b. 1957, China

Ai Weiwei Biography

Ai Weiwei is China's most recognised contemporary artist. In the past 25 years, Ai has achieved international acclaim for his large-scale installations, political activism, and frenetic online presence.

Read More

Early Life

Ai is the son of renowned poet Ai Qing, a one-time member of the Chinese Communist Party who was accused of 'rightist' opposition to the government the year of his son's birth. The family was subsequently exiled to a labour camp in rural northern China, where they lived for 16 years.

After Mao Zedong's death and the ensuing end of the Cultural Revolution in 1976, the family returned to Beijing, where the young Ai enrolled in the Beijing Film Academy. It was here that he co-founded Stars Group, one of China's earliest avant-garde art collectives.

In 1981, Ai moved to the United States, where he studied at the University of Pennsylvania; the University of California, Berkeley; and Parsons School of Design in New York. However, he ultimately dropped out and made a living by working odd jobs. During this time he took a prolific amount of photographs in New York's East Village and learned about conceptual art, performance, and poetry from friends like Allen Ginsberg—lessons that would inform his developing practice.

In 1993, due to his father's illness, Ai returned to China and found it a changed nation—the pro-democracy Tiananmen Square protests had taken place just four years earlier and surges in materialism, corruption, and environmental problems had accompanied the country's rapid economic development. Inspired by his time in New York, Ai contributed to the creation of the Beijing East Village, an avantgarde artistic community comprising some of the first Chinese performance artists.

Ai Weiwei Artworks

A vocal activist, Ai Weiwei has produced works that have attracted both controversy and state censure. He is well-known for his criticism of the Chinese government, an authority that employs strict censorship and is known for punishing dissenters, and is widely credited with bringing to light human rights issues in China to an international audience.

Dropping a Han Dynasty Urn

Ai's first significant performance work, Dropping a Han Dynasty Urn (1995), was met with widespread outrage. Depicting Ai dropping a 2000-year-old urn at his feet, the work drew connections between the act and Mao Zedong's stance that China must both build a new world and destroy the old one, a sentiment used to justify the sacking of cultural objects and historical signifiers during the Cultural Revolution.

Such wariness of establishment and government has come to characterise Ai's career, and is surmised in a series of photographs titled 'Study of Perspective' (1995–2003), which depict Ai giving the middle finger to structures of power such as Tiananmen Square, Hong Kong's skyline, the Eiffel Tower, and the White House.

Government Clashes

Ai and the Communist Party first clashed in 2005, when the largest internet platform in China invited the artist to begin blogging. Ai posted a constant stream of social commentary, political criticisms, personal writing, and photographs; at one point over 100,000 people were reading per day. Due to its perceived sensitive content, the blog was shut down by authorities four years later. Ai then took to Twitter and Instagram (both banned in China), where his hundreds of thousands of followers are still able to access images of his life and work.

Sichuan Earthquake

In 2008, tragedy struck when an earthquake hit Sichuan province and thousands of children died while studying in shoddily constructed schools. Ai launched a 'Citizens' Investigation', rallying the public to collect the names of the victims in order to memorialise them and shed light on the substandard building conditions that had contributed to the death toll. The government did not approve, and Ai was beaten by police shortly before he was scheduled to testify for one of his collaborators on the project and suffered a cerebral haemorrhage.

One of Ai's most famous photographs, Ai Weiwei in the Elevator When Taken into Custody by the Police (2009), shows him in the elevator with the policemen after the attack. Still, Ai's work about the earthquake travelled to Munich, where it was included in the exhibition So Sorry at the Haus der Kunst from October 2009 to January 2010. Displayed on the museum's façade, the installation Remembering (2009) was constructed from 9000 children's backpacks and spelled out the phrase, 'For seven years she lived happily on this earth', a quote from one of the young victim's mothers. In 2011, the artist was arrested at the Beijing airport by authorities who had branded him as a 'deviant and plagiarist'. His studios were searched, computers confiscated, and Ai and his staff and family questioned. After almost three months of harsh imprisonment, Ai was released after being charged with tax evasion. Yet his passport was confiscated for four years as the artist was 'suspected of other crimes'. He is still under close watch by authorities; indeed, the cameras installed by the police in front of his studio to monitor his activities inspired his marble sculpture Surveillance Camera (2010).

Technique and Later Themes

A multiplicity of materials and large scale is characteristic of Ai, who is known for repeating and modifying simple materials, as seen in the millions of porcelain seeds for his 2010 Tate Modern project 'Sunflower Seeds', and his accumulation of 886 wooden stools for his installation Bang at the 2013 Venice Biennale.

Ai's focus has since included the migrant emergencies in the Middle East. The artist has travelled extensively to refugee camps and the shores where migrants enter Europe to conduct research and document the humanitarian crisis.

Law of the Journey (2017–2018) featured a 230-foot-long inflatable raft carrying 258 faceless refugee figures, while thousands of lifejackets collected from asylum seekers in Lesbos made up the installation Soleil Levant (2017) in Copenhagen. The installation saw the façade of a major building adorned with the bright orange safety vests. Other recent projects have focused on surveillance, drones, and political prisoners.

Website

Ai Weiwei's website can be found here.

Alena Kavka | Ocula | 2021

Ai Weiwei Featured Artworks

View All (45)
Zodiac Rabbit by Ai Weiwei contemporary artwork mixed media
Ai Weiwei Zodiac Rabbit, 2018 Lego bricks
115 x 115 cm
Tang Contemporary Art Contact Gallery
Zodiac Dragon by Ai Weiwei contemporary artwork mixed media
Ai Weiwei Zodiac Dragon, 2018 Lego bricks
115 x 115 cm
Tang Contemporary Art Contact Gallery
Pequi Tree Miniature by Ai Weiwei contemporary artwork sculpture
Ai Weiwei Pequi Tree Miniature, 2021 Miniature sculpture composed of tin; produced at a 1/100 scale after the artist's sculpture 'Pequi Tree', 2018–2020
31 x 11 x 8 cm
Dellasposa Gallery Contact Gallery
Zodiac·Chicken by Ai Weiwei contemporary artwork painting, sculpture
Ai Weiwei Zodiac·Chicken, 2018 LEGO bricks
115 x 115 cm
Tang Contemporary Art Contact Gallery
Tyre by Ai Weiwei contemporary artwork sculpture
Ai Weiwei Tyre, 2017 Marble
123 x 103 x 110 cm
Chambers Fine Art Contact Gallery
Fairytale People by Ai Weiwei contemporary artwork photography
Ai Weiwei Fairytale People, 2007 C-print
100 x 100 cm
Galerie Urs Meile Enquire

Ai Weiwei Recent Exhibitions

View All (12)

Ai Weiwei Represented By

Galerie Max Hetzler contemporary art gallery in Bleibtreustraße 45, Berlin, Germany
Galerie Max Hetzler Berlin, London, Marfa, Paris
Galerie Urs Meile contemporary art gallery in Beijing, China
Galerie Urs Meile Beijing, Lucerne
Lisson Gallery contemporary art gallery in Lisson Street, London, United Kingdom
Lisson Gallery East Hampton, London, New York, Shanghai
Tang Contemporary Art contemporary art gallery in Beijing, China
Tang Contemporary Art Bangkok, Beijing, Hong Kong

Ai Weiwei In Ocula Magazine

View All (36)

Ai Weiwei In Related Press

View All (87)

Ai Weiwei In Video & Audio

Sign up to be notified when new artworks and exhibitions by Ai Weiwei are added to Ocula.
Sign Up