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The Modern Institute In Press Archive

Monuments to Industry: ‘Analog Histories in Primary Colors’ Related Press Monuments to Industry: ‘Analog Histories in Primary Colors’ 15 November 2019, Berlin Art Link

The group exhibition 'analog histories in primary colors' at neugerriemschneider—featuring work by Mike Nelson, Sharon Lockhart and Simon Starling—is a contemplative exploration of the temporal natu

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Urs Fischer: Burning down the house Related Press Urs Fischer: Burning down the house 31 May 2019, VAULT

In March, the National Gallery of Australia will unveil its most recent significant international purchase, Francesco (2017), a sculptural portrait by Urs Fischer of respected Italian art curator Fr

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Urs Fischer presents a dark domestic fairy tale at the Brant Foundation Related Press Urs Fischer presents a dark domestic fairy tale at the Brant Foundation 28 May 2019, The Architect's Newspaper

The Swiss artist Urs Fischer has returned to The Brant Foundation Art Study Center, which first presented a solo show of his work in 2010, with ERROR, a surreal landscape of sculptures, paintings, a

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NGA curator Jaklyn Babington on #askacurator and watching Francesco melt Related Press NGA curator Jaklyn Babington on #askacurator and watching Francesco melt 21 May 2019, Art Guide Australia

In March 2019, the National Gallery of Australia (NGA) acquired Urs Fischer’s four-metre red wax sculpture, Francesco (2017), for their permanent collection. With wicks running through its wax frame

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The Best Things to See at the 2019 Venice Biennale Related Press The Best Things to See at the 2019 Venice Biennale 13 May 2019, AnOther

The 58 th edition of the Venice Biennale, May You Live in Interesting Times curated by Ralph Rugoff–from London’s very own Hayward Gallery–proves to be as interesting as its title promises. Venice

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‘Pressure and stress are viewed in a negative way. But you have to put yourself under pressure’ Related Press ‘Pressure and stress are viewed in a negative way. But you have to put yourself under pressure’ 9 May 2019, The Irish Times

The Shrinking Universe, the exhibition by Ireland’s representative at the Venice Biennale 2019, Eva Rothschild, has just opened in one of the event’s main venues, the vast Arsenale, once the worksho

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'I used to be afraid of colour!' Eva Rothschild, Ireland's dockside voice in Venice Related Press 'I used to be afraid of colour!' Eva Rothschild, Ireland's dockside voice in Venice 9 May 2019, The Guardian

'The weird thing about Venice,' says Eva Rothschild, sitting in her Hackney studio, surrounded by crated sculptural components ready to ship to the Biennale, 'is that it’s the shiniest show in the wor

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The Art Newspaper's pick of the 2019 Venice Biennale Related Press The Art Newspaper's pick of the 2019 Venice Biennale 30 April 2019, The Art Newspaper

There are hundreds of exhibitions in Venice during the Biennale. Alongside the main exhibition in the Giardini and Arsenale, there are 90 national presentations, many in nearby pavilions in the Giardi

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Victoria Morton Related Press Victoria Morton 30 April 2019, Artforum

In comparison to Victoria Morton's past exhibitions (her 2010 solo show at Inverleith House in Edinburgh, for example), the paintings in this presentation, Treat Fever with Fever, felt less schizoph

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The Enigmatic and Ever-Playful Artist Urs Fischer Shows Us His Camera Roll Related Press The Enigmatic and Ever-Playful Artist Urs Fischer Shows Us His Camera Roll 25 April 2019, Interview Magazine

Among the white walls of the galleryverse, the artist Urs Fischer’s works are colourful, colossal, ever playful, and always a little enigmatic. From a towering bust of Katy Perry filled with modelling

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Victoria Morton's painting Soliton goes on show at Kelvingrove Related Press Victoria Morton's painting Soliton goes on show at Kelvingrove 20 April 2019, The Herald

The first of two final paintings—taking the total to 90 since the Hamilton Bequest began in 1927—has been newly unveiled at Kelvingrove. Glasgow artist Victoria Morton's Soliton will hang at the galle

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An Artist on Finding Balance, and His Giant Basketball Sculpture Related Press An Artist on Finding Balance, and His Giant Basketball Sculpture 22 March 2019, The New York Times

Jonas Wood's East Hollywood studio — a refurbished industrial space hidden behind a razor-wired metal gate — is populated with the familiar objects that appear in his paintings. There are colonies o

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Frieze Sculpture 2018: the highlights Related Press Frieze Sculpture 2018: the highlights 4 July 2018, Wallpaper*

Between Wimbledon and the FIFA World Cup, there's been plenty of distractions from London's unusually Mediterranean weather of late.

