I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...
The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...
The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...
With works by Thomas Arnolds, Martin Assig, Michael Bauer, Tim Berresheim, Norbert Bisky, Peter Bömmels, Nicola de Maria, Peter Dreher, Lutz Driessen, Robert Elfgen, Wolfgang Ellenrieder, Max Ernst, Jean Fautrier, Bruno Goller, Wolf Hamm, Thomas Hartmann, Anton Henning, Gerhard Hoehme, K. H. Hödicke, Thomas Huber, Johannes Hüppi, Leiko Ikemura, Olav Christopher Jenssen, Marjorie Jongbloed, Konrad Klapheck, Robert Klümpen, Karin Kneffel, Dieter Krieg, Susanne Kühn, Stefan Kürten, August Macke, Stephan Melzl, Hartmut Neumann, Heribert C. Ottersbach, Simon Pasieka, Ulrich Pester, Stefanie Popp, Roland Schappert, Katharina Schilling, Julia Schmid, Andreas Schulze, Norbert Schwontkowski, Sibylle Springer, Norbert Tadeusz, Gert und Uwe Tobias, Cornelius Völker, Friedemann von Stockhausen, Stefan à Wengen, Thomas Werner
Beck & Eggeling International Fine Art presents the exhibition Geheimnis der Dinge. Malstücke (The Secret of Things. Painted Pieces) from 16 November 2018 to 2 February 2019. The exhibition is curated by Hartmut Neumann and can be seen in an expanded form at the Kunsthalle Recklinghausen in Spring 2019 (17 February-14 April, 2019). The exhibition will be accompanied by a joint catalogue with an introductory text by Dr. Hans-Jürgen Schwalm, Director of the Kunsthalle Recklinghausen. The opening at Beck & Eggeling will take place on Friday, 16 November 2018 from 7 pm at Bilker Straße 5 & 4-6, Düsseldorf.
The Secret of things. Painted Pieces. The depiction of things-and their secrets, too-has a long visual historical tradition. The opulent floral still lifes of Dutch painters hide subtle messages through the meanings attributed to flowers and blooms; the artistic avantgarde of the 20th century was inspired by figures, masks, and cult objects from Africa and Oceania and-with their mysterious and magical significance-they became a fixture of their images. The artists of the Neue Sachlichkeit resisted against a relativisation of the material in their own way. Their works are composed of small details and inconspicuous items, from which a peculiar poetry emanates. An often utterly unspectacular, easily overlooked reality: a sink, a glass, a cactus, or a carcass. No object seemed too banal to conceal a secret or a magic charm.
The 'painted pieces' by the fifty artists taking part in the exhibition present materiality as the greatest common denominator. The images show tangible things, found objects, and everyday utensils, but also surreal forms and abstract objects, painted 'tangibly.' From the classic still life to the assortment of objects, from the cuboid to the smudge: the objects depicted are transformed into painting, and open up a range of pictures celebrating painting in small to very small format: none of the paintings on display are bigger than 50 x 40 cm.
Bestowing a secret upon things: some works hint at an individual significance. Unspectacular objects are celebrated through painterly appropriation. Quietly and subtly painted glasses and vessels store a trace of the absent person who uses, utilises, and leaves behind these things every day. Painterly inventions-rendered on the paintings surface-become secret keepers; thickly-painted colour traces of concepts and still lifes, detailed and encrypted, open up a spectacle of things. Images of images become motifs themselves. But the question concerning the 'secret of things' not only directs the gaze to what is necessarily hidden, but also to what is evident: what do we see in things, what allusions, clarifications, and new insights arise in relation to reality? But some things remain a secret, unexplained and enigmatic. The invitation of this exhibition is to trace this, to find the magic in things, as well as the open-mindedness to tolerate the enigmatic.
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