Browse Contemporary Artworks

b. 1988, New Zealand

Zac Langdon-Pole's photographic and sculptural practice of found and fabricated artefacts traverses a range of scales from the familial to the celestial, all connected by the artist's interest in memory, translation, and the ordering of social and natural worlds. After gaining a Bachelor of Fine Arts from Elam School of Arts, the University of Auckland, in 2010, Langdon-Pole received a Master of Arts from Frankfurt's Städelschule, Staatliche Hochschule für Bildende Künste in 2015. In a move that exemplifies his abiding concern with extending the limits of artistic authorship, the artist enlisted—for his final graduating project—his then professor, Willem de Rooij, to photograph a relatively unknown waterfall at the south end of Cooks Beach, on the Coromandel Peninsula.

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The Dog God Cycle by Zac Langdon-Pole contemporary artwork mixed media
Zac Langdon-Pole The Dog God Cycle, 2022 Recombined jigsaw puzzles of: Rocky Mountain Landscape (1870), Albert Bierstadt; Pillars of Creation (1995/2014), NASA, ESA, CSA, and STScI
301 x 393 x 4 cm
Michael Lett Request Price & Availability
Untitled by Zac Langdon-Pole contemporary artwork painting
Zac Langdon-Pole Untitled, 2012 Found canvas, un-stretched, reversed and re-stretched
180 x 83.2 cm
Michael Lett Request Price & Availability
Frog A by Zac Langdon-Pole contemporary artwork mixed media
Zac Langdon-Pole Frog A, 2023 Recombined jigsaw puzzles of: The Assuaging of the Waters (1840), John Martin; Carina Nebula (2010), NASA, ESA, Mario Livio (STScI), Hubble 20th Anniversary Team (STScI)
150.5 x 196.8 x 4 cm
Michael Lett Request Price & Availability
Translatio Studii (Revisited) by Zac Langdon-Pole contemporary artwork sculpture
Zac Langdon-Pole Translatio Studii (Revisited), 2022 Bowl fragments, brass staples,
12.7 x 25.3 x 25.3 cm
Michael Lett Request Price & Availability
Majuro Atoll 31.01.2019 by Zac Langdon-Pole contemporary artwork photography
Zac Langdon-Pole Majuro Atoll 31.01.2019, 2019 Sand photogram (500% enlarged), made with sand from the Marshall Islands, Majuro Atoll, archival Hahnemühle fineart print
152 x 200.7 cm
Michael Lett Request Price & Availability
Cleave Study (i) by Zac Langdon-Pole contemporary artwork sculpture
Zac Langdon-Pole Cleave Study (i), 2019 anatomical human-tongue cross-section, Xenophora shell
10 x 5.5 x 11 cm
Michael Lett Request Price & Availability
Majuro Atoll, Marshall Islands 31.01.2019 by Zac Langdon-Pole contemporary artwork photography
Zac Langdon-Pole Majuro Atoll, Marshall Islands 31.01.2019, 2019 sand photogram (1000% enlarged), made with sand from Majuro Atoll, The Marshall Islands, archival hahnemühle fineart print
303 x 400 cm
Michael Lett Request Price & Availability
Cleave Study (ii) by Zac Langdon-Pole contemporary artwork sculpture
Zac Langdon-Pole Cleave Study (ii), 2019 Anatomical human tongue cross-section, Xenophora shell
10 x 5.5 x 9 cm
Michael Lett Request Price & Availability
Concatenations by Zac Langdon-Pole contemporary artwork sculpture
Zac Langdon-Pole Concatenations, 2022 Mixed media
154 x 44 x 44 cm
Michael Lett Request Price & Availability
The Dog God Cycle by Zac Langdon-Pole contemporary artwork mixed media
Zac Langdon-Pole The Dog God Cycle, 2022 Recombined jigsaw puzzles of: Cloud Study (1822), John Constable; Stephan’s Quintet (2022), NASA, ESA, CSA, and STScI,
301 x 393 x 4 cm
Michael Lett Request Price & Availability
Kealakekua Bay, Hawai’i 24.01.2019 by Zac Langdon-Pole contemporary artwork photography
Zac Langdon-Pole Kealakekua Bay, Hawai’i 24.01.2019, 2019 Sand photogram, fiber/baryta-based photographic paper, made with sand from Kealakekua Bay, Hawai’i
62 x 72 x 3.5 cm
Michael Lett Request Price & Availability
Te Whanganui-A-Hei / Cooks Beach 12.06.2019 by Zac Langdon-Pole contemporary artwork photography
Zac Langdon-Pole Te Whanganui-A-Hei / Cooks Beach 12.06.2019, 2019 Sand photogram (1000% enlarged), made with sand from Te Whanganui-A-Hei / Cooks Beach, Aotearoa New Zealand, archival Hahnemühle fineart print
301.2 x 394 cm
Michael Lett Request Price & Availability
Orbits (Cast Dandelion, Rainbow Obsidian) by Zac Langdon-Pole contemporary artwork sculpture
Zac Langdon-Pole Orbits (Cast Dandelion, Rainbow Obsidian), 2019 Anatomical orbital human eye models; resin-embalmed dandelion paperweight; rainbow obsidian sphere; screws.
17 x 20 x 17.2 cm
Michael Lett Request Price & Availability
Orbits (Turritella Fossil Jasper, Rainbow Obsidian) by Zac Langdon-Pole contemporary artwork sculpture
Zac Langdon-Pole Orbits (Turritella Fossil Jasper, Rainbow Obsidian), 2019 anatomical orbital eye models; Turtitella fossil jasper sphere; rainbow obsidian sphere; screws
17 x 20 x 17.2 cm
Michael Lett Request Price & Availability
Orbits (Cast Dandelion, Petrified Sequoia Wood) by Zac Langdon-Pole contemporary artwork sculpture
Zac Langdon-Pole Orbits (Cast Dandelion, Petrified Sequoia Wood), 2019 anatomical orbital human eye models; resinembalmed dandelion paperweight; petrified sequoia-wood sphere; screws
17 x 20 x 17.2 cm
Michael Lett Request Price & Availability
Treptower Park, Berlin 01.05.2019 by Zac Langdon-Pole contemporary artwork photography
Zac Langdon-Pole Treptower Park, Berlin 01.05.2019, 2019 sand photogram, fiber/baryta-based photographic paper, made with sand from the Weltspielplatz in Treptower Park, Berlin
62 x 72 x 3.5 cm
Michael Lett Request Price & Availability
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Ocula presents comprehensive online access to a diverse number of artworks by a broad range of artists. On Ocula you can find artworks by well-known established artists as well as emerging artists.

