Simryn Gill (b. 1959, Singapore) draws from her diverse surroundings to create conceptual installations that explore how memory and history affect culture and the landscape. In past works, Gill has assembled casually collected objects and invited the viewer to play with and rearrange them. Recent projects include the Australian Pavilion at the 2013 Venice Biennale.
Text courtesy Beyer Projects.
Our definition of “world” has so far been largely Europe and America. That is changing even today as we go to the Middle East.
Launched in April 2012, the Guggenheim UBS MAP Global Art Initiative charts contemporary art in South and Southeast Asia, Latin America, and the Middle East and North Africa. No Country: Contemporary Art for South and Southeast Asia is the Initiative’s inaugural exhibition. Initially shown in New York, (22 February–22 May 2013), the...
A slew of superstar curators, including ones from the Tate Modern, the Pompidou and the Rubin, are now on board for the upcoming Dhaka Art Summit. The huge biennial of South Asian art, now in its third iteration, will be held in the capital of Bangladesh February 5 through 8, 2016. The show will include commissioned solo works by Lynda...
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