('video') > -1 ? 'Read More & Watch' : 'Read More'))}}
Ocula ConversationCristina Ricupero and Jörg HeiserCurators, Busan Biennale{{document.location.href}}
Divided We Stand, the tongue-in-cheek title of the 9th Busan Biennale (8 September–1 November 2018), speaks to the psychological effects of borders on individual and collective social consciousness. Co-curated by artistic directors Cristina Ricupero and Jörg Heiser, with guest curator Gahee Park, the exhibition explores the divisions haunting...
{{article.Type.toLowerCase().indexOf('lightbox') > -1 ? 'View Lightbox' : (article.Type.toLowerCase().indexOf('city') > -1 ? 'View City' : (article.Type.toLowerCase().indexOf('video') > -1 ? 'Read More & Watch' : 'Read More'))}}
Ocula ReportAnni Albers: In Focus6 Oct 2018 : Inga Lace for Ocula{{document.location.href}}
Walking through the Anni Albers exhibition at the K20, Kunstsammlung Nordrhein-Westfalen, in Düsseldorf this summer (9 June–9 September 2018), I couldn't help thinking about the 1944 poem by American dancer and artist Raymond Duncan, 'I Sing the Weaver'. The poem talks about weaving as a practice linking a weaver's body to the world; a view that...
{{article.Type.toLowerCase().indexOf('lightbox') > -1 ? 'View Lightbox' : (article.Type.toLowerCase().indexOf('city') > -1 ? 'View City' : (article.Type.toLowerCase().indexOf('video') > -1 ? 'Read More & Watch' : 'Read More'))}}

Do Ho Suh (서도호) is a Korean sculptor and installation artist. After completing his BFA in painting at the Rhode Island School of Design and an MFA in sculpture at Yale University, Suh fulfilled his mandatory service to the South Korean military before returning to his artistic practice. Spatial and psychological migration is a central theme in Suh’s work, particularly as the artist divides his time between New York, London, and Seoul.

Suh’s works question the identity of the individual in an increasingly globalised society and explore how people inhabit public spaces. In his installation Some/One, Suh recalls his time spent in the South Korean military by layering the gallery floor with military dog tags. This work, among several of his others, questions the strength of the individual versus a group. His sculptures and installations defy preconceived notions of large scale works with their intricate detailings. Of particular interest is the notion of home and what constitutes the concept of home. The artist explores this through his works that use transparent fabric to create details from his parents home, and creates ghostly objects that evoke the sense of loss and memory.

Do Ho Suh’s work is held in collections worldwide including at the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Walker Art Center, Minneapolis; Tate Modern, London; Artsonje Center, Korea; and Mori Art Museum, Japan. His Recent exhibitions have included Specimen Series at Lehmann Maupin, Hong Kong (2013-2014), and New Works at STPI, Singapore (2015).

Suh represented Korea at the 2010 Venice Biennale, the 2010 Liverpool Biennial, and the 2012 Gwangju Biennial. A retrospective of the artist’s work was held at the Seattle Art Museum and Seattle Asian Art Museum in 2002.

Read More
{{exhibition.AltText}}{{exhibition.Status}}{{exhibition.Dates}} {{exhibition.ArtistNames}} {{exhibition.Title}}{{exhibition.GalleryLocation}}{{exhibition.GalleryTitle}}
{{gallery.AltText}}{{gallery.ArtFairBoothNo}} {{gallery.Title}}

Sign up to be notified when new artworks and exhibitions by Do Ho Suh are added to Ocula.

 

{{currentArtwork.ArtistName}}{{currentArtwork.Artist.FullName}}

{{currentArtwork.Title}}

{{currentArtwork.Medium}}{{currentArtwork.Medium && currentArtwork.Medium.substring(currentArtwork.Medium.length -1) != ',' && currentArtwork.Edition ? ',' : ''}} {{currentArtwork.Edition}}


{{currentArtwork.Signature}}


{{currentArtwork.Origin}}

Follow favourite artists and galleries, be notified of new artworks and exhibitions, use our price enquiry service and receive the Ocula newsletter. It's free.

Sign Up
 Sign Up with Facebook
By signing up you accept our Terms & Conditions, Privacy Policy and to
receiving the Ocula e-newsletter. Registration with Ocula is free.

WeChat

Scan the QR Code via WeChat to follow Ocula's official account.

iCal GoogleYahooOutlook