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Using the tools within Ocula you can learn more about the artist who created the work, share the artwork with others, and enquire as to its availability for purchase, and also its price. Defining contemporary art is both complex and controversial, but the decision to place an artwork within the category usually rests on one requirement: namely, that the artwork was created in the current century, regardless of its medium.

Beyond this simplistic definition, however, it can be difficult to pin down any universal principles that bind the pieces produced by 21st-century artists—though perhaps diversity itself might be understood as a general theme. Developing in parallel with the prevalent theory of postmodernism, contemporary art shares a commitment to pluralism and variety (rather than, that is, to stability and straightforward truth).

Some commentators speak of 'modern contemporary art', with this term's conflation of the modern art and the contemporary art models pointing to the murky boundary that separates the early 20th-century modernist movement from the sprawling latter movement that has ruled the art scene in recent decades.

The two are indeed connected—with the contemporary fine arts essentially an outgrowth of the modern movement—but what definitively separates them is the clear set of principles that all modernist artworks share, as opposed to the relatively absent criteria surrounding contemporary artworks.

For all its experimentalism, though, contemporary art is not entirely anti-traditional, as semblances of prior artistic conditions—be that modernism, impressionism, or realism—can be found hidden within many works. Long-established ideas like the anti-establishment role of art and the artist in society continue to prevail in the contemporary art scene, with visionary creatives across the globe often using their talents to make political statements through art.

The diversity of contemporary art is reflected in the many different artworks presented on the pages of Ocula. On these pages you will find artworks ranging from watercolour paintings, acrylic paintings, oil paintings, video artworks, sculptures, conceptual artworks to fine art photography and prints. Many of these artworks are for sale and you can make an enquiry directly to the Ocula member gallery representing the relevant artist.

In Ocula Magazine, an even wider range of artworks are referenced, including performance works. In considering the artworks on Ocula, we encourage you to not view them in isolation, but to consider how the work might fit into the artist's practice by reading the artist's profile, how the work relates to the artist's exhibition history and by exploring the articles written by Ocula Magazine and / or other publications on the artist.

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