This exhibition was very much inspired by this beautiful building and its verticality. I didn’t want to have works on each floor; I wanted people to come in and experience the building as a wholeness.
The exhibition is layered in groups: it starts with the rainbow sign, then the colored filters, the horizon paintings which define the space, the mandalas, and the sleeping clowns. Each of these layers I used before. Now was the occasion to bring all those groups together in a colorful symphony. Since 2006 my work was mainly guided by natural materials. This was the first time I brought back the whole spectrum of color and made it scream as loud as possible.
If you look up “clown costume” on Google, you can see a huge, huge palette of colors. That was the inspiration for the clown costumes. I made them myself but they were inspired by Google search.
This is the third incarnation of the clowns. The first time they were filmed. It was a film work where they were motionless and you could just hear their breathing. The second incarnation was sculptures of clowns and I did seven sculptures naming them after the days of the week. This is the third incarnation and they’re called Vocabulary of Solitude. Each has a present tense title—from sleep to wake to rise, to walk to piss to shit, like a person who lives 24 hours in one house, or in himself.
They are just being. I want to keep it as open as possible. This is also what I told them to do. They have just to be, and not to interact. Just be by themselves. It’s introspection.
The one logic in the work is the passivity, something you don’t have to fulfill. It’s about isolation and tranquility and dreaminess. All the symbols I use come from the Romantic movement, from the rainbow, from the mask, from the solitary figure to the tree, to the rain painting, snow painting and so on. The Romantic movement was the first movement to include irrationality, and dreams, that’s why it’s important. My profession is not to be logical.
I always say that you don’t have to understand an artwork. You have just to feel it. In my work I use very basic raw symbols, something that everybody can relate to, from a child to an old person, from the East to the West.
Money is a tool that can be used to make things possible. All artists use money to realise their art. Ideally there is a meaningful connection between a sponsor and the sponsored that transcends the financing.—[O]
Breathe, Walk, Die is at the Rockbund Art Museum, 20 Huqiu Lu, near Beijing Dong Lu, Huangpu district, from September 9, 2014 – January 4, 2015.
NB: This conversation was drawn from two interviews, one at the Rockbund Art Museum and one completed over email. The interviews have been edited for sense and concision.