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Cinga Samson: ‘a different conversation on representation’ Ocula Conversation Cinga Samson: ‘a different conversation on representation’ By Jareh Das, New York

Cinga Samson 's paintings lay bare the complex relationship between contemporary life, African traditions, globalisation, and representation. His strikingly sombre portraits contain similarities to those of contemporary painters such as Toyin Ojih Odutola, Lynette Yiadom-Boakye , Kehinde Wiley , Florine Démosthène, and Tunji...

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Dhaka Art Summit 2020: Seismic Movements Ocula Report Dhaka Art Summit 2020: Seismic Movements By Radha Mahendru, Dhaka

Seismic Movements , the fifth Dhaka Art Summit, plotted movements, solidarities, and exchanges across the Global South with over 500 artists, scholars, curators, and thinkers.

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Danh Vo at Winsing Art Place, Taipei: Exhibition Walkthrough Ocula Insight
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Danh Vo at Winsing Art Place, Taipei: Exhibition Walkthrough

At the freshly opened Winsing Art Place in Taipei, works by Vietnamese-Danish artist Danh Vo are being presented in Taiwan for the first time. In this video, the founder of Winsing Arts Foundation, Jenny Yeh, introduces Vo's exhibition.

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HomePage Artists

b. 1976, United Kingdom

Tino Sehgal Biography

Born in London in 1976, the Berlin-based artist Tino Sehgal constructs situations that challenge conventional art-and-spectator relationships, focusing on the fleeting gestures and social subtleties of lived experience rather than on material objects. In Sehgal's works, "players" enact all manner of conversational or choreographic activities: Kiss (2002), for instance, involves two dancers in a gallery whose movements allude to various amorous scenes from throughout art history; while This Situation (2007) takes the form of a salon in which six players enact a conversation game in which each point begins with a statement from the history of political and social thought. Visitors are engaged to participate in the discussion that follows, and thereby help construct the endlessly renewable philosophical practice that the work generates.

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Sehgal's practice has been shaped by his formative studies in dance and economics, and uses the museum and related institutions—galleries, art fairs, and private collections—as its arena. He considers visual art to be a microcosm of our economic reality, as both center on the production of goods and their subsequent circulation. Sehgal seeks to reconfigure these conditions by producing meaning and value through a transformation of actions rather than solid materials. Along similar lines, he refuses documentation of his work through photographs, film, or video—mediums that would reify his work's ephemeral situations and result in ancillary material products that could potentially be bought and sold. On the other hand, Sehgal does not subscribe to an ascetic, unrealistic ideal of a world without financial exchange: His situations may be bought and sold, and are infinitely repeatable. Through this delicate balancing act, Sehgal draws out difficult conversations about the function of art and possible new ways of understanding value, both aesthetic and economic.

Sehgal has had solo shows at the Van Abbemuseum, Eindhoven, Netherlands (2004); Fundao Serralves, Porto, Portugal (2005); Kunstverein Hamburg, Germany; Kunsthaus Bregenz, Bregenz, Austria; and Stedelijk Museum, Amsterdam (all 2006); Institute of Contemporary Arts, London (2006–07); MMK Frankfurt (2007); Walker Art Center, Minneapolis (2007); CCA Wattis Institute for Contemporary Arts, San Francisco (ongoing since 2007); Trussardi Foundation, Villa Reale, Milan; and Magasin 3, Stockholm Konsthall (both 2008); and Solomon R. Guggenheim Museum, New York (2010).

Source: Guggenheim.org

Tino Sehgal Recent Exhibitions

Contemporary art exhibition, Group Exhibition, Life to come at Metro Pictures, New York
Closed
17 January–16 February 2019 Group Exhibition Life to come Metro Pictures, New York

Tino Sehgal Represented By

Tino Sehgal In Ocula Magazine

A Report from Gallery Weekend Berlin Ocula Report A Report from Gallery Weekend Berlin By Rachael Vance, Berlin

The 11th iteration of Gallery Weekend Berlin (1-3 May 2015) further strengthened the German capital’s standing within the contemporary art world. With forty-seven galleries in the official programme hosting new exhibitions, this year’s offering proved May is a particularly good month for art in Berlin. Museums and commercial...

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Tino Sehgal In Related Press

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What to See in Art Galleries Right Now Related Press What to See in Art Galleries Right Now 29 May 2019, The New York Times

What to See in Art Galleries Right Now: Sanya Kantarovsky’s darkly funny eccentrics; Firelei Báez’s empowered mythologies; Chris Ofili’s Calypso; Tino Sehgal’s interpreters; and Carolee Schneemann’s cat collaborations.

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Living memory: Tino Sehgal takes over Paris's Palais de Tokyo with 300 performers, and a few friends Related Press Living memory: Tino Sehgal takes over Paris's Palais de Tokyo with 300 performers, and a few friends 26 October 2016, ARTNews

Passing through a curtain of shimmering, transparent beads, you enter a vast, bare white space with people milling about. Suddenly a young girl walks up to you, gazes into your eyes and leads you into a long, empty gallery. 'What is the enigma?' she asks. She guides you over to a slightly older person, a young woman, who interrogates you...

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Tino Sehgal dances across the line between art and life Related Press Tino Sehgal dances across the line between art and life 21 October 2016, Hyperallergic

It’s Monday, September 26, 2016, an unusually warm and humid autumn night. At the Palais Garnier, a dazzlingly lavish and eclectic Second Empire building located on the Boulevard des Capucines, four new works of dance and ballet are being premiered by Justin Peck, William Forsythe, Crystal Pite, and Tino Sehgal.

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Pierre Huyghe's eerie system fascinates in Tino Sehgal's Paris show Related Press Pierre Huyghe's eerie system fascinates in Tino Sehgal's Paris show 20 October 2016, The Art Newspaper

A site-specific installation about the development of cancer cells by the French artist Pierre Huyghe is becoming a major talking point of Tino Sehgal’s exhibition at the Palais de Tokyo in Paris. Located in the contemporary art centre’s basement, Living/Cancer/Variator (2016) consists of a pool of water, leaking pipes,...

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