Venezuelan-born artist Jesús Rafael Soto trained at an art school in Caracas. In 1950 he moved to Paris, which remained his base until his death in 2005. In 1955 Soto participated in Le Mouvement (The Movement) at Galerie Denise René, the exhibition that effectively launched kinetic art. During the same decade, he began making linear, kinetic constructions using industrial and synthetic materials such as nylon, Perspex, steel, and industrial paint.
Read MoreMajor exhibitions of Soto’s work took place at Signals London (1965); the Museum of Contemporary Art Chicago (1971); the Solomon R. Guggenheim Museum, New York (1974); and Musée National d’Art Moderne, Paris (1979). For each of these exhibitions, the artist used swaying nylon thread or plastic string to turn the gallery space into an all-encompassing, kinetic installation, in which the experience of the spectator within the constructed environment was central to the work’s meaning. Soto’s sculptures and environments often play with the juxtaposition of solid and void, deliberately unsettling the act of viewing by blurring the distinction between reality and illusion.
Text courtesy Perrotin.
