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Sunjung Kim’s Real DMZ Project Interrogates the North and South Korea Divide Ocula Conversation Sunjung Kim’s Real DMZ Project Interrogates the North and South Korea Divide

Ongoing since 2012, the Real DMZ Project interrogates the demilitarised zone (DMZ) between North and South Korea through annual, research-based exhibitions that bring together the works of Korean and international artists. Sunjung Kim, the independent curator behind the project, conceived the idea of exploring the DMZ while curating Japanese artist...

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Sydney Lowdown: Exhibitions to See Ocula Report Sydney Lowdown: Exhibitions to See 6 Sep 2019 : Elyse Goldfinch for Ocula

The fifth edition of Sydney Contemporary will take place once again at Carriageworks between 12 and 15 September 2019, with Spring 1883 bringing together a cohort of 27 galleries from across Australia and the region to inhabit rooms at the Establishment Hotel from 11 to 14 September 2019, uniquely presenting contemporary works propped up on...

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Mark Bradford’s Call for Unity at Shanghai’s Long Museum Ocula Insight | Video Mark Bradford’s Call for Unity at Shanghai’s Long Museum 16 August 2019

Mark Bradford walks through Mark Bradford: Los Angeles Mark Bradford: Los Angeles at the Long Museum West Bund in Shanghai (27 July–13 October 2019) is the artist's largest solo exhibition to date in China. In this video for Ocula, Bradford and Diana Nawi, curator of the show, walk through selected works that convey the artist's concerns with...

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Colin McCahon

(1919 - 1987), New Zealand

Colin McCahon is recognised as New Zealand’s most significant artist of the twentieth century, exploring in his work, questions about spiritual faith and religious doubt for more than 40 years. Although tutored by R.N. Field from 1937 to 1938, McCahon was largely self-taught, influenced by Romanticism that later encompassed Maori spirituality and then post Abstract Expressionism. His earliest mature works (1947-50) depicted Christ’s suffering and resurrection relocated in the New Zealand landscape and influenced by early Italian Renaissance painters such as Giotto. 

In 1953 McCahon moved from Christchurch to New Zealand's main city, Auckland, taking up a position on the staff at the Auckland City Art Gallery. In 1958 he visited the United States where his discovery of Abstract Expressionism influenced the scale and ambition of his painting.  This resulted in works such as the Northland Panels (1958), which represented an unprecedented philosophical engagement with the New Zealand landscape and an assimilation of international practice.

In Ocula Magazine

Auckland Art Exhibitions: The Lowdown Ocula Report Auckland Art Exhibitions: The Lowdown 22 May 2018 : Anna Dickie for Ocula

The time is ripe to galvanise New Zealand's public to more fully support its visual arts. With New Zealand-born artists like Simon Denny, Michael Stevenson and Francis Upritchard continuing to gain international acclaim, and a Turner Prize nominee in Luke Willis Thompson, the international art world is beginning to take notice of this small...

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In Related Press

Must-See Art Exhibitions to Check Out in Auckland This Winter Related Press Must-See Art Exhibitions to Check Out in Auckland This Winter Concrete Playground : 26 August 2019

The weather's a bit shit so you can't go to the beach, you've binge-watched all your favourite shows, and you fear for your safety stepping outside with Auckland's current random tendency for mini tornados and roof-ripping winds. What is there left to do but take in some culture, via Auckland's glorious plethora of warm, dry art galleries?

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Christchurch Art Gallery reopening will reunite city with art Related Press Christchurch Art Gallery reopening will reunite city with art The Press : 16 December 2015

Christchurch people are about to be reunited with an art collection hidden from sight for nearly five years. The reopening of the Christchurch Art Gallery on Saturday will mean the city's art collection will be on display once again. The collection has been in safe storage since the gallery closed after the February 2011...

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Compatible Partnership or Domination? Related Press Compatible Partnership or Domination? EyeContact : 31 July 2015

With its official opening last Saturday morning, the latest transmutation of the Govett-Brewster Art Gallery is now open for public inspection, alongside its dazzling new neighbour and partner (by virtue of sharing the same director), the Len Lye Centre. New Zealand Aotearoa’s art communities will watch Simon Rees with interest as he...

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