SP-Arte: Artwork Selections
Advisory Perspective

SP-Arte: Artwork Selections

By Tessa Moldan | São Paulo, 31 March 2022

In this selection, we preview a collection of artworks on view at São Paulo's upcoming art fair SP-Arte by artists from South America spanning different generations and media. From historic artists such as Lygia Clark at Gomide&Co to contemporary names including Erika Verzutti at Fortes D'Aloia & Gabriel, this year's edition is set to be a vibrant affair.


Antonio Henrique Amaral, O nascimento da folha (1997). Oil on canvas. 128 x 183 cm.

Antonio Henrique Amaral, O nascimento da folha (1997). Oil on canvas. 128 x 183 cm. Courtesy Casa Triângulo.

Antonio Henrique Amaral at Casa Triângulo

First studying law at the Universidade de São Paulo in 1952, Antonio Henrique Amaral pursued a career in art after seeing modern works at the 1st Biennial in São Paulo in 1951.

Studying under Roberto Sambonet and later Lívio Abramo, the artist held his first solo exhibition in 1958 when he was just 23 years old.

Known for his paintings of tightly bound bananas made between 1967 and 1977 that comment on repression in Brazil as a result of the military dictatorship, his later works, such as this one, are playful and colourful with erotic allusions.


Arthur Luiz Piza, Apanhador de sonhos (2015). Galvanised wire and painted zinc. 57 x 63 x 46 cm.

Arthur Luiz Piza, Apanhador de sonhos (2015). Galvanised wire and painted zinc. 57 x 63 x 46 cm. Courtesy Galeria Raquel Arnaud.

Arthur Luiz Piza at Galeria Raquel Arnaud

Arthur Luiz Piza made his name in etching, receiving awards at the 1959 São Paulo Biennale and at Documenta Kassel in 1959 for his approach to the printmaking process.

Having studied painting under Antonio Gomide throughout the 1940s in São Paulo, Piza relocated to Paris in 1953, where he worked alongside colour etching master Johnny Friedlander, experimenting with aquatint as well as more sculptural approaches, including incising copper plates with designs.

This more recent work, created two years before Piza's death in 2017, reflects the artist's continued experimentation with bringing forms into space, with painted zinc shapes hovering in a cloud of galvanised wire.


Carlos Cruz-Diez, Physichromie Panam 88 (2012). Chromography on aluminium. Edition 7/8. 50 x 50 cm.

Carlos Cruz-Diez, Physichromie Panam 88 (2012). Chromography on aluminium. Edition 7/8. 50 x 50 cm. Courtesy Galeria Raquel Arnaud.

Carlos Cruz-Diez at Galeria Raquel Arnaud

Alongside artists Jesús Rafael Soto and Alejandro Otero, Carlos Cruz-Diez was at the forefront of a new wave of artistic expression in Venezuela in the 20th century.

The artist's kinetic works and architectural structures prioritised the experience of colour, which he perceived as its own autonomous entity.

Cruz-Diez's iconic 'Physichromie' series brings together vertical sheets that interact with light and with one another, so that new ranges of colour that are not present within the structure are generated.

The artist's work has been included in major solo and group exhibitions at galleries and institutions around the world, including La Patinoire Royale, Brussels in 2019; Museum für Concrete Kunst, Ingolstadt, Germany in 2018; and Puerta Roja Gallery, Hong Kong in 2017.


Alex Cerveny, Terceira Margem (2022). Oil on canvas. 18 x 24 cm.

Alex Cerveny, Terceira Margem (2022). Oil on canvas. 18 x 24 cm. Courtesy Gomide&Co.

Alex Cerveny at Gomide&Co

Born in 1963 in São Paulo, Alex Cerveny has established a multimedia practice of surrealistic drawings, paintings, engravings, and sculptures that blend text and imagery to create fantastical worlds.

Nature comes together with biblical and mythological figures, while the texts are drawn from a variety of sources spanning the ages, all rendered with incredible attention to detail.

As the artist has explained, 'I feel more a writer who writes images . . . The tradition that I appreciate in art is that of telling stories, as altarpieces, as Assyrian walls that tell stories of battles...'


Erika Verzutti, Micropolítica (2021). Acrylic on papier-mâché and new clay. 47 x 59.5 x 6 cm.