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Surface Work review – women abstract artists dazzle in historic show Related Press Surface Work review – women abstract artists dazzle in historic show 15 April 2018, The Guardian

There are certain shows that change one's sense of art. Surface Work is one of them. Spread across two sites, it is nothing less than an anthology of abstract painting spanning an entire century, fr

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Inside the Healing L.A. Studio of Artist Thomas Houseago, Where Ghosts (and Brad Pitt) Roam Related Press Inside the Healing L.A. Studio of Artist Thomas Houseago, Where Ghosts (and Brad Pitt) Roam 31 January 2018, W Magazine

Thomas Houseago's drawing studio, in the Frogtown neighborhood of Los Angeles, is smartly outfitted with plywood bookshelves, comfortable couches, and a low table perennially laid out with a stainless

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You Are in Good Hands with Matt Connors Related Press You Are in Good Hands with Matt Connors 11 November 2017, Hyperallergic

During an online search for Lawrence Durrell's writing I found this passage in a review, "Durrell's ideal of the novel is one of haute cuisine with great quantities of pepper and garlic" (Patrick Parr

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Art reviews: Martin Boyce | Nathan Coley | Sahej Rahal Related Press Art reviews: Martin Boyce | Nathan Coley | Sahej Rahal 3 October 2017, The Scotsman

Imagining places in which to explore ideas is a fruitful field for many contemporary artists, from a single room to an entire world. The fact is, architecture is a common language; whether or not we k

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Urs Fischer’s bonfire of the vanities in Florence Related Press Urs Fischer’s bonfire of the vanities in Florence 29 September 2017, Apollo Magazine

Urs Fischer came to public prominence in 2011 when he melted a full-size wax replica of Giambologna's Rape of the Sabine Woman at the 50th Venice Biennale. Giambologna's tour-de-force has stood in the

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Ugo Rondinone 'I ♥ John Giorno' at Various venues, New York Related Press Ugo Rondinone 'I ♥ John Giorno' at Various venues, New York 27 July 2017, Mousse Magazine

Ugo Rondinone: I ♥ John Giorno —the first major U.S. exhibition about the American poet, artist, activist and muse John Giorno—has opened simultaneously across 13 locations in New York City. _I ♥ J

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John Giorno Related Press John Giorno 25 July 2017, artforum.com

I learned early on from the eats, such as Allen Ginsburg and William Burroughs—and the Pop artists too—that archives were very important. This was around the late 1950s, or the beginning of the '60s

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You'd Have To Be Bonkers: Australians In HK Related Press You'd Have To Be Bonkers: Australians In HK 31 March 2017, The Art Life

Is it only a week since Hong Kong? After a blur of skyscraper light shows, bamboo scaffolding, detour signs, cranes and ferries, it’s hard to believe it all happened. For an international art fair roo

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Creature Discomfort: Art in the Cycle of History Related Press Creature Discomfort: Art in the Cycle of History 2 March 2017, Hyperallergic

It makes sense, at this most critical moment, to take a serious look at the art of the 1980s, its political fury and layered poetics, as an anchor in the storm.

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'Juxtapoz x Superflat', curated by Takashi Murakami, Juxtapoz and Toilet Paper Magazine at Vancouver Art Gallery Related Press 'Juxtapoz x Superflat', curated by Takashi Murakami, Juxtapoz and Toilet Paper Magazine at Vancouver Art Gallery 12 January 2017, Art Radar Journal

The exhibition encompasses the idea of producing and disseminating art objects that are simultaneously audacious and nonchalant, critical and benign.

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The year in, and beyond, the galleries of New York: A relatively concise chronicle of highlights and a top 10 list Related Press The year in, and beyond, the galleries of New York: A relatively concise chronicle of highlights and a top 10 list 23 December 2016, ARTnews

The great thrill for all of us right now is that, just 61, Kerry James Marshall has many more years of painting ahead of him.

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