Robert Polidori’s atmospheric photographs of interiors altered by the passage of time and the people who have lived in them are investigations into the psychological implications of the human habitat. He has shot all over the world: decaying mansions in the formerly splendid metropolis of Havana, the colonial architecture of Goa, India; Beirut’s courtyards showing traces of war; the devastation after the Chernobyl disaster; and urban dwellings in China and Dubai among other countries. In 2006, he was commissioned by the Metropolitan Museum of Art in New York to photograph New Orleans in the wake of Katrina.Read More
Polidori’s career as a fine-art photographer began in the early 1980s when he gained permission to document the restoration of the Palace of Versailles. Since then, he has returned to the palace several times to take more pictures, and in every one, his conception of rooms as metaphors and vessels of memory is evident. He produces his interiors by means of a single long exposure in natural lighting. His tonally rich and seductive photographs are the product of a view camera, long hours waiting for the right light, and careful contemplation of the camera angle. Polidori uses large-format sheet film, which he believes produces superior images to digital photography.
Robert Polidori won the World Press Award in 1998 and the Alfred Eisenstaedt Award for Magazine Photography in 1999 and 2000. He has published eleven books and his work is in the collections of the Metropolitan Museum of Art, New York; the Museum of Modern Art, New York; the Victoria and Albert Museum, London; and the Bibliothèque Nationale, Paris.
Text courtesy Sundaram Tagore Gallery.
‘A photograph brings me so much joy, they’re beautiful objects,’ says Sir Elton John, discussing a remarkable collection of 25 works by some of the world’s greatest photographers, to be offered at Christie’s in New York on 6 April 2017. Proceeds from the sale of these works will benefit the Elton John AIDS Foundation (EJAF), an international...
We at AnOther aren’t alone in finding an oddly beguiling beauty in abandoned buildings – in fact, a whole sub-genre of architectural photography, that of 'Ruin Porn', has risen up in celebration of them. When it comes to the ineffable attraction of such decay, Canadian photographer Robert Polidori is something of a connoisseur.
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Sundaram Tagore Gallery and Collective 88, in partnership with Ayala Museum, present 'The World We Live In: Through the Lens of Contemporary Photography', a specially curated exhibition that portrays how contemporary photographers document and interpret the world around us, creating images that are both aesthetically thrilling and deeply...
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