Erika Verzutti, Micropolítica (2021). Acrylic on papier-mâché and new clay. 47 x 59.5 x 6 cm. Courtesy Fortes D'Aloia & Gabriel.

Erika Verzutti at Fortes D'Aloia & Gabriel

Since graduating with a Postgraduate Diploma in Fine Arts from Goldsmiths in 1999, Brazilian artist Erika Verzutti has developed a unique visual language made up of playful, tactile forms.

Last year, the artist's work was included in a series of solo exhibitions at galleries and institutions including Alison Jacques and Nottingham Contemporary in the United Kingdom, Museu de Arte de São Paulo, and an online presentation with Andrew Kreps Gallery.

Using materials such as papier-mâché, clay, and bronze, Verzutti has the ability to transfer a sense of weightlessness to her objects, as emphasised here by her delicate placement of matches.


Lygia Clark, Fábrica – Chaminé (1951). Oil on canvas. 55 x 46 cm.

Lygia Clark, Fábrica – Chaminé (1951). Oil on canvas. 55 x 46 cm. Courtesy Gomide&Co.

Lygia Clark at Gomide&Co

Concerned with the multisensory possibilities of art, Lygia Clark was dedicated to creating geometric abstract works, sculptures, and installations centred on viewers' participation with them.

This painting was created on the cusp of Clark's focus on hard-edge abstraction, featuring cubist elements that may have originated during her time studying under Fernand Léger as well as Árpad Szenes and Isaac Dobrinsky in Paris between 1950–1951.

Her shift between figuration and abstraction continued until 1958, after which she joined the Neo-Concrete art movement. The group, which included artists such as Lygia Pape, Franz Weissmann, Sergio de Camargo, and Ferreira Gullar, eschewed rational approaches to art-making in favour of expressive, sensual forms.

Main image: Antonio Henrique Amaral, O nascimento da folha (1997) (detail). Oil on canvas. 128 x 183 cm. Courtesy Casa Triângulo.


WORKS

Mergulho by Alex Červený contemporary artwork painting, works on paper, drawing
Alex Červený Mergulho, 2013 Watercolour, graphite and silver foil on paper
90 x 125 cm
Fortes D'Aloia & Gabriel
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Carangola by Alex Červený contemporary artwork painting
Alex Červený Carangola, 2021 Oil on canvas
35 x 27 cm
Fortes D'Aloia & Gabriel
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O vulcão by Alex Červený contemporary artwork painting
Alex Červený O vulcão, 2020 Oil on canvas
25 x 35 cm
Fortes D'Aloia & Gabriel
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Estruturas de caixas de fósforos preto/branco by Lygia Clark contemporary artwork sculpture
Lygia Clark Estruturas de caixas de fósforos preto/branco, 1964 Gouache, matchboxes and glue
6 x 6 x 8.5 cm
Fortes D'Aloia & Gabriel
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Homeopatia by Erika Verzutti contemporary artwork sculpture
Erika Verzutti Homeopatia, 2018 Bronze, oil and acrylic paint
102 x 83 x 7 cm
Andrew Kreps Gallery
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Feng Shui (Cemetery of paint) by Erika Verzutti contemporary artwork mixed media
Erika Verzutti Feng Shui (Cemetery of paint), 2018 Oil and acrylic on papier-mâché
87 x 105 cm
Andrew Kreps Gallery
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Tartaruga na chuva by Erika Verzutti contemporary artwork painting
Erika Verzutti Tartaruga na chuva, 2021 Acrylic on aluminium
77.5 x 58 x 4.5 cm
Fortes D'Aloia & Gabriel
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Chromointerference Spatiale Paris 31 Caribiana by Carlos Cruz-Diez contemporary artwork sculpture
Carlos Cruz-Diez Chromointerference Spatiale Paris 31 Caribiana, 2019 Chromography on aluminium and elastic cords
100 x 150 cm
La Patinoire Royale | Galerie Valérie Bach
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Physichromie Panam 90 by Carlos Cruz-Diez contemporary artwork painting, sculpture
Carlos Cruz-Diez Physichromie Panam 90, 2012 Chromography on aluminium, PVC
50 x 50 cm
Galeria RGR
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Bicho em Si - Pq by Lygia Clark contemporary artwork sculpture
Lygia Clark Bicho em Si - Pq, 1966 Aluminium
29.8 x 30.5 x 29.8 cm
LGDR
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